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Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
On their fourth full-length album "Stave", Osi and the Jupiter provide listeners with a unique journey through the delicate sounds of what may have been believed to be long lost; allowing for a truly immersive experience that is informed by the innate mysticism still dwelling beneath the surface of their native Appalachian region of eastern Ohio.
In honour of this more personal wellspring of inspiration, Osi and the Jupiter’s sound has evolved from the ambient soundscapes of yore into more direct expressions of yearning. Voice, ambient synth drones, acoustic guitar and cello underpin these delicate homage’s to a mysterious, myth-laden region. Kratz’s heartfelt, plaintive vocals speak openly of surroundings that clearly resonate deep within. Gentle strummed melodies support these tales, whilst the ever-inventive cello melodies of Kakophonix reach onwards to distant places as yet unseen.
‘They Ride Through the Sky on Horse Drawn Chariots’ sets the tone with dramatic swells, leading the listener by the hand into these new realms. ‘Appalachia‘ follows, replete with yearning vocals and delicate, countrified picking. ‘The Binding Will of Mountains’ closes this unique collection of songs with a twelve-minute journey throughout the myriad soundscapes that Osi and the Jupiter have explored throughout their existence.
CD in classic jewel case with 12-page booklet incl. all lyrics, plus a designed album download card.
Composed during the pandemic-induced lockdown period of 2020/2021, "Isolation" features some of ColdWorld's most expressive compositions to date. Managing to transcend the conventional sounds pursued in what is best described as the "ambient/depressive" black metal subgenre, ColdWorld's newest sonic endeavor draws listeners into an incredibly immersive soundscape, rife with lush classical instrumentation and ethereal, yet occasionally harrowing vocals, the first of which is showcased brilliantly on the album's second track "Soundtrack to Isolation".
Clearly, this music is a truly honest and emotional representation of what the project's sole mastermind G.B. has experienced these past years. As such, the songs that comprise "Isolation" ebb and flow effortlessly, with even seemingly lengthy track durations being navigated masterfully by G.B.'s approach to songwriting and track placement. Throughout "Isolation", listeners may notice influences ranging from more traditional black metal and immensely heavy doom fused with post-rock leanings along the lines of Godspeed You! Black Emperor. Of particular note is the use of classical string instrumentation and guitar lead harmonies that harken back to early My Dying Bride. However, it is the fusion of these elements and their interpretation through the creative mind that allows to confront listeners with an incredibly individualistic sound.
The creative and diverse vocal work featuring layered clean vocals, harrowing wails, a fascinating form of what is possibly throat singing as well as profoundly deep growls give "Isolation" an unmistakable edge over many of ColdWorld's contemporaries in a rather crowded scene. As such, listeners are sure to return to these eight tracks regularly, as this work is not easily grasped in its entirety on a first listen. Although it makes a staggering first impression, this record demands to be experienced repeatedly.
15 years anniversary edition.
Already in the early days „The Stars Are Dead Now“ was advanced with two additional tracks, followed by multiple re-issues showcasing the interest in this recording.CD in classic jewelcase with 4-page booklet on thick stock, decorative obi strip. Silver print on natural black card stock
Originally released in 2006, 'Ashes Against the Grain' seamlessly blends heaviness with atmosphere and precision. With their third full-length, the band continued their musical journey, always a step ahead, but without losing grip of their dark metal roots. The album combines elements of black metal, Scandinavian prog-rock, and post-rock with the unique, melancholic, contemplative style that is so typical of Agalloch.
From the driving force of “Falling Snow” to the dissolving trilogy “Our Fortress Is Burning...,” this is Agalloch at their most direct and elemental. A contrast to the warmth firey nightsky of 'Pale Folklore', the monumental poetic folk of 'The Mantle' , 'Ashes...' gazes into a horizon of dying embers with clarity.
The band’s panoramic scope of songwriting - takes on a widescreen scale - combined with the albums imagery, and production all aligned into a monolithic statement — sharp, modern, and unrelentingly melancholic.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
Full color picture disc in custom sleeve made of black card stock feat. hotfoil embossing and alternate artworks, heavy stock insert and a designed download card for the digital album.
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.
Black Vinyl
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
Luminal Blue Smoke
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.
Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.
Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
