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label: Svart Records
Released at: May 22, 2026
format: BOX SET
Condition: New
Finnish death metal 7" box set series to be released via Svart Records - Part I with Abhorrence, Disgrace & Messiah Paratroops out in April
This is part of the story of the birth of early Finnish death metal. The late ’80s and early ’90s were a time when underground extreme metal flourished, and the main centrifugal force that got bands known globally was tape trading. Influences spread like a disease, and young, emerging death metal groups were eager to be more brutal than the next. Lack of money meant that studios couldn’t be booked for weeks, so the first logical release for starting bands was usually a self-released demo tape or a seven-inch vinyl, where they could squeeze in two to four tracks.
Even though we are talking about Finnish death metal here, the American record label Seraphic Decay, run by Steve O’Bannon, plays an important role in this story. It was the label that originally released the first 7” records for three Finnish bands: Disgrace's Debts of God (1990), Abhorrence's Abhorrence (1990) — the band that later morphed into Amorphis — and Messiah Paratroops' The Past (1992).
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Svart Records |
Tapes are brand new and unplayed and they come with sleeve/card and boxes of course (the photo pictured here is purely iconic)
Titles are randomly picked by our staff from the titles you can see listed in the webstore
Comes in 8-panel digipak 2CD with an additional booklet.
‘Rotten mindcrushing death metal from the underground, most important and influential bands. A brutal compilation that sickens your soul’. That was the original promotional line for this compilation album in 1991. It’s still valid to this very day. ALL bands are up till now active, recording new albums and performing worldwide. And all with their own serious fanbase. This cd re-release features Unleashed, Asphyx, Tiamat, Morgoth, Grave & Loudblast. All with rare or special tracks from 1990 – 1991, 15 in total. The 12 page booklet contains interviews with all bands, done by Pim Blankenstein (Sinister, Bodyfarm, Infernal Majesty). Complete booklet and original artwork remake by ACW (Tiamat, Ceremonial Oath).
Includes a 20-page booklet with credits & recording info.
check out tracklist and partecipating bands at this link
Double CD in Jewelcase with 20-page booklet.
14 songs 4-bands split by FELLWARDEN, OSI AND THE JUPITER, MOSAIC, BY THE SPIRITS
Songs of Origin and Spirit’ is where four artists come together in celebration of creativity, place, and spirituality – all drawn by a common goal and linked vision. Four artists joined by a shared drive to deliver heartfelt expressions derived from these unusual times of isolation and reflection. Four artists aligned in a commitment to bring the listener into their world, yet each distinctly unique and presenting their respective singular musical vision.
For the first time in any format, Pier Paolo Pasolini’s controversial 1975 adaptation of the Marquis de Sade’s *The 120 Days of Sodom*, characterized by classical compositions of great beauty and dissonance, stands in stark contrast to the shocking and cruel events unfolding on screen. Three weeks before the scandalous release of “Salò, or the 120 Days of Sodom,” Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote “Addio a Pier Paolo Pasolini” for the late director, which was included in the final cut. Following the narrative of one of Pasolini’s most significant cinematic moments, the soundtrack opens with Ennio Morricone’s “Son Tanto Triste,” descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister interpretations by the cast, and includes Morricone’s somber tribute to the director.
For the first time in any format, Pier Paolo Pasolini’s controversial 1975 adaptation of the Marquis de Sade’s *The 120 Days of Sodom*, characterized by classical compositions of great beauty and dissonance, stands in stark contrast to the shocking and cruel events unfolding on screen. Three weeks before the scandalous release of “Salò, or the 120 Days of Sodom,” Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote “Addio a Pier Paolo Pasolini” for the late director, which was included in the final cut. Following the narrative of one of Pasolini’s most significant cinematic moments, the soundtrack opens with Ennio Morricone’s “Son Tanto Triste,” descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister interpretations by the cast, and includes Morricone’s somber tribute to the director.