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Hailing from the modern black metal hotbed of Iceland, ÖRMAGNA are an otherwise new entity with no other public recordings, save a self-released track on Bandcamp forecasting the shape of their Örmagna debut. What can be revealed is that Naðra vocalist Ö here also handles vocals, but let comparisons end there: ÖRMAGNA are undoubtedly a poignant new development in the increasingly rich landscape of Icelandic black metal.
Fold-over cover in 300gr thick cardboard printed in reverse side with matt finish, outside and inside print.
- Red vinyl limited to 100 pieces, with black/red cover.(THIS)
- Black vinyl limited to 200 pieces, with black/white cover.
This split features two of the harshest and most haunting Portuguese black metal hordes. Starting off are TRONO ALEM MORTE, who offer two exclusive tracks which breathe a desolate 'n' desperate fury, irascible and irrational, like an endless howling into the void; these tracks preclude their forthcoming debut album in December, to be released at Invicta Requiem Mass III. On the flipside are VETALA, one of the most prolific bands in the nowadays raw Portuguese scene. Their lengthy, 13-minute contribution here continues that hysteric spree of misery, exploring all corners of their boundless dungeon in an almost improvisatory delirium; their Demo IV is forthcoming, so beware.
Black cardboard printed with silver ink. Comes with an insert.
Limited to 100 copies.
Negros Manifestos de Ordem Venusiana is something of an intergenerational pairing, however, as MONS VENERIS have been prolifically polluting the underground since 2003 while ORDEM SATANICA, by comparison, started their near-equally prolific onslaught in 2014.
Nevertheless, as representatives of the Portuguese Black Metal, here on Negros Manifestos de Ordem Venusiana do both hordes create provocative portrayals of their unique darkness and despair.
ORDEM SATANICA are on Side A and unfurl three haunting and medieval tracks, roaming the castle with that spectral rawness they've truly made their own the last few years.
MONS VENERIS are on Side B and offer an epic, side-long track that roams the rawest dungeons, spanning punkish bash and hypnotic hysteria alike, torrents of noise to ruin your soul.
Accurately titled, Pilgrimage / Boahjenásti features both of SAMMAS' EQUINOX's demo tapes, respectively released in 2016 and 2017. Together, this collection features newly remastered sound courtesy of Moonsorrow's Henri Sorvali.
Although exhibiting the stultifying rawness that has come to mark much Finnish black metal in the post-Strength & Honour landscape, there's a uniquely atmospheric aspect to SAMMAS' EQUINOX, both in the band's bittersweet melodicism and their deftly subtle approach to sound layering. The seven songs comprising their oeuvre to date burn with a filthy intensity in the best Finnish tradition, yet just as equally exude a somber, even tender quality that's come to mark countrymen Cosmic Church, Kêres, and especially Circle of Ouroborus. Likewise, there's a certain punkishness here that paradoxically doesn't make the band's black metal sound punk at all.
Accurately titled, Pilgrimage / Boahjenásti features both of SAMMAS' EQUINOX's demo tapes, respectively released in 2016 and 2017. Together, this collection features newly remastered sound courtesy of Moonsorrow's Henri Sorvali.
Although exhibiting the stultifying rawness that has come to mark much Finnish black metal in the post-Strength & Honour landscape, there's a uniquely atmospheric aspect to SAMMAS' EQUINOX, both in the band's bittersweet melodicism and their deftly subtle approach to sound layering. The seven songs comprising their oeuvre to date burn with a filthy intensity in the best Finnish tradition, yet just as equally exude a somber, even tender quality that's come to mark countrymen Cosmic Church, Kêres, and especially Circle of Ouroborus. Likewise, there's a certain punkishness here that paradoxically doesn't make the band's black metal sound punk at all.
Originally self-released digitally during October 2017, Valtakunta is SE LUSIFERIN KANNEL's first public recording despite the band existing since 2012. Nevertheless, whether a band's first recording or their fiftieth, Valtakunta is a towering work shot through with stultifying, multi-dimensional textures. Comprising four songs in a staggering 71 minutes, Valtakunta creates a swirling, densely layered vortex of atmospheric black metal majesty. Indeed, SE LUSIFERIN KANNEL are forging morbid manifestations of death, destruction and apocalypse as if possessed. Dense though their ever-pulsing miasma may be, there's an acute attention to detail from this mysterious Finnish collective; listen carefully and one can even detect Theremin among the band's arsenal of atmospheric accoutrements. It's an overwhelming onslaught at times, but it's absolutely engrossing totality - or, one could say, four different totalities since each epic-length track is literally its own world. And already, a second album is on its way...
Originally self-released digitally during October 2017, Valtakunta is SE LUSIFERIN KANNEL's first public recording despite the band existing since 2012. Nevertheless, whether a band's first recording or their fiftieth, Valtakunta is a towering work shot through with stultifying, multi-dimensional textures. Comprising four songs in a staggering 71 minutes, Valtakunta creates a swirling, densely layered vortex of atmospheric black metal majesty. Indeed, SE LUSIFERIN KANNEL are forging morbid manifestations of death, destruction and apocalypse as if possessed. Dense though their ever-pulsing miasma may be, there's an acute attention to detail from this mysterious Finnish collective; listen carefully and one can even detect Theremin among the band's arsenal of atmospheric accoutrements. It's an overwhelming onslaught at times, but it's absolutely engrossing totality - or, one could say, four different totalities since each epic-length track is literally its own world. And already, a second album is on its way...
Jewelcase
Hailing from the modern black metal hotbed of Iceland, ÓREIÐA are an enigma within a scene rife with enigmas. A nameless but by no means faceless entity, ÓREIÐA made its/their first public recording with Demó I in 2016, which was soon released on cassette and 7" vinyl formats at the beginning of 2017 by HARVEST OF DEATH. Ensorcelled by the entity's monolithic trance-out black metal, HARVEST OF DEATH released in late 2017 ÓREIÐA's one-track/20-minute Demó II on cassette, which was soon followed by a split 10" with Portuguese comrades HOLOCAUSTO EM CHAMAS the following year.
- BLACK RAIN -- 150x black 12" (140g)
- Black poly-lined innerbag
- SLEEVE: simple pocket, 1/1 K/K - black flood inside on 350gsm uncoated (matte) w-w stock, 3mm spine
- All assembled in a PVC overbag (vinyl aside of the sleeve)
Hailing from the modern black metal hotbed of Iceland, ÓREIÐA are an enigma within a scene rife with enigmas. A nameless but by no means faceless entity, ÓREIÐA made its/their first public recording with Demó I in 2016, which was soon released on cassette and 7" vinyl formats at the beginning of 2017 by HARVEST OF DEATH. Ensorcelled by the entity's monolithic trance-out black metal, HARVEST OF DEATH released in late 2017 ÓREIÐA's one-track/20-minute Demó II on cassette, which was soon followed by a split 10" with Portuguese comrades HOLOCAUSTO EM CHAMAS the following year.
Hailing from the modern black metal hotbed of Iceland, ÖRMAGNA are an otherwise new entity with no other public recordings, save a self-released track on Bandcamp forecasting the shape of their Örmagna debut. What can be revealed is that Naðra vocalist Ö here also handles vocals, but let comparisons end there: ÖRMAGNA are undoubtedly a poignant new development in the increasingly rich landscape of Icelandic black metal.
Black Vinyl
Compiling both the Endasálmar and Klofnar tungur EPs from 2016, Endasálmar og klofnar tungur is a convenient and above all compelling introduction to the upside-down world of LJÁIN. Light a candle and embrace the shadows...
1st print run limited to 200 pieces on:
- 140gms black vinyl
- 350gsm uncoated (matte) w-w stock with RED hotfoil stamping
- black inner sleeve
One of the oldest and most prolific bands in the Portuguese black metal underground, BLACK HOWLING have built up a staggering body of work of unparalleled anguish and misery. By no means strictly "depressive suicidal black metal," the duo's aesthetic often runs parallel to DSBM but fortunately evades all the usual cliches of such. More importantly, BLACK HOWLING's commitment to an unapologetically raw soundfield yet suffusing that misery 'n' anguish with a remarkably accomplished melodicism has largely shaped the modern Portuguese black metal paradigm that has received so much international fervor in recent years.
1st print run of 200 pieces on:
-Deluxe four panel digipak cd, printed on reverse side with hotfoil stamping
One of the oldest and most prolific bands in the Portuguese black metal underground, BLACK HOWLING have built up a staggering body of work of unparalleled anguish and misery. By no means strictly "depressive suicidal black metal," the duo's aesthetic often runs parallel to DSBM but fortunately evades all the usual cliches of such. More importantly, BLACK HOWLING's commitment to an unapologetically raw soundfield yet suffusing that misery 'n' anguish with a remarkably accomplished melodicism has largely shaped the modern Portuguese black metal paradigm that has received so much international fervor in recent years.
Debut album of one of black metal's brightest newcomers, DRAUGSÓL's Volaða Land. Hailing from Reykjavík, the heart of Iceland's currently hot black metal scene, DRAUGSÓL are a unique proposition amongst their distinguished stylistic countrymen. While those same contemporaries take an austere and varyingly atmospheric approach to orthodox black metal,break from the norm with a sound that's pronounceably more kaleidoscopic and even a bit celebratory.
Black Vinyl
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Second EP of one of Portugal's most promising new bands, OCERCO's A Desolação. Set to be released as a special digifile CD nest, limited to 500 copies, A Desolação comprises three seamlessly linked songs of splendor and tension, trance and catharsis. OCERCO's sound stems from the post-black metal canon, but safely eludes the negative connotations associated with such an appellation. More accurately, the band's commitment to textural development and labyrinthine, drawn-out construction signal a strive for more complex corridors of spirituality. From there, A Desolação explodes and recoils, twists and turns, always bathed in an aura of the unknown and unease - and yet, its complexities are ever so subtle and most rewarding. Listeners will find a kinship to bands like Wolves in the Throne Rome, Altar of Plagues, Ash Borer, and the likes, but across the 20 minutes here, OCERCO stake a claim for their own identity.
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This is Armnatt album , a new black metal band with an aggressive,unpolished, raw sound and attitude featuring Satanize members.
