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Back in stock - Extreme Metal and Dark music
A 30-pages long in-depth article-interview about Stormlord and all the people involved in the early years!
Written in italian
100 pages, professionally printed!
On this issue, editorial articles and interviews with: Spite Extreme Wing, Aborym, Minenwerfer, Antrisch, Marthe, The Gloomy Radiance Of The Moon, I, Voidhanger Records, Woods Of Desolation, Trivax, Deinonychus (early days interview), Midnight Odyssey, Swartadauþuz and… many more
WRITTEN IN ENGLISH / ENGLISH EDITION
Misanthropic black metal
1. Ändlös Flykt Från Tiden 08:50
2. Allt Svartnar 08:18
3. Undergång 09:35
4. Evighet 07:22
5. Blood Fire Death (Bathory Cover) 10:27
Comprehensive reissue in one only magazine of pioneer fanzine MAGGOT, issue 1 + 2 + 3 originally published in 1994, 1995 and 1999!
WRITTEN IN ENGLISH
In 2004, inspired by the legend of the "Homo Salvadego" - literally "savage man"; a dialectal name referring to a northern italian alpine legend talking about a half-human, half-animal hybrid - the Italian Black Metal act Homselvareg emerged in northern Italy, between mountains, lakes and forests.
Homselvareg's music is vector of contempt, hatred and venom for the path that humanity choose to take, far away from the spirit and the laws of nature. Musically speaking, the Black Metal of Homselvareg is constallated of excellent melodic-oriented riffs, rhythmically fast and structured upon certain dynamic choices, resulting particularly enjoyable for fans of Spite Extreme Wings, Taake and Dissection.
Rooted in atmospheric black metal and post-depressive black metal, “A Caress of Autumn for All the Lost” refuses to remain confined within genre boundaries. Balzarini continuously shifts between textures and dynamics, allowing songs to unfold through subtle transformations rather than predictable contrasts. Instead of relying on the conventional loud-quiet formula, each composition develops organically, revealing unexpected turns while maintaining a remarkable sense of cohesion. Throughout the album, delicate melodic brushstrokes occasionally recall the melancholic elegance of fellow Italian visionaries Novembre, enriching an already expansive emotional palette.
The result is a work enveloped in an autumnal melancholy that permeates every note. Its atmosphere is fragile yet piercing, intimate yet expansive, balancing moments of despair with glimpses of fragile beauty. Every transition feels purposeful, every melody carefully placed, allowing the album to flow naturally from beginning to end without sacrificing intensity or emotional depth.
Night black 12" vinyl Incl. a 12-page booklet with lyrics and exclusive photos. Limited to 100 copies.
gatefold jacket, inside colored
black poly-innersleeves
dinA2 poster
plastic protection sleeve
large booklet wth lyrics, impressions and info
Gold Vinyl
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
Niklas Kvarforth has, on countless occasions, mentioned the month that he spent together with Christian Larsson and Yusaf Parvez (DHG) in an apartment that they rented in Finland's capital. The three resolved to use this space as a base in which to write, experiment and cause various forms of unspecified damage before heading to Varberg to record the new album. For years, the band has wished that these infamous demo tapes could be released officially somehow. We here at TSI, who recently issued the definitive edition of the very album for which these songs were created, feel that the time has now come to release the recording that the band themselves have stressed: "Is in so many ways far superior to the actual album itself".
