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What better timing to release the second fullenght of ENEVELDE, aptly entitled En Gildere Død (A Grandiose Death)!

As humankind drowns in death in all it's shapes and sizes, we can all relate in unison to the current state of the world today. Will we survive another night, and who will live to tell!?

By now a household name here at Terratur Possessions, ENEVELDE continues to deliver cleverly arranged Black Metal, ranging from mid-tempo blackness and raging aggression, to epic madness and beauty.

Written, recorded and performed by B.Kråbøl (MISOTHEIST), featuring M.Hellem on bass and several other guest appearances

180g white vinyl (limited to 400 handnumbered copies)
Official 2024 re-release by The Devil's Elixirs.

Fordæðuskapr (Old Norse for ‘sorceryʼ or ‘witchcraftʼ) is a new band by S.D. which was started in early 2022. Similar to S.D.ʼs primary artistic output Árstíðir lífsins, ‘Hræflóð markar fjallaʼ is sung entirely in Icelandic and contains lyrics taken from the rich corpus of Old Norse skaldic poetry.

The texts have an apocalyptic character and mainly deal with themes related to death, violence and bloodshed. Appropriately, ‘Hræflóð markar fjallaʼ may be translated to ‘Carrion flood of the wood of the mountainsʼ. The album features six songs with a total playing time of 38 minutes and contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes.

Fordæðuskapr (Old Norse for ‘sorceryʼ or ‘witchcraftʼ) is a new band by S.D. which was started in early 2022. Similar to S.D.ʼs primary artistic output Árstíðir lífsins, ‘Hræflóð markar fjallaʼ is sung entirely in Icelandic and contains lyrics taken from the rich corpus of Old Norse skaldic poetry.

The texts have an apocalyptic character and mainly deal with themes related to death, violence and bloodshed. Appropriately, ‘Hræflóð markar fjallaʼ may be translated to ‘Carrion flood of the wood of the mountainsʼ. The album features six songs with a total playing time of 38 minutes and contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes.

ZARATUS were formed in 2018 by Bill Zobolas (Soulskinner, Thou Art Lord e.t.c) and Stefan Necroabyssius (Varathron, Katavasia e.t.c). The idea behind the creation of the band was the unity of forces of 2 members with history in the creation of the Greek scene of the 90s, where they will offer a fresh idea of how black metal should sound today. Based on the deep roots of authentic black metal, but with many elements of epic, majestic and beyond the limits, ZARATUS create a unique identity in both style and sound, which makes them stand out. In 2019 they released the Mini LP "The Descent", which is essentially an authentic imprint of the familiar Greek black metal sound of the 90's.

In the same year they recorded their first full-length album "In The Days Of Whore". The recordings and mixing were done in Red 7 studio by Bill, while the vocals and the mastering were done in Suncord Audiolab studio, by Achilleas Kalantzis. The album contains 7 tracks of a total duration of 48 minutes. It is a journey to ancient times, where darkness and light were one, when the primordial mysteries and the power of nature were integral parts of evolution. The music is inextricably linked to the lyrics, creating a unique atmosphere. Based on and with respect to their black metal roots, ZARATUS broke the bonds of the limits of the genre and passed to other dimensions, touching lyricism, epicism, classical periods, but also sometimes giving redemption to the listener through simplicity.

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

Remixed, remastered, new layout - on beautiful digibook 2cd Perfect edition of this perfect album.

CD in deluxe Digipak with 8-page booklet

There are few funeral doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as SHAPE OF DESPAIR. The Finns’ latest full-length is a product of their environment, enveloping the listener in cold, eternal darkness like a lonely Finnish winter. And much like the long, funereal winters of their homeland, the atmosphere in ‘Return to the Void’ is bleak but ethereal. The funeral doom icons do not merely offer a soundtrack to one’s agony, but also demonstrate the beauty that can often be found in misery.

For fans of FUNERAL, MOURNFUL CONGREGATION, BELL WITCH, AHAB, EVOKEN.

digipak reissue

After the big success of “Futile” in 1999, Rapture released the sophomore “Songs For The Withering”, following the path traced two years.

Austin Lunn from Panopticon would say on the album: “This album is for me, the joy and comfort in melancholy... The bittersweet sound track to autumn, the echoes of rainy days... Nostalgic yet relevant but above all, an honest and relatable glimpse into human sorrow.  It is a warm but wet blanket, reminding me of worse days and how I fucking made it through: One foot in front of the other, consoled by the honest and exposing lyrics, powerful melodies and crushing drums of Rapture’s unsung masterpiece. Before the last breath, inhaling. Before the final death, to exhale and never let hope die that I would one day conquer the great distance.”

reissue on digipak format