Vinyl

Those who know Zemial are aware of the progressive and off-centered approach they have taken since their beginning in 1989 and how influential they have been on the burgeoning black metal underground of the time.
None of their releases have been readily accessible or easy to grasp and that's a quality that we at Iron Tyrant have silently but steadfastly admired, as it is one of the few tell-tale signs of genius at play.
Clocking in at around 15 minutes, The Repairer of Reputations is a Victorian era tale that follows the dark journey into the psyche and inner world of an embittered megalomaniac.
The song features exceptional song-writing, revealing Zemial’s progressive rock side. The production follows a mellow 70s aesthetic in instrumentation, recording and mixing, making it sound authentically old.
Although recorded back in 2016 and originally composed as part of a future album, it was eventually decided to commit this one-of-a-kind composition to its own to release.
To complement the dark tale aesthetic of the release, mastermind Vorskaath unburied one of the greatest songs that Black Sabbath ever penned, namely "The Sign of the Southern Cross" and rearranged it under the Zemial banner, with additional parts and elements, making it a perfect companion to complete the LP.
What you can certainly expect within this LP is the combination of two dark pieces of music that effortlessly dance between 70’s prog rock and 80s heavy metal, with an aesthetic to match the music, in both artwork and layout.
While not entirely representative of the past, present, or future Zemial sound, it is our aim that this release reaches the shelves of the true underground connoisseurs - those who are not afraid to dive into the such uncharted brilliance.
Available as regular Black or as limited Green Marble Vinyl, including a 4 page insert.
Official Release Date is Summer Solstice 2024.

re-issue of the demo Goats to Azazael, remastered for vinyl.

200x oxblood 10" (110g) in a black paper bag, innersleeve printed full-color on 220g carton (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

New Hate Forest EP recorded in summer 2023. It's chapter II of the planned EP trilogy (along with "Sowing with Salt"). Unlike pre-war releases of the band, the current stuff is down to earth, warlike and gory. Moscovia delenda est.

500x cloudy transparent red 12" (140g) in a microtene innerbag, innersleeve printed, full-color on 220g carton (coated paper); simple jacket, full-color printed on 350g carton (coated paper), all assembled in a plastic overbag.

Fast, aggressive and relentless black metal from Sweden.
IN BATTLE’s debut album from 1997 finally available on  (blue) vinyl

Fast, aggressive and relentless black metal from Sweden.
IN BATTLE’s debut album from 1997 finally available on  (gold) vinyl

ANCIENT GUARD is a new creation of Nightwolf, renown for pagan black metal vanguard RUNESPELL. As expected, his unmistakable mastery is all across Nightfall Enthroned, ANCIENT GUARD's first public work. A surprisingly vast mini-album at four songs in 31 minutes, Nightfall Enthroned is immersive to the extreme and almost soothing in its continually cresting swell of sumptuous black metal mysticism. While RUNESPELL's no-less-grandiose sound is oft given to bouts of bloodlust and battle rage, ANCIENT GUARD is pure magisterial march & might as can be expected of such a moniker. And Nighttwolf's knack for mesmerizing melodicism holds true here, as well, but if one could make distinctions in this regard, it's that Nightfall Enthroned swirls about to a spacious-yet-thick foundation that's equal parts stargazing wonder and weight-of-the-universe terror - an infinitely compelling canvas equally suited to adrift dreamers and austere realists alike. Followed by the acoustic lament "Eld," the synth-heavy epic "A Moonscape Abyss" says exactly everything it needs to about ANCIENT GUARD: awaken to Nightfall Enthroned!

”Djevelkraft” gathered enough attention in 2021 to boost MYRONATH quotations and their third opus, “Inferno”, delivers a perfectly structured Swedish black metal record, balanced between bangers, sulphuric mid-tempos and melodic breaks. Guided by the harsh but understandable vocals of Hellcommander Vargblood and sustained by a blasting drumwork and killer riffings, the nine compositions of “Inferno” deal with occult matter, anti-christian themes and hellish landscapes.

“Inferno” was recorded, mixed and mastered at Endarker Sudio, in Norrköping by Devo Andersson (Marduk)

If you are into acts such as Necrophobic, Marduk, Setherial and Dark Funeral start your journey through
the “INFERNO”!

As the album unfolds, so does the narrative of death's unwritten pages, each track a testament to the inevitability of oblivion. While firmly rooted in black metal, the album is full of variation ranging from fast-paced blasts to doom-like passages and everything in between. The riffs pay homage to the iconic black metal bands of the 90s that shaped the genre, all the while carving out their own distinct trajectory. To create that extra layer of atmosphere, the songs are adorned with evocative acoustic & lead guitars and subtle synths.

Project by Enthroned (and Nightbringer) member 

One of the earliest extreme German Metal bands: NECRONOMICON's earliest works: Demo 1 Total Rejection (1985), Demo 2 Blind Destruction (1985) and two tracks from the ‘Break Out’ compilation album 1986

Necronomicon is a German Thrash Metal Legend, founded in 1983. The band still exists today and has released eleven full length albums up till now. Extensive liner notes from Steven Willems with founding member Freddy (guitars and vocals). Restored, remastered by Patrick Engel at Temple of Disharmony (Vio Lence, Sodom, Destruction). Cover art by Thomas Pinheiro (Vio Lence, Malevolent Creation, Hirax).

Deep within the Hyperborean mists there lies a pale blue light. It is the light of a flame whose embers have been smoldering long and low, awaiting the day when it will engulf the sky in brilliant and terrible cerulean Aurora. That day has come. Formed in 2006 as the singular musical vision of Vaedis, Vimur is a black metal band from the American South. Despite its hot, humid origins, Vimur's sound has a layer of icy frost seemingly shipped from beyond space and time.

Along the years, Vimur evolved into a full live-performing band, releasing three studio full-length albums, one EP and one live record. 2024 marks the collaboration between the Georgia-based band with long-standing Italian label Avantgarde Music to release the band’s fourth album, The Timeless Everpresent.

We asked the band to introduce the album in their own words. This is what seeped through the cracks of Vimur lair. “Forms change but ideas are eternal. Vimur is black metal totality and a conduit to the truth that lies hidden beyond the stars. The Timeless Everpresent is a revelation of vital energy and power. It is a soundtrack to the grand cosmic war that has existed since the beginning of time. No stone is left unturned. The vanguard knows that the war is fought on the physical, mental, and spiritual planes. This is reflected in the multi-dimensional sound achieved on The Timeless Everpresent. There are passages that reflect the blood, steel, and sweat of physical battle and others that are undeniably ascendent, making the listener aware of truths beyond material existence. The Timeless Everpresent is a collection of war hymns to destroy all illusion. Vimur reclaims the fire to light the mysteries. Flaming spears and swords in hand aimed at the heavens, nothing will stop Vimur from reaching the Sun behind the Sun whether the enemy be man or divine."