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Back in stock - Extreme Metal and Dark music
The kings of Norwegian death metal BLOOD RED THRONE come in with all guns blazing, announcing their thunderous new and 12th overall studio album!
"Siltskin" will be released on December 5th 2025 via Soulseller Records on CD and vinyl options.
It was mixed and mastered by Ronnie Björnström at Bjornstromsound and features an artwork by Giannis Nakos (Remedy Art Design).
Elegant cd digipack version printed on 300gsm w-w cardboard, coated paper with black tray
Double cd in brilliant jewel case. Comes with 8 page booklet on 135gsm art paper
This album contains what happened in between. No tracks are re-mixed, nothing has been touched up. It's all straight from original tapes. These recordings feature legendary artists (members of BURZUM, IMMORTAL, HADES, The BATALLION) in several unique line ups pioneering some of the oldest Norwegian black, deathrash and death metal!
This complete compilation, featuring ALL tracks Old Funeral ever recorded, follows Old Funeral from their rebellious youth through to an ending in darkness.
Includes:
The first 7 demo recordings NEVER released before except for the 50 original cassette copies from 1989.
Live recording from Garage, Bergen, Norway in April 1991. NEVER released in any format before.
The "Abduction Of Limbs" 1990 DemoThe "Devoured Carcass" 7" 1991 EP
The track "Forced To Be Lost" 1991 recorded in Grieghallen.
The September 1992 advance tape
Live track from Hulen, Bergen, Norway 1991.
Vinyl Gatefold/ CD booklet includes original democover artwork + flyers + never before seen pictures including the VERY FIRST photosession from May 1988!
Uno dei grandi classici del black metal norvegese early 90!
Classic Norwegian black metal album for the very first time on vinyl and also on cd again after being unavailable for over a decade!
The original '97 recordings finally made available again! In a world that'll never be the same anymore GORGOROTH released their third and even so unique masterpiece in 1997. Driven by the masterful riffing, the raw and cold drums and vocals "UNDER THE SIGN OF HELL" has been a breed apart ever since it's release. Now finally presented again with refreshed artwork and layout, supervised by Infernus
Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.
Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.
Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.
Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.
From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.
The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.
Released in 2006, Watching from a Distance is the second album by WARNING, led by Patrick Walker, and stands as a cornerstone of deeply emotional doom metal.
This reissue on CD and marbled double vinyl resurrects a true masterpiece of pure, unfiltered melancholy.
The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.
Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.
To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.
