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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
PICTURE LP Vinyl in 360gsm Gatefold sleeve with printed insert. Limited to 300 copies. NO REPRESS!
Yoth Iria is the brainchild of Greek black metal veterans Jim Mutilator and The Magus - the duet which developed and pioneered the underground scene back in the day.
Yoth Iria's music is an amalgam of the influences and visions of its creators. Dark, diabolical, emotional, powerful and majestic. A fresh look into '90s Greek occult black metal with a nostalgia of the past and a look into the future.The debut full-lenght album "As The Flame Withers" was recorded and completed at the famous Pentagram Studio with George Emmanuel (Rotting Christ, Septicflesh, Lucifer’s Child, Acherontas etc). The artwork was completed by Harnasash Singh.
Jim Mutilator was the first bassist and a founding member of the legendary Greek black metal band Rotting Christ. In 1985, at the age of 14, he started a band called Black Church with the Tolis brothers. Two years later the trio went on to form Rotting Christ. He was also the first bassist in Varathron. He appears on both Rotting Christ’s Thy Mighty Contract and Varathron’s His Majesty at the Swamp, two of Hellenic black metal’s most recognised and defining albums. He also participated in the most important black metal tour back in the day, which included Blasphemy, Immortal and Rotting Christ. He left Varathron in 1993, shortly after their full-length debut. He did two more albums with Rotting Christ, Non Serviam and Triarchy of the Lost Lovers before leaving in 1996. However, he contributed lyrics to Rotting Christ all the way up until the Sleep of the Angels album.
The Magus is a Greek musician (bass, keys & vocals) and producer, well known for his work in the Greek black and death metal scenes. He formed Necromantia in 1989 together with Baron Blood (RIP), one of the most influential and avantgarde bands of the scene. A formidable composer and a sinister lyricist, his musical projects and colaborations involve: Rotting Christ, Thou Art Lord, Diabolos Rising, NAOS, Raism, Principiality of Hell among others. He is credited for shaping the ”Hellenic sound” of black & death metal.
- Transparent Black Marbled Heavyweight (180gsm) Vinyl Limited to 150 copies
- Thick Sleeve (360gsm) with glossy UV varnish
- 12-page booklet 12,5x25cm printed on art paper
- poster 50x50cm on art paper
- black poly-lined innersleeve
- PVC overbag
Debut album of Sweden-based black metal entity Wékeras. Jewelcase CD with booklet.
"Do wirów, do krzyków!" is a testament to the band's continued evolution, drawing inspiration from the chilling intensity of the Norwegian black metal scene (Burzum, Emperor) and the primal aggression of first-wave influences like Bathory and Venom. Lyrically, the album delves deep into the unsettling realms of primitive magic, Slavic folklore, horror, and demonology.
Limited to 400 copies Galaxy Green Vinyl. 370gsm gatefold cover with printed insert.
Third album from Furia re-released on LP format with new mastering made specially for vinyl!
Reissue of the second Furia album. Limited edition of 400 copies on GREEN GALAXY VINYL.
370G cover with UV SPOT and matt lamination, 220g printed innersleeve, alternate graphic design than CD.
- mastered for vinyl by Satanic Audio.
- clear 12" 180 gr. wax limited to 150 pcs.
- cover (350 gsm) with gold print and glossy finish
- 12-page insert 30x30cm with texts and photos
Second album of the trilogy on yellow and red marbled 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
Limited to 250 copies worldwide!
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
