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One of the releases we've been asked about most over the years is undoubtedly a vinyl re-release of Horna's seventh album, “Sanojesi äärelle,” originally released in 2009. We're proud to present this re-release as it was originally intended, with both heavy vinyl LPs housed in their own gatefold covers.

Issued in a gatefold cover sleeve and with a 12x12" 20-page lyrics booklet.
Side D is blank and features a silk-screen printed artwork.

CD in Jewel case with 16-page booklet.

In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Black/Death Metal legacy, WATAIN stand solemn, alien, watching from the shadows, in genuine victorious sincerity.
After their critically acclaimed second release “Casus Luciferi” (Album of the Month in Terrorizer) and a successful two-month tour together with DISSECTION, WATAIN now present their third Black Metal monolith “Sworn to the Dark”.

For fans of DISSECTION, MAYHEM, MARDUK, VALKYRJA.

JEWELCASE EDITION  

Dopo 7 anni rientrano in battaglia i Summoning senza deludere le altissime aspettative da parte di tutti i fan

Versione cd

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DOUBLE DISC EDITION OF SIGH’S 1997 RELEASE OF ECLECTIC DARK & ATMOSPHERIC METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, EXTENSIVE EXTRA MATERIAL & BOOKLET CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare ‘Funeral Theatre’ Promo tape created by Mirai Kawashima in 1995.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.

EXHUMED – “Red Asphalt” is the latest album from the gore metal veterans, set for release on February 20, 2026 via Relapse Records. This high-octane deathgrind assault hits hard with blistering riffs and relentless grooves inspired by the brutal realities of life on the road. From the lead single “Unsafe At Any Speed” to the twisted “Shovelhead,” every track delivers pure extreme metal intensity.  

White1 marks the fourth missive from the darkest regions of Sunn O)))’s distorted, drony netherworld. Greg Anderson and Stephen O’Malley’s newest long player follows a year after the excellent 3: Flight of the Behemoth, a record that broadened their sonic palette with contributions from Japanese noise guru Merzbow.

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