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The recordings in this collection represent the band’s earliest output, from its official inception in 1984 through the recording of its highly-regarded debut album, “Envenom,” in 1990. The band’s trademark brand of “Sabbatical Blacking Metal” was first established thirty years ago with the quintessential and appropriately self-titled “Sabbat” 7” EP, which was followed by four more 7” EP releases (“Born by Evil Blood,” “Desecration,” “The Devil’s Sperm is Cold,” and “The Seven Deadly Sins”) over the course of the next five years. In addition to these original vinyl releases, Sabbat recorded the “Bloody Countess” rehearsal sessions and “Sabbatical Demon” demo, both of which were released separately on cassettes. “Sabbatical Earlyearslaught” compiles the recordings from all five of these EPs, both cassettes, and a rough mix of the “Envenom” album. Also included are various rehearsal, live, and otherwise unreleased recordings from the same six-year formative period.
4 x CD
Knelt Rote has emerged over the past few years as something of an anomaly in the underground. While the band’s earliest work veered heavily into Grindcore, the band’s style has broadened considerably over the past several releases as the band has fleshed out the composition of its tracks and added more elements of Death and Black metal into its body of work. Listening to the band’s third full-length, “Trespass,” it is clear that Knelt Rote executes these more nuanced strains of extreme metal with a rare sense of precision and focus. What further separates Knelt Rote from its peers is the heavy Harsh Noise influence that the band incorporates into its work adding additional layers of depth and dimension.
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After emerging on the scene with the “Bearers of Black Arts” demo followed by the “Rites of Barbaric Demons” mLP and last year’s “The Premonition” demo, Italy’s Demonomancy now return with one of the most anticipated debut full-lengths released in years. With this album, entitled “Throne of Demonic Proselytism,” Demonomancy settles into its sound focusing on a style that draws upon the dark, mid-paced atmosphere of bands like Demoncy and Archgoat, but delivered with the cutting precision of the first Black Witchery album.
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