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Brought forth by the Sweden-based multi-instrumentalist Matthew Bell (Autumn's Dawn, Austere live & many more), TJAKTJADÁLVVE is an Atmospheric Black Metal project now at its third full-lenght release. "Encompassing Nothingness" perfectly blends the sorrow of depression-tinged black metal with the coldness, thrill and melancholy of its atmospheric kind, guiding the listener through his low-paced and synth-driven scenarios. With a neat production and dreadful vocals, the musical journey that this album encloses can't reward the listener more than so.
FFO: Woods of Desolation, Austere, Panopticon, Mesarthim.
“No Ritmo da Terra” is the second chapter from a trilogy of albums inspired in the work of Ailton Krenak. Articulating the “Ancestral Future” as an aesthetic project, the album incorporates Ailton’s philosophy through its sound design, manipulating Brazilian Folk Music elements and field recordings from the Amazon rainforest with futuristic electronic techniques from genres like Post-Rock, Glitch and Avant-Garde Metal. With lyrics in Portuguese, Tupi and Yoruba, the album recontextualizes Candomblé and Capoeira chants through an idiossyncratic sound palette developed to create a dialogue between ancestrality and futurism.
As an imediate need in the face of climate change and other end of the world omens, the Ancestral Future challenges antropocentric views of the world that conceive humanity as an organism separate from the body of Earth. Through the recovery of resistance technologies developed by the cultures that remained attached to the planet as a necessity of survival from the erasure of subjectivities in the colonial process, “No Ritmo da Terra” promotes an ontological realignation with nature.
Brought forth by the Sweden-based multi-instrumentalist Matthew Bell (Autumn's Dawn, Austere live & many more), TJAKTJADÁLVVE is an Atmospheric Black Metal project now at its third full-lenght release. "Encompassing Nothingness" perfectly blends the sorrow of depression-tinged black metal with the coldness, thrill and melancholy of its atmospheric kind, guiding the listener through his low-paced and synth-driven scenarios. With a neat production and dreadful vocals, the musical journey that this album encloses can't reward the listener more than so.
FFO: Woods of Desolation, Austere, Panopticon, Mesarthim.
It must be said asap: AzVs, the mastermind behind DAUGHTERS OF SOPHIA, choose to end his life on October 16th 2024. Flowing Downward, the label, received the whole album a few months before his death and was given freedrom upon its release. It is thus in memory of a gentle but tormented soul that we releases this album.
Titled "(4.0°) Tsalmaweth", this is the fourth album of the French Atmospheric Post-Black Metal project DAUGHTERS OF SOPHIA. Following the formula of long songs centered around excellently melodic riffs and solos, fast rhythms and shaded vocals, this album displays a certain crystalline, epic but haunted atmosphere throughout the whole length.
Wave after wave, song after song, this challenging album unveils its curse and its beauty all together. The sound of eerie, sick and morbid vocals intertwines with the melodic quality of the guitarswork, sometimes uplifting sometimes almost sinister, releasing a certain degree of emotive contrast. Demons meet lifeforce.
With lyrics dwelving in anti-nomianism, left-hand-path philosophies and Japanese literature, this sense that haunts the whole album finds explanation.
For fans of: Lantlôs, An Autumn for Crippled Children, Falaise, Lascar, Blut Aus Nord.
Following the first volume 2022 EP, the new APRS album "Radio Nocturna Vol.2: Voces del pasado" helps you to tune into harmony, deliverance and your best emotional answer to fear, pain, disappointment and regret. Transformation stands where two opposites meet: interwining the rawness and charge of Atmospheric Post-Black Metal with uplifting harmonies, APRS grants you a tune in emotional intensity with redemption as only possible outcome.
For fans of: Alcest, Violet Cold, Olhava, Skyforest, Lantlô
"The viking metal skald, Burden of Ymir, has returned with a renewed sense of ferocity and a tale of myth, magick, and struggle on the epic sixth full-length album, The Long Winter."
Two different colors: Side A/B transparent sand and Side C/D transparent orange
The song Encuéntrame is taken from the split sadness // for her...
Limited Edition 12" Vinyl with insert Spinner effect Orange and white
Limited to 150 copies
"The viking metal skald, Burden of Ymir, has returned with a renewed sense of ferocity and a tale of myth, magick, and struggle on the epic sixth full-length album, The Long Winter."
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
new, sealed and unplayed, but arrived from supplier with a small light corner ding
