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Tracklisting
Cold Landscapes
Downfall of the Epoch
Towards the Light
Twilight Aureole
The Day Will Come
Listening to the Silence

Something rises in the bleak and blackened skies of society as we know it. Vortex community GAEREA are about to bestow their Undying Sigil to the masses, with their brand-new full length album, ‘Limbo’! Are you ready for the tale of the Fallen Society and the journey to the vast Void, the only good in Life? Let us begin then. In the first hopeless circle, on too great and Undeniable Nothingness.

CD in deluxe Digipak with 12p booklet

Behind black shrouds of obscurity and desolation, the men of GAEREA deliver their odes in cascading maelstroms of aggression and beauty with full-length number three, ‘Mirage.’
Emerging from the age of pandemic to whatever awaits humanity next, the Portuguese horde remains on the frontlines of the next generation of extreme metal. The beauty of GAEREA lies in the directness and simplicity found within their florid tapestry of extremity and aggression.
With talons dipped in the inky blood of black metal and scraped across the flesh of human suffering, GAEREA is leading a charge into the future of darkness, and all those who find beauty and power in the dark side of existence would do well to take heed.

For fans of UADA, NUMENOREAN, THE GREAT OLD ONES, SVARTIDAUDI.

CD in JakeBox with 12-page booklet.
The JakeBox is an eco friendly packaging product.
Its most significant characteristic is the folded "claw" that holds the disc, and in an eye-catching way unfolds itself, presenting the disc, lifting it up and making it easily accessible.

When Gaerea emerged out of pandemic limbo, the masked band came branded with a vision of black metal that was guided not by myths or pagan beliefs but a purging of emotion. The world quickly came to share that vision, following them from the gates of Hellfest to tours through China and the U.S.
But with ‘Coma’, Gaerea are no longer strictly black metal. Though once again produced by trusted confidant Miguel Tereso, their fourth album broadens their signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows.
“World Ablaze” ignited this new era of Gaerea by holding a more conventional song structure over fiery tremolo picking. “Hope Shatters” upends even the loftiest of fan expectations; after the song collapses under its blistering heaviness, the melody hangs perilously in the air, like a swaying chandelier, before it’s smashed to pieces by hammering bass and concussive blast beats. “I’ve known faces within me”, their unnamed vocalist cries in the wake of a slow and somber guitar solo before “Unknown” snaps into a razor-sharp hook. “I transform with every passing moment”.
With ‘Coma’, Gaerea surface to the top of extreme metal.

For fans of MGLA, UADA, NUMENOREAN, THE GREAT OLD ONES.

The musical puzzle that adds up to become DER WEG EINER FREIHEIT turns into something more complex – yet also clearer defined on the band's fourth studio album, 'Finisterre'. The original pieces are still in play: the aggressive German directness akin to ENDSTILLE and a penchant for brooding melancholy as embodied by IMPERIUM DEKADENZ. Spiralling psychedelic moments comparable to DEAFHEAVEN and WOLVES IN THE THRONE ROOM also find their place – as well as a knack for majestic melodies that shows parallels in Swedish black metal spearheaded by MARDUK and DARK FUNERAL. Yet while DER WEG EINER FREIHEIT are clearly progressing along the lines laid out by their previous acclaimed effort, 'Stellar', the band has found a way to make these pieces fit more seamlessly. 'Finisterre' flows together into a coherent picture that stresses the Germans’ unique approach and sound. This album marks the point where DER WEG EINER FREIHEIT turn their various influences into a work entirely of their own expression despite never trying to cover up their roots. This impressive maturity has been reached through several stages.

Vintersorg’s classic album remastered! A real gem of epic Swedish Viking Metal!

As someone who listens to Metal albums on a daily basis, as well as being a Metal fan for well over 40 years, there are many great Metal albums out there. But sometimes an album comes along that changes how we look at Metal. We are not sure if that was Andreas “Vintersorg” Hedlund‘s intention when he wrote his debut full length, “Till Fjälls”, but that is exactly what this album did. His intention was to create a sound that was Black Metal based but also focusing more on clean vocals and adding more traditional Swedish folk elements to the that base. He inadvertently patented a new sound and sub-genre.

The album opens with, “Rundans,” which is basically an intro, being part acoustic and part electric. Keyboards take the place of what sounds like wind instruments. “For kung och fosterland,” follows as the first proper song, opening with speed and fury there are tremolo riffs and grim vocals but they lead to a much more melodic approach with the clean vocals taking over. Vintersorg sings here in a low baritone which became his trademark. But it is the way he used those melodies intertwined with the heavier more Black Metal oriented sounds was new and nothing like it existed before.

But what the real magic here is the entire package. Songs about that show how ancient paganism was so rooted in the actual forces of nature; while done so in his own language over top this epic Metal music that was all new.

From the cold of Norrland this album manages to take the cold and grim and add some warmth and emotion. This masterpiece was just the first in a string of absolutely brilliant albums from this incredible talented artist. After 27 years this album still resonated with me the same as it did when I first heard it. This is proof that great music is timeless.

For fans of: Falkenbach, Moonsorrow, Borknagar, Finntroll, Kampfar, Einherjer.

Classic Folk/Black Metal goes progressive! Remastered and finally available again.

In progressive music circles, the genre of Black Metal sometimes seemed to get a treatment as if it is was plague-like. Even a lot of Metalheads themselves cannot bring themselves to develop a taste for it, although diehard fans of the genre swear it is one of the most atmospheric and emotive styles of music in existence to date.

With Vintersorg’s “Cosmic Genesis” it appears as if there is a perfect album for those who are not too much into Black/Pagan Metal (or other extreme forms) but are interested to look into it. Strong melodies and intelligent instrumentation mixed with some more primal, heavy sounding riffs make for a very wellrounded Metal album that a much wider variety of listeners should find appreciation for.

One of the biggest points of contention people seem to have with Black Metal are the high-pitched screams which dominate and help define the genre. While these are indeed present in “Cosmic Genesis”, the main form of vocal delivery rests on the deep and strong clean singing of Andreas Hedlund, at times verging on being operatic in nature. Strong melodies and some rocking guitar riffs are the order of the day for this classic Vintersorg album. A special track worth mentioning here is a great cover of the Uriah Heep track “Rainbow Demon”, which is performed in great Vintersorg style (and has a strong medievalsounding intro). The album is full of great Black/Folk Metal tracks, although the highlights would undeniably include the opener (‘Astral & Arcane,’) the title track, and the powerful ballad ‘The Enigmatic Spirit,’ which should convince anyone to check out this album after hearing it. We think the highly melodic nature of this album will help at least a few people open up to Black Metal as a whole, who are not too familiar with this style, or do not like it too extreme.

For fans of: Falkenbach, Moonsorrow, Borknagar, Finntroll, Kampfar, Einherjer.

Vintersorg returns with their long-awaited new album “Vattenkrafternas Spel”! Merging old and new with a captivating mix of athmospheric Metal and Folk!

Sweden’s elemental force Vintersorg returns with their new album “Vattenkrafternas Spel”! “Vattenkrafternas Spel” merging old and new with a captivating mix of atmospheric Black Metal and Folk! It doesn’t just retrace old steps... it digs deeper! This is not the “let’s drink ale in the woods” version of Folk Metal,Vintersorg deals in frostbitten grandeur and soaring melancholy.

As always, Andreas Hedlund (aka mr. Vintersorg himself) leads the charge, balancing razor-edged riffing with layered clean vocals, icy shrieks, and a knack for songwriting that’s as cinematic as it 
 ispunishing. There’s no scientific concept this time around, no tangled progressive detours, just full immersion in atmosphere, feeling, and elemental force. Call it Folk Metal, call it Black Metal, call it Vintersorg at full power!

If the caustic vocals weren’t enough of an indicator, lyrics of isolation, tales of scavengers of the waste of humanity, and lamentations of regret might tip you off that there is absolutely nothing uplifting about this album.

While wallowing in despair, you might find the self-referential opening track, the first song released and the album’s strongest track, “Unending Call of Woe” to be a great listen, blending a strong tremolo picked melody with tempo and groove changes that are, dare I say, fun. The speed and higher vocals betray a definite thrashy punk influence that brings something more to the table than your standard black metal fare. The phased guitar lead into in “The Ones We Lost” and the ending riff of “Abject In Defeat” are some other great moments on this record.

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