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Visionary Vials of Wrath's newest album delivers forty minutes of cold yet detailed and intimate atmospheric black metal. The drums undergird the melodies admirably, and the dynamic between the acoustic and electric guitar passages is seamless and lovely.
Visionary Vials of Wrath's newest album delivers forty minutes of cold yet detailed and intimate atmospheric black metal. The drums undergird the melodies admirably, and the dynamic between the acoustic and electric guitar passages is seamless and lovely.
Black / Death / Post Metal from Canada
In the wake of the night" is premium class atmospheric black metal. The spheric synths are very orchestral and far away from nowadays synth-pop black metal with its dumb "ding dong ding" sounds. Though differing in dynamic and pace all epic tracks are characterized by majestic melancholy. Sometimes I think at Summoning or Sear Bliss, but these references are not too dominant. An emotionally intense release with a dense atmosphere! (Bandcamp)
When I need to recreate myself I go in search of the darkest forest, of the thickest and most impenetrable swamp: here lies the strength, the quintessence of Nature ... the vast, wild, terrible mother of us all, Nature.
(Henry David Thoreau)
Naturaleza Ancestral is a hymn to nature!
Dwarrowdelf is back with their new full length album, Of Dying Lights, delving deeper into the lore of Tolkien. This album contains seven tracks of epic metal, one being a cover of both Sojourner and Summoning melded together into an incredible journey of a song. Moving more into his own style with each offering, this is an incredible album.
Tom O'Dell - All instruments, vocals
Jack Reynolds - Harsh Vocals (Track 7)
Chloe Bray - Additional Vocals (Track 3)
Music and lyrics by Tom O'Dell (Tracks 1 to 6)
Track 7 covers "Homeward" by Sojourner (written by Mike Lamb and Chloe Bray) and "Land of the Dead" by Summoning (written by Silenius and Protector)
Recorded by Tom O'Dell at Hair Force House Studios, UK
Mixed and Mastered by Mike Lamb at Onieros Studios, UK
Appalachian blackmetal
Twilight Fauna’s emotion and guts constantly are on display, and with “Where Birds Sing My Name” not only is a rushing second chapter on the band’s homage to home, it’s an ideal next step from “The Year the Stars Fell.” There’s a charm in the band’s music where they lean to roughness and avoid polish, as it gives what they do an authenticity you can feel. This is a heartfelt album that lets you have a glimpse into Ravenwood’s world and gives you a chance to connect to your own.
Electro synth black metal in a yet unheard way
