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Back in stock - Extreme Metal and Dark music
Created in 2014, Cantique Lépreux feeds on Black Metal from all eras, reveling in its essence. Inspired by the wilderness of Québec, the Occult, death, and fear, Cantique Lépreux creates music that is at times grim, at other times melancholic; a work born of passion, paying homage to the legends of Black Metal.
Hailing from a scene that seems to endure as an archaic artefact of a genre that was extensively shaped by the early Scandinavian scene, Cantique Lépreux makes its public debut with 'Cendres Célestes'. While treading familiar ground, they unearth and truly encapsulate everything about their vision and are proof that there could not be a more suitable place than Québec to shape such glacier-cold and mournful hymns.
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Ungfell was spawned from an array of decrepit moon rites and woodland invocations in late 2014 by Menetekel, who remains the project's driving force to this day. During 2015 the demo, Demo (lition) was released, followed by a split (with Dakhma) in the same year and their debut full-length Tôtbringære in 2017. Mythen, Mären, Pestilenz reveals ten new Walpurgis black metal spells that continue the band's trademark sound; fusing filthy, rustic black metal conjurations and occasional folk instrumentation. A ferocious array of piercing riffs, marching percussions and tortured howls. Ungfell's second full-length presents Helvetic black metal deeply rooted in medieval lore and tales of pestilent witchcraft. Ghastly ghouls and sinister sorceresses rejoice in these utterances and sounds, gathered as one around the towering witch's pyre... as the hangman plays the last lead, the crimson night is not far
On their third full-length album, "Es grauet", Ungfell abducts listeners on a sonic journey detailing moral ambivalence and treachery. Set in a seemingly idyllic rural village in pre-modern times, all is not as it seems. Tragedy strikes the town in the form of a horrific, grisly murder. Unfounded accusations lead the town further astray, while these occurences of debauchery exceed the comprehension of the local inhabitants. Alas, evil lurks where you may least expect it... The story unfolds, accompanied by ravaging riffs and gripping songwriting that appropriately underline the complex, yet harrowing narrative. "Es grauet" shows Ungfell at their most ambitious and most audacious, featuring incredibly dynamic and warm production values, emphasizing atmosphere even more than previous releases and managing to compliment the story being told.
4-panel Digipak in a deluxe matte finish, with a 12-page booklet and designed album download.
Comes with a 2-page 12"x12" insert, an A2 poster and a download card. Pressed on ultra clear with black smoke vinyl. Colors on final record may vary to a degree from the mockup.
2017's "Deus Salutis Meæ" ("God of my Salvation") is a truly mesmeric emission from BLUT AUS NORD, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries.
Using frightening alchemy and predatory cruelty, BAN here fuses each distinct era of its 23-year existence with powerful readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom. A work of singular class from an artist who continues to remain vital.
Record 1 pressed on green marble heavy vinyl. Record 2 pressed on yellow marble heavy vinyl. Side D contains no music but features a digital print. Comes with a 16-page booklet and a download card. Colors on final records may vary to a degree from the mockup.
The wonderful 16th album from legendary Avant Black Metal paragons BLUT AUS NORD is the culmination of a 30-year vision - as mainman Vindsval connects each element of the band's history to launch yet another intrepid exploratory evolution.
COINCIDING WITH THE TWENTY-FIFTH ANNIVERSARY OF GODKILLER’S FINAL FULL-LENGTH ALBUM OF DARK METAL WITH INDUSTRIAL & ELECTRONIC ELEMENTS.
Formed in 1993 & hailing from Monaco, Godkiller was the vision of multi-instrumentalist & sole founding member, Duke Satanaël, who between 1996 & 2000 released an EP & 2 studio albums under the Godkiller name, commencing with the black metal cult classic debut 'The Rebirth Of The Middle Ages'.
Though initially more a death metal inspired act in the formative years, Godkiller quickly developed into a project fully engulfed in the spirit of 1990s black metal, bringing to mind acts like Emperor & Satyricon for the implementation of such strong atmospherics, though on later releases Godkiller incorporated more industrial & electronic elements into the compositions as part of its creative evolution.
‘Deliverance’ was Godkiller’s second studio album & final release before the project was laid to rest & ventured into a more electronic & industrially metallic direction for what could be considered a more contemporary & expressive take on Godkiller’s established brand of darkness.
Coinciding with the album’s 25th anniversary, this edition of ‘Deliverance’ is presented on CD format for the first time since its original release, including an eight page booklet with full lyrics.
The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download.
Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.
Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.
Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.
