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Back in stock - Extreme Metal and Dark music
Hand numbered to 5 copies
Especially released for the VINTERLAND concert at the "Avantgarde Music Festival II" on 05/09/2026 in a numbered and limited to 350 copies edition.
The copies not sold at the gig are on sale now besides a few tens (band's private copies)
The EP includes two demo songs and comes in bone-white vinyl
Especially released for the VINTERLAND concert at the "Avantgarde Music Festival II" on 05/09/2026 in a numbered and limited to 350 copies edition.
The copies not sold at the gig are on sale now besides a few tens (band's private copies)
The EP includes two demo songs and comes in bone-white vinyl
Double LP in solid silver vinyl - 100 copies printed
Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.
Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.
Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.
Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.
One of the most imposing and revered bands in black metal's underground for the past decade, BEKËTH NEXËHMÜ have built a literally towering body of work. The band is yet another creative vehicle of Ancient Records linchpin Swartadauþuz (Azelisassath, Digerdöden, Gnipahålan, Musmahhu, Mystik, Summum, Trolldom, Daudadagr, as well as current labelmates GREVE and MUVITIUM), but it's largely BEKËTH NEXËHMÜ where the man has most built his legacy. To date, three official albums have been released - 2010's de dunkla herrarna, 2019's De fördolda klangorna, and last year's literally massive De Fornas Likgaldrar double-album, which featured over two hours of re-recorded material, recast as a whole new experience - and a literal bounty of demos, each one arguably greater and grander than most band's actual albums, that have equally put a frightening new(er) face on Swedish black metal, by turns becoming the nowadays face of the form.
Four years on from their critically acclaimed Let the Devil In masterpiece,
SARGEIST return with their massively anticipated fourth album, Feeding the Crawling Shadows. More than just a quintessentially "black metal" album title, Feeding the Crawling Shadows is a veritable raison d'etre for these Finnish scene legends: With faith and devotion, through ritual and necromancy, SARGEIST feed the blackest, most Satanic essence at the core of BLACK METAL and, in turn, wield its clandestine powers with sorcerous might.
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Re-issue of ABIGOR’s classic mini album, Orkblut – The Retaliation, with the addition of the track “Shadowlord”, coming as a digipak CD with 8 pages booklet.
Re-issue of ABIGOR’s classic debut album, Verwüstung / Invoke the Dark Age, coming as a digipak CD with 8 pages booklet
A work of almost impossible magnitude, INFERNO's latest long-player sees this long-running Czech cult go from strength to strength, daring to dream beyond black metal whilst finding its innermost core, resulting in an opus which both scales feverish heights and plumbs fathomless depths - simultaneously. Simply, it is a work of both boundless beauty and even-more-boundless darkness.
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