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Selling vinyl - Extreme Metal and Dark music
preorder only offer: bundle 1 LP + 1 digi CD at special price
rey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.
Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.
Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.
As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.
Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.
Grey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.
Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.
Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.
As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.
Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.
preorder only offer: bundle 1 LP + 1 digi CD at special price
Autumn's Dawn is an Australian metal band formed in 2014 by two seasoned musicians, Tim Yatras (known as Sorrow, founding member of Austere, Germ and many other bands) and Matthew Bell (known as Anguish, member of Tjaktjadálvve, Skuggor among the many). Both artists were already recognized in the Australian metal scene for their involvement in various other projects before coming together to create a band that would blend elements of black metal, depressive rock, and atmospheric music. The inception of Autumn's Dawn marked a departure from the traditional black metal sound that both members were known for, aiming instead to craft music that captured a broader emotional spectrum. Their debut album, Gone, was released in 2014 via Eisenwald Tonschmiede. The album was well-received, praised for its melancholic melodies, emotive lyrics, and the seamless integration of various metal subgenres. 2020 saw the release of sophomore record Dying Ember, following which the band spent a quiet few years, before coming back with their third record, We Lost Our Hope Along The Way, scheduled for spring 2025.
Autumn's Dawn is an Australian metal band formed in 2014 by two seasoned musicians, Tim Yatras (known as Sorrow, founding member of Austere, Germ and many other bands) and Matthew Bell (known as Anguish, member of Tjaktjadálvve, Skuggor among the many). Both artists were already recognized in the Australian metal scene for their involvement in various other projects before coming together to create a band that would blend elements of black metal, depressive rock, and atmospheric music. The inception of Autumn's Dawn marked a departure from the traditional black metal sound that both members were known for, aiming instead to craft music that captured a broader emotional spectrum. Their debut album, Gone, was released in 2014 via Eisenwald Tonschmiede. The album was well-received, praised for its melancholic melodies, emotive lyrics, and the seamless integration of various metal subgenres. 2020 saw the release of sophomore record Dying Ember, following which the band spent a quiet few years, before coming back with their third record, We Lost Our Hope Along The Way, scheduled for spring 2025.
In some cases, split releases do compile together random acts who have little to do with each other. But in some (rare) cases, the end result bears a greater purpose, forging an alliance in darkness if you will. Such is the case here with cult black/doom/progressive Sicilian act SINOATH, sharing this highly collectable piece of wax with fellow countrymen MALAURIU.
Both bands don’t just share Sicilian origins. Besides, compared to SINOATH whose never-ending quest started all the way back to 1990 MALAURIU is a rather ‘new’, if quite productive with already two full-lenght and a whole lot of EP and demos under its belt, act, having being active for ‘only’ ten years. So one could also argue that stylistically speaking, the two are quite different: whereas MALAURIU is more or less acquainted with black-metal, albeit a quite experimental version of it, SINOATH sound is far more old-school oriented, if as everchanging. Yet both acts are all about pushing boundaries and following a very personal path.
MŮRA. The only band of its kind in the Czech music scene. This brooding death/doom metal ensemble got together in Prague in 2020 and immediately scored with all death/doom worshippers. Their successful EP "Doom Invocations and Narcotic Rituals" was released one year later on the American label Caligari Records. MŮRA will impress you with their creeping brand of doom metal, which offers a very wide overlap into old school death metal and true heinous black metal. Although there are some faster parts as well, the band keeps the tempo mostly slow and the music has all the necessary ingredients; varied rhythms, long drawn out gloomy guitar riffs, and subtle licks that contribute unobtrusive but impressive melodies. All this is dominated by morbid vocals reciting dismal lyrics.
The B-side of the vinyl version contains bonus material from the debut demo "Doom Invocations and Narcotic Rituals".
The Italic spirit returns… Winter Medieval Black Metal from the Mounts of Sibylla!
2-LP on Silver, second pressing.
“Coloured Funeral” is one of the most complex releases of early 90's death metal, certainly a cornerstone release for all fans, which needs more attention than it gets in time. It's a classic masterpiece without compromise that defines why old school death metal was unique and intelligent music.
Recorded and mixed by Colin Richardson in 1993, this album brings some of the best technical and slightly progressive death metal, with a clean and powerful production.
You find some progressive elements but it's a vicious and aggressive old school death metal gem.
This is intense brutality of the highest rank, a mind-blowing piece of real unholy Death Metal forever written in extreme metal history!
Re-issue, completely updated layout with a new mastering specially for vinyl.
100x beer/black galaxy 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, A2 poster, one-sided full-color printed on 150g art-paper, gatefold cover, full-color printed on 350g carton, all assembled in a plastic overbag.
DRUDKH is a venerated entity in the realm of atmospheric and pagan black metal. Renowned for their evocative storytelling and profound musical compositions, DRUDKH stands as a paragon of artistic depth, seamlessly melding the corporeal with the ethereal.
With ‘Shadow Play’, DRUDKH offers a mesmerizing odyssey through themes of exile, the cyclical dance of life and death, and a poignant yearning for one's origins. An album which invites you into a realm where silence battles storm, and light intertwines with shadow. A 6-track journey - "Scattering the Ashes" stirs the soul with its introspective melancholy, while “April” envelops you in a meditative trance. The narrative evolves with “The Exile”, capturing the essence of displacement, and continues with the poignant echoes in “Fallen Blossom”. “The Eve” stands as a meditative contemplation on life’s fleeting beauty, and the expansive “The Thirst” culminates this exploration with a profound reflection on human yearning.
‘Shadow Play’ is an evocative experience that challenges you to confront your shadows and revel in the intricate dance of light and dark. Let DRUDKH’s newest release illuminate your path through the bleak human experience.
For fans of AGALLOCH, WINTERFYLLETH, SAOR.
Soft touch, gatefold sleeve with poster
The Sinister Initiative is proud to announce that the 11-year re-issue of SHINING's infamous "8 ½" compilation has been scheduled for release in the cold month of November. This anniversary edition features the now celebrated five tracks of demo recordings on which BEASTCRAFT/URGEHAL maestro Lars Erik Frøslie added his nightmarish keyboard soundscapes, raising the bar of creepiness a few steps higher on the ladder. Meanwhile, for each composition, one specifically appointed frontman lent his very own horrifying and "feverish" ideas, guaranteeing every listener a mental downfall into the bottomless, dark depths of the human psyche.
Regarding the specific guest vocalists, Maniac (SKITLIV) and Pehr Larsson (ALFAHANNE) contributed wholly unique touches. The remaining three revered artists leapt even further into the realm of the unexpected by translating the original lyrics into their respective native tongues, offering audiences a taste of what SHINING could have sounded like if Kvarforth wasn't born Swedish: Attila Csihar (MAYHEM/TORMENTOR) therefore performed in Hungarian, Famine (PESTE NOIRE) in French and, last but certainly not least, Gaahl (TRELLDOM) in Norwegian!
Soft touch, gatefold sleeve with poster
The Sinister Initiative is proud to announce that the 11-year re-issue of SHINING's infamous "8 ½" compilation has been scheduled for release in the cold month of November. This anniversary edition features the now celebrated five tracks of demo recordings on which BEASTCRAFT/URGEHAL maestro Lars Erik Frøslie added his nightmarish keyboard soundscapes, raising the bar of creepiness a few steps higher on the ladder. Meanwhile, for each composition, one specifically appointed frontman lent his very own horrifying and "feverish" ideas, guaranteeing every listener a mental downfall into the bottomless, dark depths of the human psyche.
Regarding the specific guest vocalists, Maniac (SKITLIV) and Pehr Larsson (ALFAHANNE) contributed wholly unique touches. The remaining three revered artists leapt even further into the realm of the unexpected by translating the original lyrics into their respective native tongues, offering audiences a taste of what SHINING could have sounded like if Kvarforth wasn't born Swedish: Attila Csihar (MAYHEM/TORMENTOR) therefore performed in Hungarian, Famine (PESTE NOIRE) in French and, last but certainly not least, Gaahl (TRELLDOM) in Norwegian!
