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Selling vinyl - Extreme Metal and Dark music
Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.
Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.
In 2006 hard hitting industrial titans Aborym -Official- released their 4th album GENERATOR, follow-up of the critically acclaimed "With No Human Intervention" album. GENERATOR saw the band delve deeper into sonic insanity, pushing further the boundaries of a unique hybrid of a genre they have set for themselves. ABORYM blend the speed and ferocity of Black / Death Metal with otherworldy electronics to upmost perfection, and with this misfit they have succeeded in establishing a new landmark and new standards in extreme metal.
GENERATOR marked the permanent arrival of previous co-worker Bard G. Eithun (Emperor,Blood Tsunami, Thorns) on drums and Preben (Mysticum, Amok) on vocals. This album also marked Attila Csihar's last performance with the band on the track "Man Bites God".
Now, 8 years after its initial CD release on Season of Mist , this post apocalyptic masterpiece is finally released on vinyl through Dead Seed Productions. This new edition comes as a noble 180g vinyl housed in a deluxe hardcover gatefold cover, and includes an A1 full colour poster.
Comes housed in 300 gsm sleeve with double sided inner sleeve on 220 gsm carton.
Gatefold Double LP in black vinyl and with 12 pages booklet with a size of 30x30 cm
As pioneers of the post movement, mixing haunting black metal with post rock moments, the Austrians have, ever since their conception in 2011, drawn fans and critics deeper and deeper into their maelstrom of melancholy, self hate and anger, and even reached #4 in the German charts, #22 in Switzerland, #35 in Austria & #78 Indie Rock Charts UK
Second album completely new recorded with Krimh on drums!
In the year marking their 30th anniversary, The Frozen Autumn is back with a new release featuring six new songs, and its title, The Shape Of Things To Come, already hints at the topics that are the closest to the band’s heart.
Leimotivs such as dreamlike visions, parallel realities, recollections of past lives, unfold between rarefied landscapes, passions immortalized in a suspended time, crepuscular atmospheres where the promise of different possible futures, if only partially revealed, is dwelling.
The Shape Of Things To Come resumes the narrative from The Fellow Traveller, yet it is brought to new sound horizons, where layers of electronic sequences merge with rhythmic weaves and pulsing energies, in the unique style that's been the trademark of the band for these last three decades.
1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.
Haunting and tortured melodies echo through the ruins of a mausoleum, before erupting into heathenistic majesty.
Each track summons bygone eras with the guitars dominating the realm with flowing and triumphant riffs that inspire a sense of longing trapped within the madness.
The album as a whole instills a sense that it is forgotten relic of a lost time with an infernal entity revealing the secrets within.
Atmospheric and bursting with grandiose ambition, this gem shines within the crypts of black metal.
Info : After laying dormant in the primordial waters for four years, Mournful Congregation emerge from the face of the deep with the first release since 2018's "The Incubus of Karma".
Announcing here "The Exuviae of Gods". Part one of a two-part EP series.
"The Exuviae of Gods" Part 1 features three songs equalling 37 minutes.
Two brand new compositions, plus a brand new re-recording of 1995's "An Epic Dream of Desire" featured on their second demo tape.
"The Exuviae of Gods" Part 2 will follow during 2023.
300x gold vinyl 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, printed jacket full-color, black flood inside on 350g, all assembled in a plastic overbag..
Originally released in the autumn of 2009, of DARK FUNERAL's fifth album, Angelus Exuro Pro Eternus, completes something of a trilogy with the predecessors Diabolis Interium (2001) and Attera Totus Sanctus (2005), in that they all featured the band's fastest and fiercest work yet along with suitably fiery cover artwork. However, that's not to say that Angelus Exuro Pro Eternus merely repeated past glories; in fact, DARK FUNERAL here exhibited a relatively adventurous grasp of dynamics to suit the more melancholic & romantic themes being explored here. More than that, some 15-plus years after their formation, their power and passion had not lessened one bit. Sadly, Angelus Exuro Pro Eternus was to be the final recorded performance of founding vocalist Emperor Magus Caligula.
At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Angelus Exuro Pro Eternus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.
Reprint, 298x orange crush with black marble effect 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g, all assembled in a PVC overbag.
Almost four years after Moth's Illusion, Arpitanian black metal veterans Enisum, from northern Italy, are back with a brand new studio album, the fifth in their career.
Forgotten Mountains is a journey through mountains and life, a path that leads Man to the highest peak, to face his own existence and its meaning. Enisum’s new album consists of eight atmospheric gems for fans of Wolves In The Throne Room, Earth And Pillars and the most intimate and naturalistic side of black meta