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Compilation album comprised of rare material that were recorded between 2010 and 2011, previously appeared on extremely limited EPs between the band’s "Axioma Ethica Odini" and "RIITIIR" records.

Tracks 1-5 are taken from "The Sleeping Gods" EP (2011).
Tracks 6-7 are taken from "Thorn" EP (2011).

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CD in deluxe Digipak with die-cut permitting to choose between 2 different covers and 8-page booklet.

Since forming in 2009, DER WEG EINER FREIHEIT has carved out a singular place in modern black metal, blending relentless intensity with a philosophical core. Rooted in the genre’s foundations yet constantly evolving, the German quartet is known for its emotional depth, compositional complexity, and striking live presence.
On sixth album ‘Innern’, the band turns inward with devastating clarity. Each track offers a meditation on human fragility and existential transformation, shifting between blistering aggression and haunting serenity. “Marter” explores shared suffering as a path to transcendence, “Eos” imagines nature reclaiming a blood-soaked earth, and “Forlorn” becomes an intimate plea for emotional refuge, sung in English to underscore its universality. The interplay between soaring guitars, pulsing bass, and intricate percussion frames Nikita Kamprad’s visceral vocal performance with precision and raw urgency.
Produced, mixed, and mastered by Kamprad himself, the album captures both immediacy and atmosphere, placing the listener in direct confrontation with the void.

For fans of WOLVES IN THE THRONE ROOM, HARAKIRI FOR THE SKY, AMENRA, GAEREA

CD in Jewel case with 8-page booklet.

Drudkh deliver black metal poetry at its finest. Previously only available on split EPs with Hades Almighty, Grift and Paysage d'Hiver, the collection of songs gathered on ‘A Few Lines In Archaic Ukrainian’ is a must hear for any fan of the band’s work. Based on Ukrainian poetry and presented in a lush 10-panel Digipak, the tracks on this compilation perfectly combine harshness, epic melodies and a touch of folklore, transforming them into black metal masterpieces.

For fans of HATE FOREST, IMPERIUM DEKADENZ, BURZUM, AGALLOCH.

Fallen into Oblivion
Ashes
Tam gdzie gas'nie dzien'... (Sacrilegium cover)
ndiánská Písen Hruzy (Master's Hammer cover)
...W krainie drzew (Hefeystos cover)
Ten, Ktery Se Vyhyba Svetlu (Unclean cover)
Recidivus (Sacrilegium cover)

The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.

Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.

To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.

Gaahls WYRD, the eponymous brainchild of one of black metal’s most iconic and enigmatic figures, has returned with a hypnotic new EP! ‘The Humming Mountain’ follows the band’s critically-acclaimed debut album, ‘GastiR – Ghosts Invited,’ and sees the latest evolution of the esoteric dark metal project’s sound. The five song offering creeps in like a whispering demon, slowly entrancing the listener with its deep, dark gaze before it sinks its teeth in and drags you into the all-consuming abyss.

For fans of: BLUT AUS NORD, GORGOROTH, RUINS OF BEVERAST, TRELLDOM
Cover art: Kristian “Gaahl” Espedal

CD in deluxe 6-panel Digipak

Carved from the cold marrow of Norway’s enigmatic and revered black metal scene, GAAHLS WYRD conjure a spellbinding fusion of chaos and beauty. Under the commanding presence of Kristian “Gaahl” Espedal, the band carve a sweeping saga of sound - both primal and transcended.
With ‘Braiding the Stories’, GAAHLS WYRD embark on an alchemical journey through the realms of consciousness and dreams, crafting a sonic narrative that explores the seamless dance between the seen and the unseen. Each track is a profound exploration of reality's veils, crystallizing the ephemeral through the powerful conjunction of philosophical introspection and audacious musical composition. From the haunting echoes of "The Dream Master" to the ethereal resonance of "Flowing Starlight," the album invites the listener to traverse its labyrinthine soundscapes - a place where reflective melodies intersect with visceral power. In this realm, GAAHLS WYRD channels raw lyrical introspection and potent sonic prowess, guided by the adept hands of Ole "Lust Kilman" Walaunet, Andreas "Nekroman" Salbu, and Kevin "Spektre" Kvåle.
At the heart of the album lies a journey of self-discovery, one that resonates with the timeless voice of Gaahl, inviting listeners to not merely hear, but to experience, to reflect, and transcend.

For fans of MAYHEM, WARDRUNA, GORGOROTH, ENSLAVED.

CD in JakeBox with 12-page booklet.
The JakeBox is an eco friendly packaging product.
Its most significant characteristic is the folded "claw" that holds the disc, and in an eye-catching way unfolds itself, presenting the disc, lifting it up and making it easily accessible.

When Gaerea emerged out of pandemic limbo, the masked band came branded with a vision of black metal that was guided not by myths or pagan beliefs but a purging of emotion. The world quickly came to share that vision, following them from the gates of Hellfest to tours through China and the U.S.
But with ‘Coma’, Gaerea are no longer strictly black metal. Though once again produced by trusted confidant Miguel Tereso, their fourth album broadens their signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows.
“World Ablaze” ignited this new era of Gaerea by holding a more conventional song structure over fiery tremolo picking. “Hope Shatters” upends even the loftiest of fan expectations; after the song collapses under its blistering heaviness, the melody hangs perilously in the air, like a swaying chandelier, before it’s smashed to pieces by hammering bass and concussive blast beats. “I’ve known faces within me”, their unnamed vocalist cries in the wake of a slow and somber guitar solo before “Unknown” snaps into a razor-sharp hook. “I transform with every passing moment”.
With ‘Coma’, Gaerea surface to the top of extreme metal.

For fans of MGLA, UADA, NUMENOREAN, THE GREAT OLD ONES.

North Carolina’s ONE OF NINE play JRR Tolkien inspired majestic black metal and are the most prominent Tolkien/Lord Of The Rings black metal band since the legendary Summoning. Their sophomore LP Dawn of the Iron Shadow (out Oct 31 through Profound Lore Records) follows their 2023 debut LP Eternal Sorcery which laid the foundation for ONE OF NINE trodding their way to the forefront of the new breed of US black metal. With Dawn of the Iron Shadow (which is graced by cover art courtesy of legendary Tolkien artist Ted Nasmith), ONE OF NINE elevate their black metal sorcery to a more epic and glorious plateau. One that is more expanded in its vision of grandeur and scope through its symphonic and grandiloquent magnificence.