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Back in stock - Extreme Metal and Dark music
“The Long Defeat” unfolds over three parallel storylines told via three different mediums. Two in writing: the lyrics, as well as a fable. The third speaks through the artwork – two metres’ worth of maniacally detailed visions depicting the same premise its written content draws from. All three are fundamentally entwined but diverging in narrative, each complementing or contradicting the others.
Black vinyl, 6 panels folded booklet.
2023 reissue with the original cover artwork and a new layout.
Includes a double-sided inner sleeve printed on 220 gsm carton and a double-sided insert printed on 150gsm art paper inside a 300 gsm carton outer sleeve.

Comes in gatefold cover sleeve, inside jackets are printed with lyrics.
250x SWAMP GREEN COPIES
Gatefold, incl. printed innersleeve, limited to 199x violet/black sunburst, incl. download.
Depressive Black Metal outfit Ghost Bath return from touring Europe and North America in support of Starmourner (2017) and the vice-like grip of the pandemic with striking new album, Self Loather. In many ways, Self Loather, the group’s 4th album, represents Ghost Bath’s forward trajectory (musical) and continued exploration of antipathy of the self (lyrical), but unlike any album before it and as the final piece in the Moonlover-Starmourner-Self Loather triptych, it’s the group’s most destructive yet contemplative record to date. While that might have something to do with everyone contributing - though founding member Dennis Mikula remains the visionary core - the unquestionable allure of Self Loather is its songs. From the raw strength of opening track “Convince Me to Bleed” and the melancholy of the strings/piano-driven “Sanguine Mask” to the grandiose horror of “Hide from the Sun” and the slow-burn groove of “Unbearable,” this is Ghost Bath at their creative best
Record 1 pressed on purple marble heavy vinyl. Record 2 pressed on pink marble heavy vinyl. Laser engraved etching on side D. Comes with a slipcase, 2-page insert and download card. Colors on final record may vary to a degree from the mockup.
Gatefold DLP including a A4 12 pages booklet.
The inimitable Funeral Mist – one of the most iconic bands on the NoEvDia roster – has delivered unto us “Deiform”. Seven musical pieces contemplating the nature of divinity and mortal existence through the fiery lens of black metal.
Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

Black vinyl .
With a seemingly endless dungeon full of heavy metal influences channelled through Darkthrone’s dynamic riff-machine, plus increasing inspirations taken from their own back catalogue, Darkthrone has become very much its own beast within the metal world. Though sprinkled with atmospheric touches, such as synthesisers and mellotron, the Darkthrone sound remains stripped to the core, primitive and organic.
Astral Fortress was recorded at Chaka Khan Studios in Oslo, the same location used for the Eternal Hails album, with Ole Øvstedal and Silje Høgevold.
From their formation back in 1986, to becoming one of Norways’s finest musical exports (with a number of highly revered black metal masterpieces released in the early 1990s helping to solidify their legacy), Darkthrone has continued to evolve and challenge in equal measure, throughout their illustrious recording career spanning over three decades. And now, the ever-productive duo of Nocturno and Fenriz continue their own metallic saga with a new selection of fine, vintage sounding headbanging classics in the making.
7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene