Osmose

Originally released in 2004, Sary Oy is the second album by Darkestrah, a band known for blending epic black metal with Central Asian folk traditions. Building on their debut Sary Oy, this release marked a major step in defining their signature sound: sweeping compositions combining harsh black metal, traditional Kyrgyz instruments, and shamanic atmospheres.
Lyrically rooted in Tengrist spirituality and Kyrgyz folklore, the album fuses sweeping compositions combining harsh black metal, traditional Kyrgyz instruments, and shamanic atmospheres.
A deeply atmospheric and spiritual journey, positioning Sary Oy as a cornerstone of the band's discography.

From the frost-shrouded crypts of eternity emerges Black Funeral's unholy testament, "Vampyr Throne of the Beast" - a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album's frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production's deliberate coldness preserves the necromantic essence - each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
"Vampyr Throne of the Beast" stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe's darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

Re-issue with a complete updated layout and new mastering.

300x heavyweight bloodred 12" (180g) in a black poly-lined innersleeve, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

The seventh seal has been broken - under the black wings of Osmose Productions the latest album of Polish Kingdom is coming!
Uncompromising hymns of darkness and destruction, 10 new songs plus a cover of blasphemers from Deicide.
Recorded in Garaż Studio under the supervision of Mateusz Szulborski A.D. 2024.
In line with tradition cover art was made by Maciej Kamuda.

Furious Satanic Death metal from Poland at it's very best! For fans of Angelcorpse, Morbid Angel, Deicide...

The seventh seal has been broken - under the black wings of Osmose Productions the latest album of Polish Kingdom is coming!
Uncompromising hymns of darkness and destruction, 10 new songs plus a cover of blasphemers from Deicide.
Recorded in Garaż Studio under the supervision of Mateusz Szulborski A.D. 2024.
In line with tradition cover art was made by Maciej Kamuda.

Furious Satanic Death metal from Poland at it's very best! For fans of Angelcorpse, Morbid Angel, Deicide...

200x bloodred 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), download card, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

300x heavyweight swamp green 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), download card, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.

Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.

“La Grande Danse Macabre” album (2001), which presents a more varied and darker approach compared to the Swedish black metal titans' usual blastbeat-driven full on assault. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson). Expect nothing but perfect extreme black metal pleasure!

Re-issue, 298x bloodred with black marble effect 12" (180g) in a microtenne innerbag, printed innersleeve, full-color on 220g, jacket full-color with black flood inside on 350g, all assembled in a PVC overbag.

A few and irrelevant wears due to storage

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1999 edition, jewelcase, sealed

"Vedderbaug" second album from Norwegian black metal band LJÅ, marks a significant evolution from their 2006 debut, "Til avsky for livet."
While the first album delivered a raw, chaotic assault reminiscent of the second-wave black metal style, "Vedderbaug" offers relentless drumming, more ferocity with darker melodies.
Deeply rooted in traditional Norwegian black metal, "Vedderbaug" revealed a LJÅ more venomous with time.

Re-issue, updated layout for the best, mastered specially for vinyl.
For fans of Taake, earlier Darkthrone, Isvind.
200x neon violet 2x12" side with a silkscreen print, in a black poly-lined innersleeve, jacket B/W printed on 350g carton, coated paper with UV partial lacquer, all assembled in a plastic overbag.

"Vedderbaug" second album from Norwegian black metal band LJÅ, marks a significant evolution from their 2006 debut, "Til avsky for livet."
While the first album delivered a raw, chaotic assault reminiscent of the second-wave black metal style, "Vedderbaug" offers relentless drumming, more ferocity with darker melodies.
Deeply rooted in traditional Norwegian black metal, "Vedderbaug" revealed a LJÅ more venomous with time.

Re-issue, updated layout for the best, mastered specially for compact disc.
For fans of Taake, earlier Darkthrone, Isvind.

The eponymous Sorcier Des Glaces album, the 7th in the chronology, tells the beginning of the story:
why Sorcier Des Glaces became the way he did, his growing hatred for the human race, the spirit of a rebellion that unleashed his sorcery on this world. The ultimate sacrifice of his immortality for the preservation of a hostile, ancient and icy universe over which he alone has absolute control.
This monolith was composed as a single 50-minute song.

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

300x marble white/black 12" in a microtene innerbag, printed innersleeve full-color on 220g carton (coated paper), download card, jacket full-color printed on 350g carton, coated paper, all assembled in a plastic overbag.

The eponymous Sorcier Des Glaces album, the 7th in the chronology, tells the beginning of the story:
why Sorcier Des Glaces became the way he did, his growing hatred for the human race, the spirit of a rebellion that unleashed his sorcery on this world. The ultimate sacrifice of his immortality for the preservation of a hostile, ancient and icy universe over which he alone has absolute control.
This monolith was composed as a single 50-minute song.

"Nechrist" is probably the most peculiar record in Nokturnal Mortum's catalogue, simply because it's different from anything else they've done.
This is by far their angriest, fastest, darkest and most aggressive record, and as such it's often labelled as "messy" or "chaotic": while it might result a bit difficult to digest during the first listens, "Nechrist" is a grower, and its beauty will slowly unfold to the listener each time he comes back to it.
The album's production is quite raw, making a bit difficult to distinguish the fastest guitar patterns at times; the riffs generally consist in the traditional black metal tremolo picked frenzy, although slower sections are obviously present, with some interesting bridges here and there (the "breakdown" found at the end of "Night Before the Fight" is simply amazing).
The bass isn't always audible, but where you can hear it you can say its patterns are definitely interesting.
The drumming is astonishing, a real storm of blast beats and relentless double bass drumming, thus confirming Munruthel as the most technical drummer this band has ever laid its hands on.

Re-issue with the complete updated layout, remastered by the band itself, the most angry and furious album of the band.

Nokturnal Mortum strikes from the past with their monumental album “Weltanschauung”.
Originally released in 2005, this opus seamlessly blends elements of black metal, folk and epic symphonic music. With 14 powerful tracks that transport the listener into a world of myths, legends and heroic events, "Weltanschauung" remains a great and unique journey.
Almost 20 years ago after its original release, Osmose Productions is proud to issue properly and to make it finally available again all around the world.

Re-issue, with an updated artwork & layout. A landmark album in the band's discography, a significant evolution in their sound and approach.

Sometimes recording bonus tracks during the sessions for their albums, Gorgon decided to bring together 6 of them on this EP, captured over 5 different periods, from 1994 to 2023.

Remastered in 2025, these previously unreleased or little-known tracks are brought together for the first time on these limited editions of 333 copies, both on CD jewel case (serially numbered) and red/black vinyl versions (hand-numbered).

A journey into the deepest penumbra of the band's history.

A striking fusion of Middle Eastern melodies and Metal, including weaving the haunting sounds of the Oud and Baglama into a relentless sonic assault.
The lyrics shift between English, Persian, and Arabic, amplifying the album's cultural depth and defiance.
Each track is a world of its own, merging the raw power of Death, Black, and even Thrash Metal with rich cultural influences.

Jewel case edition with 16 page booklet, sealed.

For over 25 years now, MELECHESH have been crafting a singular sound that encompasses black metal, death metal, and most uniquely, Middle Eastern folk music. That they were Israel's most known black metal export is only part of the MELECHESH story, for that story would mean nothing if there weren't classic albums to back it up. Of them, the band's three-album run on OSMOSE in the early/mid 2000s – Djinn, Sphynx, and Emissaries – is widely considered to be the band's best work.

Originally released in 2006, Emissaries was the opening of a new chapter in the always-exciting MELECHESH saga: gone was drummer Proscriptor, to focus on the eventual rebirth of ABSU, and in came the ever-prolific Xul (Funeral Winds, Thanatos, Liar of Golgotha). This switch of drummers brought forth an extra kick of energy; while still as serpentine as ever, MELECHESH here more often (and more deftly) shift among various tempos, guided by Xul's ever-busy hands and feet, giving Emissaries a wild ‘n' winding aspect. Likewise, the more pronounced heavy metal aspect of Sphynx gets especial emphasis here, particularly on such stadium-ready anthems as “Gyroscope.” Explore foreign land again – or for the first time – with Emissaries!

Re-issue, 400x galaxy (transparent yellow/black) 12" in a microtene innerbag, printed innersleeve full-color on 220g carton, download card, jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Offensive, blood- chilling, straightforward black metal. The third and final chapter of trilogy including "Sowing with Salt" & "Justice". The first HATE FOREST album with live drums.
Moscovia delenda est.

100x jewelbox, J05 booklet, sealed.

Offensive, blood- chilling, straightforward black metal. The third and final chapter of trilogy including "Sowing with Salt" & "Justice". The first HATE FOREST album with live drums.
Moscovia delenda est.

Offensive, blood- chilling, straightforward black metal. The third and final chapter of trilogy including "Sowing with Salt" & "Justice". The first HATE FOREST album with live drums.
Moscovia delenda est.

 "Til Avsky For Livet" is the debut album by Norwegian black metal band Ljå, released in 2006 under the Aftermath Music label.
Comprising ten tracks, the album stands out for reminiscence of the 1990s Norwegian black metal scene.
An album with authentic production that will appeal to purists of the genre.

Re-issue, 200x white opaque 12" (140g) in a black poly-lined innersleeve, poster A2, printed on 150g art-paper, jacket, B/W printed on 350g carton, coated paper, all assembled in a plastic overbag.