Vinili

By now, Denial of God should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.
Of course, the journey has never been easy, and such is the case with the band's now-classic debut album, The Horrors of Satan, originally released in 2006. Although a debut album is usually a momentous event for most bands, The Horrors of Satan almost never came to be because of lineup problems. Drummer Sorgh left the band in 1999, just after the release of the mini-album Klabautermanden and just when work was about to begin on DENIAL OF GOD's first full-length. After this, the band worked with session drummer R. Salskov for about three years and songwriting progressed well, when also this lineup fell apart and left the band a two-piece of vocalist Ustumallagam and guitarist Azter. Things looked bleak for the future when no new drummer for years was found, but in 2005, finally, Galheim joined the band and helped incarnate what is now considered the band's classic lineup. Work was immediately assumed for the first album, and in 2006, The Horrors of Satan was finally recorded and released, comprising material that was written from the ‘90s to shortly before the actual recording.
Furthering DENIAL OF GOD's by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band's live sets today - a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.
At long last, The Horrors of Satan is back on vinyl again for the first time in 14 years, with CD and cassette versions also to be widely available. Experience this resounding classic again, or for the first time!

Reprint, 190 x black vinyl 2x12" (180g), 12 page vinyl sized booklet , full-color on 140g offset art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

After their first lash from the devil's tail that came out of nowhere, DUIVEL is now releasing their first full-blown attack upon this world. An audial vomit orchestra, straight from the mouth of Satan, "Tirades uit de Hel" brings you hateful black metal from the days of yore. Prepare to be scorched by purgatory fires and trampled by sulphuric hooves! There is no saviour, only demise! Pure uncompromising black metal hell from The Netherlands, this is a fresh nail in God's coffin. Oh, rejoice, vermin of the shadows!

Line-up:
Guitars - N (Urfaust, Botulistum, ex-Fluisterwoud)
Drums - D (D.R.E.P.)
Bass - P (Black Anvil)
Synth - K
Vocals track 1, track 3, track 5 - S (Galgeras, ex-Fluisterwoud)
Vocals track 2 - B (ex-Lugubrum)
Vocals track 4 - W (Urfaust, The Spirit Cabinet)
Vocals track 6 - V (Vaal, Ravenzang

One of Greece's best-kept secrets, HATE MANIFESTO formed in 2003 but, so far, have an extremely sparse discography. However, what they lack in quantity, they more than double-up on in quality. To Those Who Glorified Death, their debut album from 2017 - which HELTER SKELTER rereleased on a worldwide scale in early 2018 - displayed the shockingly extreme force with which HATE MANIFESTO could create their whirlwind of martial black/death. But with the aptly titled Herald of Triumph do they fully display the armament of their potential. Comprising four fierce 'n' fiery tracks in a swift 'n' decisive 17 minutes, Herald of Triumph is full-on shock & awe - CRUSH, KILL, DESTROY - with HATE MANIFESTO's chosen weapons being the iron-fisted surge of black metal and the muscular swarm of death metal, all rendered in rich, devastating tones.

Cold black metal from Unreqvited mastermind

Classic black vinyl edition of 300 

Innersleeve printed with lyrics 

Förslavad is the second release from the Swedish black metal band Avslut.
An EP with three eminent tracks, this is the first stage of what to expect for the full-length album to be released later this year. With the concept of writing misanthropic lyrics in Swedish, and composing distinctive riffing with dark melodies, the band continues its desolation.
Let us guide you through the aphotic path of mortal extinction.

300 x black 12" (140g) - SIDE B SILKSCREEN PRINT, innersleeve full-color on 220g, jacket full-color on 350g, all assembled in a PVC overbag. 

HERETICAL SECT is a reclusive collective fixated on the physical and spiritual genocides of the Southwest. 

The Southwest; represented through a nostalgic lense of cowboy culture, rarely exposes the most brutal atrocities of American history. Churches chained shut and lit on fire with the congregation inside, severed limbs piled in the streets, and disease and slavery are burned into the memory of the landscape. These horrors are sonically juxtaposed against the natural beauty of the high desert. Expansive skies, deep canyons, painted red rocks, all witnesses to untold butchery and grief. 

HERETICAL SECT features members of other prominent Santa Fe (NM) bands, yet members remain hooded and anonymous. Although the band rarely appears live, it is a primary conceptual entity for its members. May all life learn to die.

Exclusive gatefold double LP, including A2 size poster & insert (limited edition of 500 units) 

Infused with the same spirit as the preceding EPs, with Into the Wild VOODUS has honed their craft to its most fierce and finessed essence. This record is indeed a wild and winding ride through the murky depths of starkly melodic yet crypt-pure black metal. Their sound is staunchly rooted in the 1990s - with ice-cold melodies racing across the searing surge of black metal – but breathes a refreshing sense of dynamics and pacing. VOODUS does not engage with the blast-a-thons of old, the indiscernible blur of one song protracted over 30-plus minutes. Instead, the quartet unloads expert compositional variety here, with memorable melodicism constantly at the forefront - all of it framed in a clear and cutting production courtesy of the esteemed Necromorbus Studio. And it's a truly epic experience clocking in at 61 minutes, allowing the listener's wanderlust to truly run wild. 

2018 re-release in black gatefold vinyl by AOP Records.
Artworks are done from the original photo used on the highly limited digipack from 2012

NEAR MINT

Anomalie are a 1 man band from Sweden that plays a mixture of black metal, post metal and depressive rock
 

BLACK METAL from Trondheim, Norway. 
With no shortage of bands striving for anonymity purely for imagery and the sake of being “mysteriious”, draped in cloth from top to toe, there are still those who prefer lurking in the shadows without documenting it on various social media platforms. 

With nothing from the past to reference, with no egos up front and center, and with no previous bands to name drop, Misotheist has only the music to showcase - which speaks for itself. Striking out from the darkness like a razor sharp knife, this sonorous and merciless first release leaves a compulsion for more.