€0.00
Your cart is empty
Selling vinyl - Extreme Metal and Dark music
Formed in Rome in 1984, this is a newly mastered release of ARPIA's first demo tape from 1987. To be released on Double LP and 6 panels Digipak CD through Boomland Records and Unseen Forces in late 2021.
IRON BONEHEAD PRODUCTIONS is proud to present KERASFÓRA's striking debut demo, Denn die Todten reiten schnell, on 12" vinyl format.
Originally released in 2021 on CD and cassette in their native Chile, KERASFÓRA's Denn die Todten reiten schnell is an obsidian gem like few others in the nowadays black metal scene. Its mesmerizing mysticism sounds utterly ancient, yet doesn't nod too conspicuously nor too often to any '90s touchstones. From its regal gait to the hypnotic usage of synth, the one-man KERASFÓRA evokes forgotten realms and vast vistas of wonder, locked into a dream state that's equally liberating and frightening. As such, Denn die Todten reiten schnell is both grim and gorgeous, fully within the realm of raw black metal but evincing a view that aims for the Beyond - and well beyond it.
- 300gsm Jacket with inside flooded in black and matt varnish
- 140g Black Vinyl
- 150gsm Art Paper Insert
- Limited to 300 copies
Compilation Picture Disk including:
-Knights Of Hell 7''
-Eternal Proscription 7''
-Beastfuck MLP + bonus track
Limited edition
- 350gsm Gatefold Jacket with inside flooded in black and matt varnish
- 2x 140g Black Vinyl
- 250gsm Art Paper Insert
- Limited to 400x Black Vinyl
First demo reissued on vinyl. Sticker on envelope. Include lyrics \ credits two side printed insert.
Limited to 150 copies on black vinyl.
Enregistré par C.B. & C.L. durant l'année MMXVII. (Recorded by C.B. & C.L. during the year MMXVII.)
PLEASE NOTE: this item will be included in label Circle of Wax initiative/series (Bundle #4 - March/April 2022). If you subscribed to it or simply plan to purchase the current bundle please restrain from ordering a single copy here!
For the last two decades, Portuguese Black Metal have been carving its unhallowed dagger in the heart of the Underground with a myriad of entities devoted to the darkest, most ignominious edges of such Sacred Art. One of the most emblematic and infamous hordes spawned from that cluster of void were satanic mercenaries Infernüs. Handling its heinous path for almost 20 years, the group have summoned an array of demos dating back to the early 2000s, vicious onslaughts that hatched a cult status to the band and left a trail of chaos and destruction in the cauldron of the Underground of said times. After a last 2007 recording and a series of memorable live rites, Infernüs vanished towards an unfathomable slumber, a silence which left a cloud of uncertainty on the minds of devotees of the group’s malignant fire and one which in 2016 ceased to persist after an astounding return, on a special occasion. Emerging from the infernal pits of Hell, Infernüs engraved its trail of blood and putrid flesh at the Invicta Requiem Mass I, a distinct ritual with fellow Portuguese nefarious ensemble Mons Veneris. Recorded for posterity, the ceremony cast on a bleak October night in 2016 was a memorable primeval assault which presented the band in full strength with its imperial blast of madness and diabolical fervor for delight of a pack of rabid adherents under the spell of its infernal hounds. During the 45-minute strike, the Portuguese titans have gathered a roast of new anthems of satanic fanaticism and dreadful hymns from the dark past that painted the walls in blood and brought forth the fire and death worship of pure unprecedented sacrilegious might. The blast of every expelled word endorsed a frenzy of devilish and chaotic possession from the blazing crowd, a reaction and assent that attested the charisma of the arrangements, combined with a rhythmic display of power and skill, the dynamic backbone to such psalms’ strain and potent edge and one which is here captured with outright power and vibrancy. The ungodly hymn Cristo em Chamas stands as a highlight of an infernal performance and evening of boundless, blasphemous Black Metal, a profane sermon attesting the strength and craft of the Portuguese scenery and one of its most charismatic forces. Released on a joint conspiracy between Harvest of Death and Purodium Rekords on a 12” LP edition, limited to 300 copies (100 white vinyl, 200 black vinyl), Live at Requiem Mass I stands as an uncanny testament to the revenge of the bloodlust behemoth Infernüs, a night of absolute worship to the Black Arts, carved for the next thousand years of darkness and ruin.
Hailing from the Basque country of Spain, the wretched entity called SEPULCHRAL crawled out of the coffin in 2016. Main composer, Dusk, gathered some ghouls to deliver an unrelentless form of putrid metal of death in the form of 2 demos and one EP. Now SEPULCHRAL arise from the tomb with their first full-length, packed with catchy, putrid, crusty death metal that will make you jump from your coffin!
Turkey may seem an unlikely land for Death Metal of supreme quality to hail from (at least for those who are not yet aware of its brooding underground scene), yet it is home to many of the finest acts of the genre historically and currently.
One of these heavyweights are DIABOLIZER whom have returned from the depths to follow their 2016 EP with a debut full length. Blisteringly heavy from the very onset with a ruthless set of tight guitar work, technical yet old school atop a mountainous array of blasting drum work with such ferocity that all temples will shake in the sonic fury of DIABOLIZER.
The rupturing vitriol of the vocals is equally daunting with the full band delivering such a precise and extreme example of Turkish Death Metal that happily lives up to the legacies of the scene, unsurprisingly as the whole band features in a plethora of other superb bands too.
This cavernous and punishing album punches in with a full 47 minutes of superior Death Metal artistry that conjures Lovecraftian visions with tormenting brutality and uncompromising quality that will severely injure all whom do not approach this monolith of creatively diverse and utterly obliterating music carefully.