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Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

Released one year after their demo Black Seared Heart, it was First Spell that put GEHENNA on the map for real.
Originally released in 1994 by Metalion`s legendary label ‘Head Not Found’, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?
Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboardplayer extraordinaire Sarcana.
First Spell is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan`s collection.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

In 1993, in the midst of the second wave`s heyday, when numerous classic albums saw the light of day and many a blaze ignited the northern sky, GEHENNA were brought forth in Stavanger, Norway`s fourth largest city.
In the course of the same year their efforts resulted in their first and only demo Black Seared Heart which was released by the band on tape in very limited quantities.
The demo comprises 7 songs of which 3 are instrumentals serving as intro and outros respectively.
Although the demo reveals the members` at the time limited capabilites as musicians, it`s, by and large, a very enjoyable  first recording with lasting qualities. The sound is leagues above the average demo production since Black Seared Heart was recorded in a studio.
The moody songs – for the most part played in moderate tempo – are written in a way that reveals GEHENNA as talented songwriters even at this early stage.
Notably, the keyboards, whose remarkable melodies would go on to become one of the band`s trademarks were already present on the demo.

As an added bonus the rerelease of Black Seared Heart comes with an instrumental, a song recorded at the rehearsal-room and most importantly a  studio recording-session that was aborted before completion that was supposed to result in the band`s first EP First Spell.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

Deus Salutis Meæ (“God of my Salvation”) is the truly mesmeric new emission from BLUT AUS NORD, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries.

Using frightening alchemy and predatory cruelty, BLUT AUS NORD fuses each distinct era of its 23 year existence with innovative readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom.

Digipack cd

Originally released in 2006, 'Ashes Against the Grain' seamlessly blends heaviness with atmosphere and precision. With their third full-length, the band continued their musical journey, always a step ahead, but without losing grip of their dark metal roots. The album combines elements of black metal, Scandinavian prog-rock, and post-rock with the unique, melancholic, contemplative style that is so typical of Agalloch.

From the driving force of “Falling Snow” to the dissolving trilogy “Our Fortress Is Burning...,” this is Agalloch at their most direct and elemental. A contrast to the warmth firey nightsky of 'Pale Folklore', the monumental poetic folk of 'The Mantle' , 'Ashes...' gazes into a horizon of dying embers with clarity.

The band’s panoramic scope of songwriting - takes on a widescreen scale - combined with the albums imagery, and production all aligned into a monolithic statement — sharp, modern, and unrelentingly melancholic.

Solid hardbound book edition (20x20cm) featuring bronze hot foil finish, 64 pages with artwork, lyrics, and information around the album. Extensive liner notes from the press and musicians and specifically curated interview related to the album itself. Double CD set with Ashes Againast The Grain on Disc 1, and Selected Fragments on Disc 2.

Like the barbaric grunt of the beast chewing upon traditional Black metal then spewing forth the ‘UGH’ soul of Celtic Frost with a murky bile of down tempo doom and primeval hypnotic drum battery followed by the gnashing of teeth, bristling of fur and strike of tail true to Black metal’s savage, aggressive, obscurity.

Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.

The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.

Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.

Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.

From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.

The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.

Six previously unreleased tracks from the Strength album.
CD in classic Jewelcase, accompanied by a 8-page booklet including lyrics and artwork. Comes with a designed download card for the digital music.

2nd Press

On their sophomore full-length, “Cult of a Dying Sun”, Uada expand their scope and range of hypnotic craft. Balancing sharp riffs with spectral melodies in a manifold of haunting yet distinctive black metal dirges. A sharp spear in the heart of the brightest star. Epic, atmospheric, deadly.

Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.

"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "A duality that can only be known as our third wish."