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Back in stock - Extreme Metal and Dark music
Ten years ago, Panopticon released Autumn Eternal – a record that captured the fleeting fire of the season and fixed it in sound. Amber-hued and windswept, it was both a lament for change and a hymn of hope for the road ahead.
The album marked the closing chapter of the trilogy begun with Kentucky (2012) and carried forward with Roads to the North (2014). Here, Austin Lunn wove black metal with threads of Americana, folk, and postrock into an immersive journey steeped in sadness, beauty, and transcendence. From the sweeping melancholy of 'A Superior Lament' to the rustic violin of Johan Becker and the somber cello of Nostarion, Autumn Eternal is a meditation on loss, memory, and the passage of time.
A decade later, Autumn Eternal still glows with the same autumnal fire – a testament to its place as one of the most honest and affecting metal albums of its time.
VI is a French black metal trinity, made of current and ex-members of Aosoth and Antaeus. Their debut full-length album, "De Praestgiis Angelorum", bestirs within the characteristic black metal niche developed by the said bands, with the addition of expanded guitar work, choirs and subtle sample parts. VI describes their music as "extreme, devoted black metal with illuminated chaos".
- Featuring INVRI (Aosoth, ex-Antaeus) on guitars and vocals.
- Featuring BST (Aosoth, ex-Antaeus, ex-Aborted) on bass.
- Featuring Blastum (ex-Aosoth, ex-Antaeus, Merrimack) on drums.
- Recorded, mixed and mastered in BST Studio (Antaeus, Hell Militia, Aosoth, Vorkreist).
- Cover artwork by Alexander L. Brown (Leviathan, Stargazer, Bölzer, Darkthrone).
- For fans of for fans of Deathspell Omega, Funeral Mist, Aosoth, Ascension, Svartidaudi, Antaeus.
Transparent With Blue Splatters
Cult black metal act INQUISITION exploded from the underground with 2013's full-length 'Obscure Verses For The Multiverse'. Prior to the release of this critically-acclaimed masterpiece, the American duo had unleashed five other albums that all contributed in establishing INQUISITION as a rising black star on the extreme metal scene. Originally published in 2007 and long out of print, ‘Nefarious Dismal Orations' further established the band's trademark chainsaw riffs and ominous vocals croaking odes to the infinite and satanic alike. Foreshadowing INQUISITION's arrival as the new kings of darkness and now adorned with brand new cover art designed Paolo Girardi, the album's original nine paeans to the occult are at once hostile, hypnotic, and bombastic.
