Vinyl

New EP from the mysterious USBM entity named Uthullun. Crossing through "The Barbed Thread of Madness", the listener is taken through the anguished and solivagant embodiment of dissonance and a psychoactive cathartic journey beyond gehennah and oblivion.

FROZEN SHADOWS, formed in 1995 in Quebec, has been a pioneering force in the Canadian black metal scene. Known for their raw intensity and atmospheric depth, the band has carved a distinct path, blending traditional black metal elements with a cold, Canadian edge.

Available in both CD and LP formats, this reissue of "Empires De Glace" delivers an experience of this masterpiece originally released in 1999.
This album combines blistering riffs, haunting melodies and icy soundscapes, now reissued with a special mastering of both formats, preserving its raw and cold essence.

Re-issue, 200x sea blue 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

Half white/half black vinyl repress. Comes housed in noble gatefold sleeve with 5mm spine printed on 350gsm carton and with double sided inner sleeves printed on 220 gsm carton

This album contains what happened in between. No tracks are re-mixed, nothing has been touched up. It's all straight from original tapes. These recordings feature legendary artists (members of BURZUM, IMMORTAL, HADES, The BATALLION) in several unique line ups pioneering some of the oldest Norwegian black, deathrash and death metal!

This complete compilation, featuring ALL tracks Old Funeral ever recorded, follows Old Funeral from their rebellious youth through to an ending in darkness.

Includes:
The first 7 demo recordings NEVER released before except for the 50 original cassette copies from 1989.
Live recording from Garage, Bergen, Norway in April 1991. NEVER released in any format before.
The "Abduction Of Limbs" 1990 DemoThe "Devoured Carcass" 7" 1991 EP
The track "Forced To Be Lost" 1991 recorded in Grieghallen.
The September 1992 advance tape
Live track from Hulen, Bergen, Norway 1991.
Vinyl Gatefold/ CD booklet includes original democover artwork + flyers + never before seen pictures including the VERY FIRST photosession from May 1988!

SHADOW KINGDOM RECORDS is elated to reissue the seminal sophomore album of Italy’s BULLDOZER, The Final Separation, on CD, vinyl LP, and cassette tape formats.

Italy's BULLDOZER is a name that commands respect and awe. In the thrash and black metal underground of the 1980s, they were the uncompromising counterparts to legends like Venom and Motorhead. Known for their raw energy and wild performances, BULLDOZER carved their niche with ferocious anthems and a chaotic aesthetic. Their frontman, AC Wild, epitomized the band's untamed spirit. They were the definition of a cult band before the term became a staple in metal lore. Simply put, there was, and is, only one BULLDOZER.

The BULLDOZER saga continued with unrelenting force with the release of their second album, The Final Separation, in 1986. From the first explosive riffs of the title track, The Final Separation cements itself as a powerhouse of relentless thrash and blackened fury. The album is a maelstrom of aggressive riffs, thunderous drumming, and AC Wild's unmistakable snarls. With tracks like "Ride Hard - Die Fast" and "We are...Italian," BULLDOZER showcased their ability to blend high-speed ferocity with anthemic choruses, creating a sound that is both punishing and infectious.

The Final Separation is a testament to BULLDOZER's ability to evolve while retaining their core essence of unfiltered metal mayhem. The production is sharper, the musicianship tighter, but the spirit remains raw and rebellious. This is an album that captures the essence of 80s metal with its unapologetic attitude and unbridled energy.

And so, The Final Separation stands as a landmark in BULLDOZER's discography, a shining example of their indomitable spirit and musical prowess. SHADOW KINGDOM is honored to resurrect this classic, making it available once more in all its unrelenting glory across all formats.

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously. 

Chilean classic Death/Thrash Metal record finally available again! For all maniacs that are hungry for old school sonic violence and brutality!

From the depths of the world was born one of the most anti-Christian cults that marked these lands, from the seas of blood the bells will be required that will indicate the beginning of the end, the time of human tribulation has finally come. The time which the “Tribulated Bells” toll...

Considered as a cornerstone of Chilean Death Metal, Tribulated Bells has been valued by many as a great influence and a must! Killer riffs and drums with a technique rarely seen in those years mean that this full length has marked the before and after in the history of South American Death Metal scene.

preorder only offer: bundle 1 LP + 1 digi CD at special price

rey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.

Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.

Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.

As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.

Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.

Grey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.

Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.

Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.

As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.

Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.

Autumn's Dawn is an Australian metal band formed in 2014 by two seasoned musicians, Tim Yatras (known as Sorrow, founding member of Austere, Germ and many other bands) and Matthew Bell (known as Anguish, member of Tjaktjadálvve, Skuggor among the many). Both artists were already recognized in the Australian metal scene for their involvement in various other projects before coming together to create a band that would blend elements of black metal, depressive rock, and atmospheric music. The inception of Autumn's Dawn marked a departure from the traditional black metal sound that both members were known for, aiming instead to craft music that captured a broader emotional spectrum. Their debut album, Gone, was released in 2014 via Eisenwald Tonschmiede. The album was well-received, praised for its melancholic melodies, emotive lyrics, and the seamless integration of various metal subgenres. 2020 saw the release of sophomore record Dying Ember, following which the band spent a quiet few years, before coming back with their third record, We Lost Our Hope Along The Way, scheduled for spring 2025.