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Deluxe vinyl version of Abigor's new album, Taphonomia Aeternitatis - Gesänge im Leichenlicht der Welt, truly a masterpiece and a more than worthy release for the band's 30th anniversary. The LP comes with a cardboard slipcase, Gatefold cover, printed inner sleeve and bone / black marbled vinyl.

Supreme Immortal Art reissue - Digipak

Re-issue of ABIGOR’s classic mini album, Orkblut – The Retaliation, with the addition of the track “Shadowlord”, coming as a digipak CD with 8 pages booklet.

Re-issue of ABIGOR’s classic, second full length album, Nachthymnen (From the Twilight Kingdom), coming as a digipak CD with 8 pages booklet.

One-off edition in 200 copies, translucent red vinylì, not be repressed

While writing their upcoming album (due later this year), Remina ended up with three songs that no longer fit the album's themes as it began to take shape. Rather than let these songs become lost in the ether, these were gathered in a brand new ep, "Erebus".

Initially released digitally only in June 2024, the ep found a huge success and pushing us to offer the band a one-off only edition on vinyl and cd.

A decade after the release of Necromantic Worship’s first demo, the band reemerges to deliver one of the most highly anticipated debut albums in years.

Following their early EPs "My Angel" (1991) and "Constellation" (1994), ARCTURUS finally released their debut album "Aspera Hiems Symfonia" in 1996. The Norwegians derived their name from the brightest star of the Northern hemisphere and were obviously influenced by the massively expanding black metal scene of their homeland. Already featuring such well-known protagonists as ULVER's Garm and MAYHEM's Hellhammer, the line-up on "Aspera Hiems Symfonia" saw Samoth replaced by excellent guitarist Carl August Tidemann and outstanding ULVER bass player Hugh "Skoll" Mingay also joining the band. Despite their audible black roots, ARCTURUS clearly begged to differ by daring to experiment and adding an avant-garde twist with strange sonorous vocals complementing those piercing shrieks, Sverd's cinematic keyboards, the technical guitar solos, and more elements that to this day mark the band from Oslo as progressive innovators.

Having grown out of the Norwegian Death Metal band MORTEM, ARCTURUS emerged under the irresistible influence of Oslo's creatively bursting and fast rising underground black metal scene officially with the two-track 7" "My Angel" (1991). With then-guitarist and formidable keyboard player Sverd and MAYHEM drum-beast Hellhammer at its core, vocals were first contributed by Marius Vold, who also sang on the legendary THORNS demo "The Thule Tape". While still very much influenced by death metal, the addition of doom-laden slowness and eerie keyboards already pointed into a far blacker cosmos. On the four tracks of the original 1994 "Constellation" EP, ULVER's Garm had taken over the vocal duties and Samoth from EMPEROR had joined the band on guitar. Yet, ARCTURUS already went off the (in reality quite wide-ranged) black metal norms mainly due to Sverd's keyboard arrangements that were pre-shadowing the trademark theatrical or circus-like style the Norwegians adopted on their following albums.