Nice price

brand new copy and unplayed, came-in with a very small corner ding, therefore sold at reduced price

100 copies LTD black vinyl

Sgàile is the solo project of Scottish multi-instrumentalist Tony Dunn, a venture that was a long time in the making due to Dunn’s commitments with other bands such as Falloch, Cnoc An Tursa and Saor. “For almost a decade, I had concentrated on playing other people's songs, singing other people's lyrics, and not feeling that I had an identity of my own. The name Sgàile means "ghost" or "shade" in Gaelic, and this was born from the fact that I didn't quite "fit in" with the Scottish Black Metal scene that these bands were an integral part of”.

In August 2018, Dunn parted ways with Saor in an amicable manner. It was then and there that “I decided to really concentrate on putting out a body of work that I could put my own name to and be proud of”. Sgàile was officially born. Ideals & Morality was conceived, composed and recorded in most of its parts in late 2019/early 2020. At this point Mike Lamb (Sojourner, Light Field Reverie) was brought on board for the mixing and mastering. “He had a look at the quality of the recordings, and gave me a great deal of advice, so much that in late summer 2020 we decided the best course of action was to re-record all of the guitars and bass from scratch. So in essence, Ideals & Morality was recorded twice”. 

Musically and lyrically, Sgàile’s debut is an emotional record. “It is a record that I feel is both melancholy and quite dark in places, but uplifting and inspiring in others, as during the recording sessions I felt like I was in quite a low place at times mentally, but the actual writing process itself lifted my spirits. I feel that the album certainly has the potential to both haunt and elate in equal measure”. Lyrically, it's almost a stream of consciousness of various aspects of Tony’s psyche, dealing with his love for Scottish mountains (“The Summit”), the feeling of becoming a parent (“Instinct”) or even the experiences of the past decade (“Facade”). Every song comes from its own background, making Ideals & Morality a multifaceted experience. “The album is almost like a peek at what goes on inside my head. My ideals and my moral compass are what have guided me on my path as an artist since being thrust into the music industry and will stick with me through the rest of my journey, wherever that may lead”.

Gold and Black vinyl, limited to 200 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Black vinyl, limited to 300 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

84 pages Artbook with CD

Limited to one edition only in this format, printed on fine art book-paper and hard cover with goild foil details 

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

fter the reckless barbarity of 2017’s Poisoned Blood 12-inch, Portland’s Witch Vomit dig deeper into the ground than ever before, disinterring Buried Deep In A Bottomless Grave, their second full length torrent of skullbashing wormridden horror from beyond. On this new album the band moves toward perfecting the surgical fusion of the driving Scandinavian-style violence and subconscious terror they’ve previously established, and a now gore-obsessed smashing of their American forbears. Subtlety is abolished for savage attack, imprinted on the listener’s withering mind like an impulsive stab to the throat from a crazed stranger, while all the while a dreadful sense of eerie melody rings throughout the album. With the permanent addition of second guitarist C.L., Witch Vomit achieve heightened levels of primal regression and blood-soaked madness. Buried Deep In A Bottomless Grave is a deadly addition to their growing catalog of atrocity.

The idiosyncratic methodology of Portland’s Ænigmatum is instantly apparent from the whip-start blast of “Forged From Bedlam”, the opening track of their second album Deconsecrate. While the pace is frenetic, speed is never a crutch to be relied upon, but rather one deliberate device in a sprawling collection of melodically precise and technically riveting fragmented death shards. The eight songs on Deconsecrate constitute a labyrinthian structure of twisting nuanced complexity and intricate explosive chaos. Blood-freezing and incandescently beautiful at once, Ænigmatum temper their withering elaborate intensity with astonishingly elegant melodic passages carved into the mind, like towering marble hallucinations. Immersing in this album, one might be forgiven assuming they’d stumbled upon a lost obscurity of mid-90s Gothenburg, the dark harmonies, the dual guitars, the staggering rhythm section; but in fact Ænigmatum have bequeathed a startlingly ambitious paragon of mystifying esoteric death metal magnificence.

first full-length

With 2012's "Aeons Black" standing as one of the defining death metal albums of the twenty-first century it has been a long wait for the follow up. In 2021, Sweden's Aeon finally return with its successor, "God Ends Here", and in doing so only up the ante with a record that is bigger, harder and stronger in every way. "I wasn't feeling any pressure after such a gap, we don't do shit half assed and I feel like this is our strongest album yet," states guitarist Zeb Nilsson. A darker, even more epic collection, it is everything an Aeon fan could want with a few surprises in store, pushing the genre in new directions and once again asserting that they are one of the most important bands in extreme metal.

Black 12" double vinyl (33 rpm) incl. bonus tracks "Her til evig tid (Ånd: Epilog)", "Vekst (Erindring: Prolog)" and "Shades from these wounds" in sturdy printed inner sleeves with 2 double-sided inserts in deluxe gatefold (with soft touch matt laminate). First pressing 500 copies worldwide.

An early progenitor of funeral doom, Norway's FUNERAL have returned with ’Praesentialis in Aeternum’, their first new album in nearly a decade! The quartet bring forth a soul-rending offering that is rife with agony and pain, providing a fitting soundtrack for the times. Crushing, mournful passages and soaring lead breaks amplify its sorrowful atmosphere, and are certain to rive the heart, mind, and soul of listeners.

For fans of: EVOKEN, AHAB, MOURNING BELOVETH