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Back in stock - Extreme Metal and Dark music
Digipack
"Hallucinogen" begins a new era for BLUT AUS NORD, ending the cycle of clandestine industrialised dissonance that culminated with previous transmission Deus Salutis Meae and moving skyward into freshly melodic territories of progressive clarity. Interweaving dreamlike choirs, inimitable harmonic developments, reflective clean guitars, palpable organic drumming and a welcome rock and roll swagger, Hallucinogen is a spacious, emotionally wide-ranging record that finds BLUT AUS NORD more open than ever, full of life and revelling in the element of surprise. "Hallucinogen" is yet another coherent universe from a band who have moved away from familiar tropes, aesthetics and comfort zones to unite - with Dionysian spirit - under/overland, surface/void, metropolis/mountain and the vastness of the mind’s eye into an indispensable addition to their unparalleled body of work.
Recommended if you like: ENSLAVED, EMPEROR / IHSAHN, ULVER (Bergtatt era), KING CRIMSON.
Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.
"Nahab" - the second part of the Disharmonium cycle - finds BLUT AUS NORD returning, as if by compulsion, to the Weird nightmarish otherworlds of H.P. Lovecraft to reflect them through a new mirror of terrifying Black Metal lunacy.
In the dead-eyed trance of one demonically summoned, the band has once again channelled esoteric folklore and modern violence into another phenomenal slice of outsider art which befits its own Mythos and monstrosity. A Crowning Horror indeed.
Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.
A continuation of preceding EP "The Forlorn Soldier", 3rd full-length "Hymn to the Woeful Hearts" is a wounded, epically emotive exploration of timeless grief which ascends to the next level - simmering down past symphonics and ramping up the bitterness, aggression, textural dynamism and melancholic conviction.
Again featuring skilled and energetic guest drumwork from Yurii Kononov (ex-WHITE WARD), PURE WRATH have here produced their deepest, darkest, most organic and engaging work to date: perfectly balancing howls of primal rage with tear-stained, hymnal sung passages, simultaneously vicious and yearning guitar-work, poignant synth, evocative acoustics and heartfelt thematic realism.
Comes in a 4-panel digipack w/ an 8-page booklet. First batch comes in black polycarbonate CD.
After triumphantly casting off the shackles of claustrophobic dissonance on 2020’s lauded "Stare Into Death and Be Still", New Zealand unorthodox Death Metal legends ULCERATE up the ante even further with mind-bending 7th album "Cutting the Throat of God".
An acknowledgement that the band's most powerful and affecting material leans to the melodic side, this refined and hook-laden new record is a self-sufficient universe unto itself, a conflagration of inventively visceral Death/Black Metal where dizzying experimentation meets head-nodding abandon - obscenely twisted and addictive, heart-stopping in its depth of feeling.
Averaging an album per year since their 2018 formation, this latest expression from the rightly-revered Swiss Atmospheric Black Metal band AARA shows no drop in quality, nor let-up in their perpetually questing sense of purpose.
In follow up to 2023's "Triade III: Nyx" - the climatic installment of the 'Melmoth' trilogy based on Charles Robert Maturin's classic Gothic novel - the band now break away from the literary and apply their stunning musicality to real-world events.
"Eiger" is conceptually focused on the 3967 meters mountain of the same name in the Bernese Alps. Since 1935, at least 64 climbers have died attempting to conquer the Eiger’s sheer, ice-covered north face which has earned it the nickname of 'Mordwand' ('murder wall'). The album specifically examines an attempt to climb the Mordwand in July 1936 which ended in tragedy, as four young mountaineers succumbed to treacherous conditions and disappeared, presumed caught in an avalanche.
AARA's music has evolved dynamically in tandem with the subject matter, becoming more visceral, tangible and hauntingly powerful. An organic and spacious production allows the trademark elegiac, spirited leads and reverberant acoustic guitars of main-composer Berg to give increased emotional weight to a performance of on-the-edge savagery from vocalist/lyricist Fluss. The icy melodies, pensive moods, vibrant plummets and shifts/drifts contrast the wonderment of the natural world with a heightened sense of existential malaise and ultimately horror.
The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.
Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.
To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.
Comes in a 4-panel digipack.
"I I", the aptly-titled and comprehensively majestic second album from BLOOD ABSCISSION fortifies the veiled project as a major new player in the increasingly overcrowded field of contemporary Black Metal.
While the sense of perpetual forward motion and cascades of opulent melodies from outstanding 2023 debut "I" remain, the band here raise their compositional acumen: balancing out eruptions of chaotic rage with mystical transcendent calm, increasing push/pull dynamics to elevate the physical and emotional weight of each piece, and delivering upgraded songcraft to pack an ever more affecting punch.
The five tracks comprising "I I" are a showcase for first-rate symphonic layering, riffing of multifaceted power, steamrolling rhythms, and sublimated vocal fury with a wider sweep of feelings than before. Produced with crystalline clarity for the ultimate drive, this is an elegiac, intoxicating and compulsive odyssey through unseen inner/outer universes.
"The Fire Cult Beyond Eternity" is the new album from ONIRIK (Portugal), a follow-up to 2015's "Casket Dream Veneration" and yet another proof of the talent of Gonius Rex, the band's sole member. ONIRIK has been active since 2002 and throughout the years has explored black metal in several approaches, always faithful to its original purpose: the emission of unordinary, dissonant and raw outputs with trance-inducing atmospheres, typically very cold and bathed in magic.
With the special guest participation of none other than Dirge Rep on drums (GEHENNA, ENSLAVED, ORCUSTUS, THE KONSORTIUM), and mixed & mastered by Semjaza of THY DARKENED SHADE, "The Fire Cult Beyond Eternity" is the consequence of the descent and return from below carrying the flames and lava on its scales, giving it back to the world in posthumous vengeance.
Zombie Chronicles Vol. 1 is the first full-length chapter of Season of The Dead, a macabre journey into the heart of horror-infused death metal. Conceived as a blood-soaked anthology, the album unfolds like a collection of short horror stories, each track inspired by the grotesque imagery and suffocating atmosphere of cult splatter cinema.
From the suffocating dread of City of the Living Dead to the visceral gore of Zombie 2 and the raw savagery of Cannibal Holocaust, Zombie Chronicles Vol. 1 channels the atmosphere of lost VHS nightmares, translating them into riffs, growls, and pounding rhythms. The result is a record that feels like a horror film soundtrack possessed by the rotten spirit of Necrophagia, Mortician, and Fulci.
Across its running time, the album delivers a relentless assault of death metal brutality, layered with cinematic tension and ritualistic atmospheres. Dual vocal performances, crushing basslines, and necro-sounding guitar work create a soundscape where zombies, decay, and gore come to life in audio form.
Originally released in 2006, 'Ashes Against the Grain' seamlessly blends heaviness with atmosphere and precision. With their third full-length, the band continued their musical journey, always a step ahead, but without losing grip of their dark metal roots. The album combines elements of black metal, Scandinavian prog-rock, and post-rock with the unique, melancholic, contemplative style that is so typical of Agalloch.
From the driving force of “Falling Snow” to the dissolving trilogy “Our Fortress Is Burning...,” this is Agalloch at their most direct and elemental. A contrast to the warmth firey nightsky of 'Pale Folklore', the monumental poetic folk of 'The Mantle' , 'Ashes...' gazes into a horizon of dying embers with clarity.
The band’s panoramic scope of songwriting - takes on a widescreen scale - combined with the albums imagery, and production all aligned into a monolithic statement — sharp, modern, and unrelentingly melancholic.
Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.
Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.
The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.
For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.
Deluxe Digipak CD
Lyric booklet
Designed download card with free digital album
Originally released in 2020, Livslede is SUNKEN’s second full-length and a compelling work of atmospheric black metal - melancholic, dynamic, and shaped by a strong sense of northern introspection.