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Divided into two parts that can be considered as just one long song, VOID PARADIGM's new album delves further into sonic experimentation, questioning the boundaries between musical styles and making it difficult to pin it down to one category.
"Tout Ira Mieux Sans Nous" blends elements from black metal, doom metal, jazz, progressive, and dodecatonic writing techniques, in a perfect balance made possible by the great compositional skills of Julien Payan (ATARAXIE, SORDIDE), honed over years of studying classical guitar and chamber music. Alongside him, the extraordinary jazz metal drummer Alexis Damien (NO TERROR IN THE BANG) and the excellent singer Jo Théry (ATARAXIE, FUNERALIUM), both also involved in the musical arrangements. Last but not least, special guest Mütterlein contributes to the album's identity with her intense vocal performance.
Limited edition (100), Sound Cave exclusive, on ultra clear vinyl.
Void Paradigm call their black metal dodecatonic, as they often rely on a twelve-scale composition technique, a method of composing with twelve tones which are related only with one another developed in the early XX Century. As Julien Payan, the band main composer, puts it: “As I try to experiment new ways of making black metal, I sometimes write the music literally on the desk and not searching for riffs on the guitar. I have a classical composition education so I try to compose like this, writing before playing, in order to break the automatic riffing and to try and go somewhere else”.
“Ultime Pulsation”, the ultimate pulse, “evokes the unavoidable fall towards this final pulse of the world, of humanity, of civilisation, which seems to get closer and closer. “Demain Brûle” is "Tomorrow Burns", a personification which becomes something or someone hostile, unsafe, hazardous. Such are the feelings Void Paradigm bring into their music, a forceful, rabid and yet educated black metal.
Void Paradigm call their black metal dodecatonic,as Payan often relies on a twelve-scale composition technique, a method of composing with twelve tones which are related only with one another developed in the early XX Century. As Payan puts it: “As I try to experiment new ways of making black metal, I sometimes write the music literally on the desk and not searching for riffs on the guitar. I have a classical composition education so I try to compose like this, writing before playing, in order to break the automatic riffing and to try and go somewhere else”.
“Ultime Pulsation”, the ultimate pulse, “evokes the unavoidable fall towards this final pulse of the world, of humanity, of civilisation, which seems to get closer and closer. “Demain Brûle” is "Tomorrow Burns", a personification which becomes something or someone hostile, unsafe, hazardous. Such are the feelings Void Paradigm bring into their music, a forceful, rabid and yet educated black metal.
