€0.00
Your cart is empty
Back in stock - Extreme Metal and Dark music
Limited edition repress on transparent orange/black marbled vinyl
Repress on grey/black swirl vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes lp-sized booklet printed on 140gsm offset paper.
Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.
Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.
Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.
Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.
From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.
The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.
Released in 2006, Watching from a Distance is the second album by WARNING, led by Patrick Walker, and stands as a cornerstone of deeply emotional doom metal.
This reissue on CD and marbled double vinyl resurrects a true masterpiece of pure, unfiltered melancholy.
2023 reissue with the original cover artwork and a new layout.
Includes a double-sided inner sleeve printed on 220 gsm carton and a double-sided insert printed on 150gsm art paper inside a 300 gsm carton outer sleeve.

Jewel case CD with clear tray and 12-page booklet.
"... 1996's Triarchy of the Lost Lovers is RC's triumph and masterpiece. It is among the best extreme metal albums every made. Each song strikes a different chord inside the listener, making each song unique in delivery, yet the songs reign in the realm of the album. The drums especially the snare drum hit with a clear resonance. Though the guitars are low tuned for the Death/Black metal genre, they emit sound clearly and in the perfect space inside the open air of the album's production. At times Sakis nearly whispers and can be heard just as well as the loudest guitar. Though Rotting Christ are unquestionably an Extreme Metal group, playing the heaviest on Triarchy is not a primary goal, and hardly a secondary goal. The combination of distinctly heard guitar riffs that have the perfect tone and overdrive and the impeccable melody and sublime guitar harmony throughout makes the album pace at a nearly enchanting speed. Triarchy is one of the best extreme metal albums, and makes the case that this extreme genre of rock can not only be uncompromisingly heavy and brutal, but also uncompromisingly beautiful and artistic...."
From an era when different winds blew...
Official re-issue of the classic 1993 demo, mandatory for any fanatic into (early) black metal!