Vinyl

Silver 12" eco-vinyl in printed inner sleeve in jacket with poster (60cm x 90cm).
Limited to 800 copies worldwide.

The outlaws from down under deliver another pummeling and relentless lesson in aggression with full length number 6(66).
‘Never Surrender’ is a furious assault of black thrash, chainsaw riffs, and warlike drums, offering no moment of reprisal as it rages on for 40 unyielding minutes.
With this offering, Deströyer 666 takes no prisoners

For fans of DESASTER, GOSPEL OF THE HORNS, AURA NOIR, NOCTURNAL GRAVES, BESTIAL MOCKERY, RAZOR OF OCCAM.

Color vinyl (marble link and purple) with booklet 

“A house, high on a hill, filled with a mystical air.”

Emerging from the burgeoning Ordo Vampyr Orientis circle, black metal entity Bad Manor's energetic and whimsical debut The Haunting weaves a series of dark tales surrounding the band's titular mansion. Inhabited by dark spirits and curses alike, Bad Manor's vision of black metal looks not to grim forests and minimal musical ideas but rather vivid, imagination-driven scenes, curious tales, and sinister, active musical ideas alike. Featuring a paired book illustrated by artist Landis Blair and with stories recounted by the mysterious author and medium Stephen R.C. Sicreeve, The Haunting's multidisciplinary approach to black metal – filled with secrets and hidden passages – is as sprawling and chaotic as the house itself. Lose yourself in its hallways, but don't let yourself disappear. Listeners and readers alike: beware.

Each new homage becomes a portrait, each new portrait becomes our legend.

"Devoted to constant transformation, under our prism and sole dictate, a phantasmagoric embrace blooms in Ater Ignis. An occult manifestation, as dynamic as relentless, a solid and ruthless force of gnarly Sinister Death Metal." 

Jacket flooded black inside
Insert
Poly-lined inner-sleeves
180g emerald sea vinyl 
Appealing in us and widely released from getting placed in vacant definitions, there is resulting pantophagy - bounded by the energies which are at work in us, which are exempted from expression through hollow words and not attempted to be depicted concretely. Our compound exists for what is shaking and flowing in us, naturally grown and born by efforts of disposition in infinity.

Doomed in utter vagous cacaesthesia, a haemathermal burning thirst for things that are to be figured out tacently, which may also wait eternally to get breathed into life and get a name because raining from the heavens, they will presumably never meet us at all. We vomit what is in our limbs and inhale from our depths what we allow to lead us.

HADOPELAGYAL regards itself in a state of mad flow. The search for substance and everything connected to it is important for the output or creation. Sith you don’t have to ponder over everything, some things come naturally in such a deep and relentless way that you don’t know what actually hit you. Thus, we take these conditions as they arise and let them vanish without raising any claims. We’ve discarded the pretence of simplicity, and yet, with all the agony and the adversities in the perpetual chaos, we feel a wonderful lightness that gives us ataraxia. It’s certain that meaningful things only originate from fever, where the scourges seem to be without end, where you sink to ashes in purgatory, ashes that don’t wear out as long as something pulsates in you, where malacophonous umbrages claim the toxic climax, where the masks fuse and you consider yourself lost in pandemonism, until the mythical labtebricole creatures fly.

It took a very, very long time for Tiwanaku to be satisfied with their debut album. The prog death metal band, originally formed in 2003 by ex-Nocturnus guitarist Ed Mowery, in its long life featured musicians like Richard Christy (ex-Death), James Murphy (ex-Obituary, ex-Testament) and late Michael Estes (ex-Acheron) among the many. Now, no less than nineteen years later, Tiwanaku is ready to release their first studio album, Earth Base One, via Avantgarde Music / Unorthodox Emanations on November 4th. The album will include contributions from many renowned musicians, from the aforementioned Michael Estes to Alex Webster (Cannibal Corpse), and will feature a stunning artwork by Spanish art master Juanjo Castellano

Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies

NEAR MINT

For This version infos click here

Click here for release version details 

very good conditions overall, sleeve presents a small hole on the top left corner, they used to punch them like this with nice-price or promo copies back then

Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.