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Selling vinyl - Extreme Metal and Dark music
MODERN RITES are the Industrial Metal duo of guitarist Berg (AARA) and multi-instrumentalist/vocalist/lyricist Jonny Warren (KUYASHII).
Building upon acclaimed 2021 debut "Monuments", new album "Endless" unifies, elevates and perfects the band's vision, ebbing and flowing between oppressive isolation and furious optimism in an anthemically intense exploration of the human condition.
Comes housed in a 3mm single jacket, including two 12" insert and a download card.
Limited to 250 copies.
Comes with a download card. Pressed on transparent orange with black smoke heavy vinyl. Colors on final record may vary to a degree from the mockup.
"Esoterik" finds Jason Köhnen's BONG-RA continuing the alchemical evolution that has defined his most adventurous work. A spiritual successor to 2025's "Black Noise", the record delves deeper into the shadows and luminescence of the occult, expanding the ritualistic atmospheres explored on "Antediluvian" (2018) and "Meditations" (2022) while forging a harsher, more industrial sonic architecture.
Brand new copy, black vinyls, unplayed
Arrived from the plant in a damaged carton, therefore the gatefold sleeve comes with a corner ding
Still perfect purchase if you care more about the music and if you want to save a big-add lotsa money! 50% off !!!
Reissue in lilac red splatter vinyl lim. to 300 numbered copies+ bonus track & poster
Emerging once again from the abyssal depths of the underground, FOSSILIZATION return with "Advent of Wounds", a work of sheer ferocity and oppressive gloom! A relentless onslaught where its frantic and inexorable rhythms hammer with suffocating intensity, while riffs coil like sepulchral invocations in a maelstrom of death, doom, and blackened chaos.
Bleak, crushing and claustrophobic, "Advent of Wounds" is a summoning of despair that drags the listener into a chasm where brutality and anguish entwine. A suffocating testament to extremity that confirms Fossilization as one of the most formidable forces in contemporary death metal!
Combining all the various expressions of doom and assembling one of the most grievous and heavy splits you will have the chance to face for years, SHORES OF NULL and CONVOCATION have conjured to release exclusive brand new tracks together in a meaty split that will finally make your summer end!
Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.
Black Vinyl
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
Luminal Blue Smoke
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.
The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.
Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.
This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.
As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).
