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Great melodic goth metal from Finland, for fans of bands such as : Him, To/die/For , Katatonia. Tracks list :
Double LP, blue vinyls. One-off limited edition 300 copies
Avantgarde Music is pleased to present the third installment in the complete reissue of Nest discography. The Finnish neofolk band Released Trail Of The Unwary in 2007 on CD only, and the album has long since been out of print. Nineteen years later, in addition to a brand new CD edition, Trail Of The Unwary will be available on double vinyl for the very first time.
Included in both versions of the album will also be “Last Vestige Of Old Joy” was Nest’s contribution to the cult 2004 collaboration EP with Agalloch. “Haunted Birds”, the reinterpretation of Agalloch’s classic, will find its place on the vinyl version only. Trail Of The Unwary will be out in March via Avantgarde Music, and here follows a foreword by Nest mastermind, Aslak Tolonen himself.
Six panels digipak CD, one-off edition in 300 copies
Avantgarde Music is pleased to present the third installment in the complete reissue of Nest discography. The Finnish neofolk band Released Trail Of The Unwary in 2007 on CD only, and the album has long since been out of print. Nineteen years later, in addition to a brand new CD edition, Trail Of The Unwary will be available on double vinyl for the very first time.
Included in both versions of the album will also be “Last Vestige Of Old Joy” was Nest’s contribution to the cult 2004 collaboration EP with Agalloch. “Haunted Birds”, the reinterpretation of Agalloch’s classic, will find its place on the vinyl version only. Trail Of The Unwary will be out in March via Avantgarde Music, and here follows a foreword by Nest mastermind, Aslak Tolonen himself.
Please state your size in the order's note !!
M - L - XL
Limited edition - 50 copies printed
Comes in 4 pages j-card and overall UV print on shell
'Masks of the Magi' Trilogy, opus II
THE OUTSIDER
The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…
Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.
The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.
Limited edition - 50 copies printed
Comes in 4 pages j-card and overall UV print on shell
'Masks of the Magi' Trilogy, opus II
THE OUTSIDER
The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…
Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.
The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.
Double vinyl, galaxy effect, gatefold sleeve with hot foil overprint!
North American fans may consider ordering this vinyl from Out of Season, they will have one exclusive color (bone white vinyl).
Please note: we will not accept cancellation requests for this reason... so if you order from us, the label, this galaxy vinyl edition you will get it from us.
All shipments to USA are Duty Delivery exempt!
'Masks of the Magi' Trilogy, opus II
THE OUTSIDER
The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…
Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.
The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.
Six panels digipak CD
'Masks of the Magi' Trilogy, opus II
THE OUTSIDER
The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…
Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.
The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.
Gatefold sleeve, double LP in opaque blue vinyls
Russian blackgaze duo Olhava is back with their sixth studio album. Memorial continues the path opened by Sacrifice. After the burning, there is stillness. Time spent among what remains. Ashes settle, memory lingers, and the question is no longer how to begin again, but what can finally be released.
Memorial moves through remembrance toward letting go and acceptance — a quiet reconciliation with what cannot be carried further. It speaks from a single, unpersonified voice: a shared human state shaped by loss, exhaustion, love, and the fragile will to endure. At its center stands a forest hut: not a physical place, but a retreat of the mind. A solitary structure in the woods, an escape from the collapsing outer world, where everything decays, familiar bonds loosen, and people drift apart and return changed. The hut becomes a memorial itself — an obelisk in the forest, a burial site for former lives, a place one returns to alone to contemplate what remains.
Gatefold sleeve, double LP in trans. orange vinyls
Russian blackgaze duo Olhava is back with their sixth studio album. Memorial continues the path opened by Sacrifice. After the burning, there is stillness. Time spent among what remains. Ashes settle, memory lingers, and the question is no longer how to begin again, but what can finally be released.
Memorial moves through remembrance toward letting go and acceptance — a quiet reconciliation with what cannot be carried further. It speaks from a single, unpersonified voice: a shared human state shaped by loss, exhaustion, love, and the fragile will to endure. At its center stands a forest hut: not a physical place, but a retreat of the mind. A solitary structure in the woods, an escape from the collapsing outer world, where everything decays, familiar bonds loosen, and people drift apart and return changed. The hut becomes a memorial itself — an obelisk in the forest, a burial site for former lives, a place one returns to alone to contemplate what remains.
Limited edition on Digipak
Russian blackgaze duo Olhava is back with their sixth studio album. Memorial continues the path opened by Sacrifice. After the burning, there is stillness. Time spent among what remains. Ashes settle, memory lingers, and the question is no longer how to begin again, but what can finally be released.
Memorial moves through remembrance toward letting go and acceptance — a quiet reconciliation with what cannot be carried further. It speaks from a single, unpersonified voice: a shared human state shaped by loss, exhaustion, love, and the fragile will to endure. At its center stands a forest hut: not a physical place, but a retreat of the mind. A solitary structure in the woods, an escape from the collapsing outer world, where everything decays, familiar bonds loosen, and people drift apart and return changed. The hut becomes a memorial itself — an obelisk in the forest, a burial site for former lives, a place one returns to alone to contemplate what remains.
Angela Martyr
'The November Harvest' A5-sized digipack CD
The new creature of Morgan Bellini (VANESSA VAN BASTEN).
Grungy, mechanical, pessimistic metalgaze.
For fans of
Godflesh, Slowdive, Katatonia (early), Alice in Chains
Cover by Fred Einaudi
Layout by Tryfar
Mastering by James Plotkin
Ascolta su BandCamp
"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).
100 copies limited edition in "milky clear" vinyl
"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).
100 copies limited edition in "ice black" vinyl
Julinko, stage name for Giulia Parin Zecchin, has long been one of the best kept secrets of the experimental community in North-East Italy, with three records that helped define her unique blend of heavy psychedelia, slowcore and dark ambient. On ‘Naebula’ what really stands out is how powerful and soaring her voice is, a weapon of undeniable force that can transform into a vessel of raw fervour or glide effortlessly as a delicate lament. Her unconventional approach shines through on tracks like ‘Jeanne De Rien’, where a marching pulse acts as a pillar for an extended mantra, almost verging into powwow territory. ‘Peace Of The Unsaid’ uses its arrhythmical structure to create space, a crepuscular night ode that reaches the heights of Sinead O’Connor’s most intimate force-fulness while retaining a sweet composure. Whether it’s glacial murderous shrieks or gospel-esque vitality, songs like ‘Cloudmachine’ or ‘Kiss The Lion’s Tongue’ seem to draw as much from a tradition of European minimalism, the use of drones and repetition, to the tradition of folksongs as hymns, where modal harmonies make way for an apparent stasis. Another key element in Julinko’s songwriting is the seamless blend of her minimalistic approach with these dense textures borrowed from a distant outsider metal heritage, Lynchean noir on steroids or wordless exorcisms with deep undercurrents.
Written and performed entirely by Julinko, ‘Naebula’‘s incantations unravel and spiral creating the perfect soundtrack for obsession, desire and contemplation, a world inhabited by greats like Meredith Monk, Diamanda Galás and Jarboe, diverse artists all driven by the quest for the purest and most crystalline form of catharsis.
Julinko, stage name for Giulia Parin Zecchin, has long been one of the best kept secrets of the experimental community in North-East Italy, with three records that helped define her unique blend of heavy psychedelia, slowcore and dark ambient. On ‘Naebula’ what really stands out is how powerful and soaring her voice is, a weapon of undeniable force that can transform into a vessel of raw fervour or glide effortlessly as a delicate lament. Her unconventional approach shines through on tracks like ‘Jeanne De Rien’, where a marching pulse acts as a pillar for an extended mantra, almost verging into powwow territory. ‘Peace Of The Unsaid’ uses its arrhythmical structure to create space, a crepuscular night ode that reaches the heights of Sinead O’Connor’s most intimate force-fulness while retaining a sweet composure. Whether it’s glacial murderous shrieks or gospel-esque vitality, songs like ‘Cloudmachine’ or ‘Kiss The Lion’s Tongue’ seem to draw as much from a tradition of European minimalism, the use of drones and repetition, to the tradition of folksongs as hymns, where modal harmonies make way for an apparent stasis. Another key element in Julinko’s songwriting is the seamless blend of her minimalistic approach with these dense textures borrowed from a distant outsider metal heritage, Lynchean noir on steroids or wordless exorcisms with deep undercurrents.
Written and performed entirely by Julinko, ‘Naebula’‘s incantations unravel and spiral creating the perfect soundtrack for obsession, desire and contemplation, a world inhabited by greats like Meredith Monk, Diamanda Galás and Jarboe, diverse artists all driven by the quest for the purest and most crystalline form of catharsis.
Olde Throne is a melodic and atmospheric black metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland. Even after moving back to his native New Zealand, McKenzie felt deeply inspired by his experience in the highlands, and this project was the result of such inspiration. Olde Throne released two studio albums under this monicker, An Gorta Mór (2022) and In the Land of Ghosts (2023). Two years later, the man from Christchurch signs with Italian long-standing label Avantgarde Music to release their third full-length album, Megalith.
Two years in its creation, Megalith is a primal journey into the depths of prehistory. Where previous albums explored the strife of 19th-century Ireland (An Gorta Mór) and the spectral lore of 17th- and 18th-century Scotland (In the Land of Ghosts), Megalith delves into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC. The use of flutes, throat singing and tribal drums forges an immersive brand of Neolithic Black Metal.
SIZE M
Void of Hope is a Finnish black metal trio born during a recording session. The whole album was composed and recorded in five days in the studio with -30°, -35° outside and in complete darkness for most of the day. Screams took place later and were recorded in 2 days.
Void of Hope includes members from Moonlight Sorcery and Ondfødt and consider themselves influenced by bands like Gris, Silencer, Lifelover, Coldworld and Austere.
Void of Hope can be a place or a state of mind, and their debut album Proof Of Existence is a journey through mental health and depression, the outcome of which may be triumph or giving up. Proof Of Existence started as depressive black metal but grew into much more.
Void of Hope is not an anonymous band, yet they do not consider their identities relevant, as regardless of what names are printed in the album, the music is all that matters.
The horrors of reality are the proof of your existence, and they will be brought to you via Avantgarde Music on January 31st, 2025.
