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Back in stock - Extreme Metal and Dark music
INFERNA PROFUNDUS RECORDS is proud to present another piece of Baltic black metal history. In Lithuania, the historical black metal trident of the nineties has always been OBTEST, NAHASH and DISSIMULATION - alongside these realities, however, there was another mysterious entity called POCCOLUS. The band has often remained in the shadows of the underground because it did not do many live performances and its discography counts only one full-album, the homonymous "Poccolus". This black gem released in 1996 is undoubtedly still one of the pillars of Lithuanian metal history. A majestic and epic record, but at the same time veined with a dark melancholy that catapults the listener into the mysterious eras of bloody battles and legends of Baltic mythology. The album "Poccolus" is a rare example of what was the real and genuine “pagan black metal” - no cheerful melodies and alleged vikings with long blond braids chasing dragons in the woods - in this album a hostile and icy shadow reigns looming as a bloody sword after a battle to the death. A raw and icy production does not take away the power and majesty of this work which after almost 28 years manages to be still so evocative and addictive. The album was initially released in CD format by Hammerheart Production and in 2006 re-released by Supernal Music. Now, for the first time finally you can rediscover this dark jewel in double LP version (and digipack CD) which will be released on May 29th, 2020. From the ominous past, through the screams of blood-thirsty werewolves, the charm of distant majestic eras reaches us again ...
Jewel case CD with 8 pages booklet.
Limited to 300 copies.
Second pressing. Super Jewel box CD. Limited to 200 copies!
Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.
Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs
“Live in Oberhausen” is the second live album by KANONENFIEBER. It was recorded during the band's biggest headlining show to date in Oberhausen. 1,800 fans filled the sold-out Turbinenhalle II and were part of a special evening as part of the tour for “Die Urkatastrophe”.
DIGI-Pack consisting of a CD and a Blue-ray with the live video recording of the concert in Oberhausen.
7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene
7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene
Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.
This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.
As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.
Gloss UV-lacquered jacket with black pocket.
Includes a 12-page A5-size booklet and poly-lined inner sleeve.
