Vinyl

First pressing on black double vinyl

DRUDKH is a venerated entity in the realm of atmospheric and pagan black metal. Renowned for their evocative storytelling and profound musical compositions, DRUDKH stands as a paragon of artistic depth, seamlessly melding the corporeal with the ethereal.

With ‘Shadow Play’, DRUDKH offers a mesmerizing odyssey through themes of exile, the cyclical dance of life and death, and a poignant yearning for one's origins. An album which invites you into a realm where silence battles storm, and light intertwines with shadow. A 6-track journey - "Scattering the Ashes" stirs the soul with its introspective melancholy, while “April” envelops you in a meditative trance. The narrative evolves with “The Exile”, capturing the essence of displacement, and continues with the poignant echoes in “Fallen Blossom”. “The Eve” stands as a meditative contemplation on life’s fleeting beauty, and the expansive “The Thirst” culminates this exploration with a profound reflection on human yearning.
‘Shadow Play’ is an evocative experience that challenges you to confront your shadows and revel in the intricate dance of light and dark. Let DRUDKH’s newest release illuminate your path through the bleak human experience.

For fans of AGALLOCH, WINTERFYLLETH, SAOR.

Stunning limited bone vinyl edition housed in gatefold sleeve with 5mm spine, printed on 350gsm coated carton with gold hot foil print. Includes LP sized 12 page booklet printed on 150gsm art paper.

Skagg.Hoest.Thurzur.Lava.

Years in the making, DEATHCULT are returning with their cruel Norwegian black metal, firing the third album of their trilogy on to the world which began with “Cult of the Dragon” (2007) and “Cult of the Goat” (2017).

Pressed on transparent teal/black marble heavy vinyl. Comes with a 2-page insert and a download card. Colors on final record may vary to a degree from the mockup.

The classicistic Swedish Black Metal band TROLLDOM was founded 2004 in the deep woods of Småland by guitarist/composer Swartadauþuz (BEKËTH NEXËHMÜ, MUVITIUM, AZELISASSATH, GREVE, BALWEZO WESTIJIZ).

Following up the long-in-gestation, twin 2022 debut albums "I Nattens Sken (Genom Hemligheternas Dunkel)" and "Av Gudars Ätt...", new album "Tronen" ('The Throne') continues TROLLDOM's quest to 'unshackle the spirit from false bounds of material existence' via symphonic and reverent Black Metal power.

Full color picture disc in custom sleeve made of black card stock feat. hotfoil embossing and alternate artworks, heavy stock insert and a designed download card for the digital album.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Vinyl re-release of Horna's debut album, Kohti yhdeksän nousua, incl. bonus tracks on black vinyl

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.

he Brooklyn, NY combo hits back after 4 years of silence with a record that left me speechless when i first heard it. On "Chasm" their savage and filthy, doom infused Black Metal has been enriched by a heavy dosage of atonal Death Metal riffing and complex, non-linear drumming. This album is seriously destructive. Listen to "Pierced Larynx" here: http://www.kerrang.com/…/exclusive-mutilation-rites-premie…/ - pre-order link in bio (EU and UK)! Very proud to release this monster on vinyl in conspiracy with Gilead Media. Superb artwork by the master Mark Riddick.

Grey/white swirl vinyl limited to 300 copies

Hailing from western Norway and Sweden, MØRKGRIM is a Norwegian/Swedish Folk-Black Metal entity devoted to occult heathen Norse traditions and the darker currents of the old ways. The debut, a concept album, is entitled "Sogur frá Norðfirði" (means "Tales from Nordfjord").
MØRKGRIM was founded in 1994 by Hrafngrímnir as a one-man Black Metal project during the golden years of the genre. Several songs were written in the early days, but never recorded, as Hrafngrímnir was active in other Black Metal bands at the time.
By 1999, he began to leave the Black Metal scene behind, feeling that the genre was losing its true soul and becoming something detached from its original spirit. He moved into other forms of music, still the old darkness never left him.
Decades later, Hrafngrímnir decided to awaken MØRKGRIM, but only if it could be done with the right spirit. He moved to a remote farm, far from modern comfort, where he still lives without ordinary modern utilities such as a flushing toilet or municipal water. There, surrounded by raw nature, silence and isolation, the first MØRKGRIM album was written and recorded. It is a tribute to raw nature, the old gods, ancient Norse magick, and the Old Ways, not as image, but as a way of life.
In 2023, Nils “Dominator” Fjellström joined MØRKGRIM. Known for his work with Dark Funeral, Aeon, In Battle, The Wretched End, Myrkskog and Nordjevel, his drumming brought a new level of violence and precision to the project.
Forged in isolation and rooted in the spirit of the early 90s, MØRKGRIM is Black Metal returned to its source with a blend of raw oldschool aggression and immersive acoustic folk/norse elements.

Limited edition transp. orange-black marbled vinyl & LP booklet

Heretics of the Black Metal genre and the Kings of USBM, WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album “Estuary” carries the hallmark of their unyielding dedication to the physical craft and analog production techniques, executed with zero cut corners. After more than twenty years, the pioneers of Cascadian Black Metal have neither withered, rested, nor resorted to recycling past glories. They continue to rise with unparalleled strength, and “Estuary” is their most ferocious and genre-bending record to date.
WOLVES IN THE THRONE ROOM embody nature as active participants of the current, bypassing the confines of a musical landscape which trends towards homogenization. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming it into a conduit for evolution and renewal. Rich with alchemical and archetypal imagery, the record operates like eagles and wolves descending upon desolation and entropy, activating the dormant domain with magic and the lethal essence of virility.
The bulk of the album was produced and recorded at the band’s own Owl Lodge studio in Olympia, Washington, with drums tracked by Nicholas Wilbur at The Unknown (a converted former church in Anacortes, Washington).