Vinyl

Eighth album by the legendary Handful Of Hate, once again a fierce demonstration of how black metal should be done. Violent, dark, unsettling!

Reissue of Fuath's debut album from 2016

A new black metal project created by vocalist and multi-instrumentalist Andy Marshall, better known as the mastermind behind Celtic black metal act Saor.
Unlike Saor, which finds Marshall focusing mostly on a folky and epic black-metal, here the musician delves into a darker and more melancholic side of black metal, marrying fierce and harsh riffs, unrelenting double-kick drums and raspy screams with melancholic melodies and hypnotic, gloomy ambiences.
 
 

The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download. 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download. 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

With this work, SEDNA reach a new synthesis of their sonic language. The album reveals a sound that is raw and instinctive yet more self-aware, one that merges the ferocity of black metal and the weight of sludge and post-metal with a refined melodic sensibility. It is an album that feels like both an open wound and a catharsis: visceral, direct, yet contemplative and profoundly human. While atmospheric black metal remains the most accurate label, to confine SEDNA within a single genre would be limiting. Their music is made of nuances and deviations, a sonic flow that crosses darkness in search of balance between aggression and introspection. “Sila Nuna” stands as the testimony of a fully matured vision, from a band that has learned to turn chaos into form and tension into language 

White 12" (140g) in a black poly-lined innerbag, printed innersleeve, full-color on 220g carton (coated paper), simple jacket, B/W printed on 350g carton, coated paper, all assembled in a plastic overbag.

With Embrace of Memory (originally released in 2005), Darkestrah reaffirmed their status as one of the most distinctive bands in the black metal scene integrating traditional melodies, instruments, and rhythms into an intense and atmospheric sound that reflects both their cultural roots and their continued evolution.
Founded in Kyrgyzstan and now based in Europe, the band has long stood apart for blending the raw power of black metal with the rich traditions of Central Asian music.
Now reissued as CD, LP and Cassette, with a remastered audio and an updated layout.

Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel.

Reprint, 300x citrus 12" (180g) in a black poly-lined innerbag, BOOKLET: 16pp., full-color on 180g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

 Reprint, 300x cherry red 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.

Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late '90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.

 Pandemonium of Egregores, the new opus of MUTIILATION, slightly more melodic than its predecessor, will take you on a journey to the borders of death.
From rural curses to urban hell, four dark pieces depict Meyhnach's universe and his vision of the world