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Back in stock - Extreme Metal and Dark music
Darkness Shall Rise Productions are proud to continue its reissue campaign by rereleasing the band`s only demo for the very first time on LP, CD and tape. The track “Autopoema” recorded at the same time as the other songs but not included on the original demo makes its first appearance as a bonus.
Although based out of Trondheim, Norway and entering the scene exactly when (Norwegian) Black Metal reached its popular peak after having garnered – besides brilliant music – worldwide notoriety for various criminal activities like arson and murder, THE 3RD AND THE MORTAL set out to tread an entirely different path. As one of the first bands which dared to blend Doom Metal`s heaviness with ethereal female vocals and progressive influences – a formula that countless bands would go on to embrace globally – the young Norwegians set themselves apart and carved out their own unique niche from the very start.
Released one year after their demo Black Seared Heart, it was First Spell that put GEHENNA on the map for real.
Originally released in 1994 by Metalion`s legendary label ‘Head Not Found’, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?
Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboardplayer extraordinaire Sarcana.
First Spell is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan`s collection.
The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.
Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.
Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.
Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).
Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.
This is where it all began, the 1994 debut which shook the European Black Metal scene upon its foundations.
Originally released on cult imprint Cacophonous Records, CRADLE OF FILTH first album is now available for the first time over a decade on noble vinyl but also on picture vinyl, digibook-CD and tape.
While still bearing few traces of their Death Metal roots, The Principle Of Evil Made Flesh remains an unique sounding album to this day, drenched in gothic atmospheres and vampiric themes. A true masterpiece which immediately spawned many imitators, although none managed to match their intensity and undeniable British flair.
Pure cult!
Luxurious hardcover digibook-CD with 20-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.
Black vinyl version
FORSMÁN are a black metal band from Kópavogur, Iceland. After their debut EP "Dönsum í logans ljóma", the members — all only in their early twenties — have been working intensively on new material. Concrete news will follow soon, but the band’s direction is already clear: FORSMÁN (pronounced "fors-mown") stand in the line of modern Icelandic black metal associated with SVARTIDAUÐI, SINMARA, and MISÞYRMING, combining dense atmosphere with focused, forward-driving songwriting. Expect urgent riffing, decisive rhythms, and vocals that cut through a cold, enveloping haze. FORSMÁN are part of a new generation coming out of Iceland with a strong sense of identity, and anyone drawn to the country’s contemporary black metal sound should keep a close eye on what comes next.
Project of Lord Vrăjitor (Warmoon Lord, Old sorcery)
Gone are the days of high adventure, but there are portals and webways that cross paths with our mundane lives. Prepare your journey to the war-torn, magical and baroque world of Argenthorns!
A new, mysterious, symphonic black metal project from the land of the thousand lakes will take you on an epic cloak and dagger adventure. Argenthorns is the solo endeavor of Mason Rofocale, multi-instrumentalist and narrator of our tale, who will recount unspeakable perils and obscure enemies. A quest was laid, and The Ravening marks the first chapter of Mason Rofocale’s occult chronicle through lands unknown!
A black metal tale told the way it used in the ‘90s, with piercing screams, fascinating keyboards and icy cold riffs, for fans of (early) Dimmu Borgir, Bal-Sagoth, Odium and Limbonic Art.
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ONLY AVAILABLE as M or L
This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.
As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).