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"Carrion Skies" è il quarto album degli inglesi FEN, autentici maestri nel fondere atmosfera e pathos all'interno di strutture tipicamente black metal.
con questo disco il Trio britannico riesce nell'impresa di superare e migliorare i pur ottimi album precedenti, raggiungendo apici compositivi mai toccati fino ad ora. Grazie a suoni pressoche perfetti, le canzoni fluiscono in maniera cosi' spontanea e naturale che si viene rapiti da un'autentica estasi metallica.

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Second and best album of this swedish industrial black metal band , following the footsteps of legendary Mysticum

Skagg.Hoest.Thurzur.Lava.

Years in the making, DEATHCULT are returning with their cruel Norwegian black metal, firing the third album of their trilogy on to the world which began with “Cult of the Dragon” (2007) and “Cult of the Goat” (2017).

‘HOSTILE ARCHITECTURE is a sonic exploration of the ways that subjects under late capitalism are constrained and set in motion via the various structures that uphold stratification and oppression in urban contexts. It is inspired by brutalist, postmodern and utilitarian architectural structures that are found throughout post-industrial cities, hauntological in nature, being designed to provide for the populace through affordable housing but ultimately cost-cutting exercises and unfit for purpose. The term hostile architecture refers to design elements in social spaces that deter the public from using the object for means unintended by the designer, e.g. anti-homeless spikes, which the album presents as emblematic of a foundational contempt for the poor and working class, an exemplification of a status quo fortified in concrete. The album invites the listener to explore the dissonance of these contradictions in their own circumstances and perhaps consider possibilities for a world beyond what Mark Fisher called “Capitalist Realism.”’

Format: ltd edition Double LP 
Info: A kaleidoscopic vision of the modern era. Amesoeurs are the children of this sad and metallic century, the musical metaphor of the modern urbanized world... By mixing elements of harsh melancholic black metal, post-punk and '80s new wave  influenced by the likes of JOY DIVISION, early CURE, and DEPECHE MODE, Amesoeurs is a bleak, violent, melancholic, suffocating and desolate vision, one brimming with despair. an album  that will go down as one of the most memorable releases of the underground scene.

This is the last Aborym album to feature Attila Csihar as the primary lead vocalist
Third album for the italian industrial black metal act.

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FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

"Àmor" is a pure rush of passion and irresistibly sexy! The burning pulse of the sun's nuclear fire scorching the desert. The smooth sliding of glistening skin over other skin in a throbbing rhythm. The swelling hum of motion in a mass of bodies. KLIMT 1918 capture many such fleeting moments in time and preserve them through cascading walls of sound and the elegant drone of guitars. The Italian's fifth album, "Àmor", represents a climax of their acclaimed previous work into a most melancholic, sensual, and majestic collection of captivating music. "Àmor" was born out of silence, solitude and social distancing. Yet as a deliberate artistic counterpoint, KLIMT 1918 decided to have all their new songs revolve around carnality, ardour, physical contact between bodies, and the urgent, compelling feelings that keep people awake at night. As a crowning glory, KLIMT 1918 were artistically knighted when the legendary Tony Doogan accepted to mix 'Àmor' and Frank Arkwright (Abbey Road Studios) added his mastering genius. Both renowned engineers have previously joined forces to collaborate with such acts as MOGWAI and SNOW PATROL, and their portfolios also include such greats as JOY DIVISION, COLDPLAY, and OASIS among many others. Although it took plenty of time, diligence, and energy, "Àmor" proves with every second that the album is more than worth this long wait. KLIMT 1918 take their raw emotionality expressed in dynamic, glowing soundscapes rather than fixed structures and calculated hooks to another peak!

Digipack CD

Thill Smitts Terror”continue where “Von Rov Shelter”, the band's critically acclaimed 2009 album, left off, delving more and more deeply into the disturbing world that SLAGMAUR conjures up by combining modern and classical instruments with children's nursery rhymes and fairy tales. It is a world where classically constructed melodies blend seamlessly with aggressive black metal to create a nightmare scenario straight from the pit of hell. Art, as well as music, is an integral part of the whole that is SLAGMAUR - from the sinister masks and costumes the band wears on stage, to the disturbing images used in the artwork for the albums.

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1. _ 01:31
2. Drako Gigant 05:15
3. Fantom Eks Speriment 05:21
4. Lange Knivers Natt 05:30
5. Nattens Sorte Ord 01:58
6. Klokker Tramp 07:03
7. Ramaskrik 06:55