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4-panel digipack printed on 300 gsm carton scratch-resistant matte lamination w/12 page booklet printed on 135gsm art paper with matte machine varnish.
Features different artwork than the vinyl versions!

MINT

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

Avantgarde Music is proud to announce their collaboration with Saidan, an Eastern horror-themed band from Nashville, TN.

Born in 2020, Saidan released three studio albums so far, mixing the weird, over-the-top aesthetic of visual kei with fast, melodic riffing in the vein of labelmates Moonlight Sorcery.

Fangdriller: Scars Beneath Memories Wrist is the fourth studio album born from the minds of multi-instrumentalist Splatterpvnk and drummer Hundosai, a new chapter in the narrative concept that links together all Saidan releases. In the band’s own words, Fangdriller follows the story of a student named Junko, depressed and miles away from the people she loves. In the depths of her isolation, she finds comfort in a mysterious cult called Ethereal Blood. But unbeknownst to Junko, her anguished seclusion has made her the perfect victim.

New York City experimental black metal tacticians IMPERIAL TRIUMPHANT present their new album titled Abyssal Gods, mixed and mastered by Colin Marston (Gorguts, Krallice, Nader Sadek, Atheist, Origin etc.) at Menegroth, The Thousand Caves in New York and boasts the apocalyptic cover craftings of Andrew Tremblay (Deadbots, Downlow’d, Deathface etc.). Focused on urban decay and the imminent extinction of mankind, IMPERIAL TRIUMPHANT’s Abyssal Gods serves as the follow-up to the band’s critically applauded, 2013-released "Shrine to the Trident Throne" album and contains ten punishingly traumatic odes of strategically composed black-addled mayhem bedecked in angular riff incursions, bestial vocal tirades and an overall air of disease.

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Already considered one of the best albums in 2011, "Epoch" starts where the previous "The malediction fields" ended: Post Rock, Ambient and acoustic passages perfectly paint a foggy and desolate landscape, where the apparent stillness is dispelled by Black Metal outbursts.