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Digipak CD edition with booklet 

The debut album of AFSKY is a cold atmospheric representative that can be clearly assigned to the DSBM genre. The doomy folk and classical music elements already appear here and there, such as the guest contribution of Amalie Bruun (Myrkur) on the nykelharpa and clean vocals - but the raw coldness is most present here.

Written at a time of frustration, sadness and dark emotions, the lyrics lead to a haunting and harrowing exploration of the various shades of suffering, but also reflect the magnificence of nature - as eternal inspiration and shelter.

This album expresses exactly what Afsky and Sorg stand for namely: disgust and sadness. The cradle and the cornerstone that bear all the hallmarks of Afsky in their original and pristine sound.

• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g metallic blue vinyl 

  Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

Reissue, white green marble

- LP (black vinyl) incl. printed innersleeve, protection sleeve and poster

Reissue, with poster

"Shelter" is the fourth album by contemporary shoegazers Alcest, the destination of a long creative musical journey into vast new territories . More than ever the French outfit consisting of mastermind and multi-instrumentalist Neige and drummer Winterhalter embraces the dreamy guitar textures of shoegaze and blends it with the sweetness of british band Cocteau Twins- dream pop pioneers of the mid to late 80's era, epic, soundtrack-like melodies and progressive song structures.

Kentuckian living in Minnesota returns with his most sorrowful, introspective album yet. A search for hope in a bleak world. Easily the darkest and heaviest record of his entire career. 

digipack 
With Panopticon’s 5th full-length album, Kentucky, Austin Lunn pushed the boundaries and blurred the lines between melodic US black metal and folk driven Americana. Bluegrass, with its high and lonesome sound and cultural and emotional significance, provided the perfect backdrop for Austin’s lyrical exploration of the Kentucky's rich cultural heritage and unique environment as well as coal miner's plight to stand up against the cruelty of a greed driven fossil fuel industry as they struggled to organize a union to fight against horrific working conditions. The album is about more than just coal mining history...it is a love letter to the " blue grass state" and the beautiful people and places contained within its borders.

 

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

"Zeitlang" is the harsh debut full-length of Bavarian black metal act GRÀB featuring founding vocalist Grant. The former DARK FORTRESS frontman has written the entire concept album in a local dialect of Germany's southernmost Alpine state.

GRÀB, which means “old and grey”, are lyrically telling the story of an old man, who has chosen to withdraw from society into an isolated cottage deep in the mountains, where he reflects on his life while his death edges ever closer. The story on "Zeitlang" ("Yearning") begins in his early childhood with the song 'Nachtkrapp' ("Night Raven") and continues all the way to his end, which is illuminated by the track 'A Gråbliacht' ("A Grave Lantern").

Musically, GRÀB are picking up the Norwegian strands of early GEHENNA, ULVER, and DARKTHRONE as well as being inspired by German NAGELFAR and LUNAR AURORA. Yet true to their topic, the Bavarians include traditional local elements, which is instrumentally expressed by the use of hammered dulcimer, zither and alphorn.

Vocalist and Bavarian poet Grant views "Zeitlang" as his personal musical legacy. Join the singer and GRÀB on their equally intimate and forceful quest into the dark and stark places of the human mind and Alpine nature where there are no safe spaces.

GRÀB offer both, continuity and change, on their sophomore full-length "Kremess". The Bavarian black metal project founded by vocalist Grànt continues to revolve lyrically around tales and traditions narrated in the local dialect of Germany's southernmost Alpine state: Bavaria. "Kremess" means 'funeral feast' in that language and death plays a leading role on this album. Musically, GRÀB still feature a prominent traditional instrument of their region, the hammered dulcimer. This gets combined with particularly Norwegian strands of black metal such as early GEHENNA, ULVER, and DARKTHRONE as well as taking inspiration from German pioneers of the genre namely NAGELFAR and LUNAR AURORA. Adding to the local sonic colours are many fresh ideas and sounds that came with English guitarist Gnàst, who has replaced previous main songwriter Grain in the meantime. A host of guest musicians including members of EMPYRIUM, TRIPTYKON, and DARK FORTRESS among others has further enhanced the musical spectrum. GRÀB, meaning "old and grey" in the local dialect, were conceived by former DARK FORTRESS frontman Grànt who wanted to bring a particularly Bavarian expression to black metal. The earlier collaboration between Grànt and guitarist Grain resulted in the release of the debut full-length "Zeitlang" in 2021, which channelled the black metal spirit of the early 90s much to the delight of both critics and fans. With "Kremess", GRÀB are infusing Bavarian black metal with new power that is bound to expand their growing empire far beyond the borders of their homeland.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Asaland".

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. After the interlude of their fourth album, which partly featured reworked earlier material, the next full-length from the German composer and multi-instrumentalist who was again joined by musicians appeared to be a summary of all the elements from his previous works. "Tiurida" (2011) put the emphasis on the band's epic melodic pagan metal side, which was generously spiced with some earlier black metal elements. The album still evokes an overall impression of confident and experienced songwriting. FALKENBACH had reached the point where they not only exactly knew their musical destination but also how to get there.