€0.00
Your cart is empty
Your cart is empty
Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
Limited 250 copies - 2024 repress in solid white vinyl
The Belarusian quintet delivers a fast-paced, cold and pure black metal which is looking at both the classic European sound and its more contemporary interpretations. You will find loads of riffs, as well as the odd solo and melodic hook, which will relentlessly drag you toward the Darkness.
6-track EP on CD, in digipak with 12-page booklet.
Sylvaine has grown into a guiding light for ambient post-metal, but new EP ‘Eg Er Framand’ traces back to Kathrine Shepard’s earliest influences.
The Norwegian artist grew up amidst the contrasts between nature and urbanity, on the outskirts of downtown Oslo. While studying music, dance and drama in high school, she performed several times at the Kampen Church. This 19th century relic is where Sylvaine recorded most of ‘Eg Er Framand’. The special sound of this room underline the EP’s music, which includes interpretations of traditional Norwegian folk songs, along with three of Kathrine’s own original songs to the cannon.
To this day, “Dagsens Augo Sloknar” still has mysterious origins, but the lyrics were written in 1891 by Elias Blix, a professor-turned-politician who also wrote hymns. Staying true to the original’s delicate, reverent melody, Sylvaine sings in a breathy, elongated whisper that’s haunting and soothing, like a shadow. But while it opens with just a steady hum of organ, her rendition ends by pulling you into a trance.
‘Eg Er Framand’ is a stark but soothing passion project from one of metal’s most commanding voices.
For fans of ANNA VON HAUSSWOLFF, LINGUA IGNOTA, CHELSEA WOLFE, MYRKUR, EIVOR, HELGA
Gatefold cover with kingsize booklet (16 pages!) - Double galaxy vinyl 300 copies
Almost four years after the acclaimed Vsesvit, Ukrainian one-man atmospheric black metal band Severoth is back with a new studio album. Multi-instrumentalist Illia Rafalskyi took some time to gather his thoughts and introduce his latest work as follows.
“Originally, By the Way of Light was intended as the spiritual successor for Vsesvit. I started working right after Vsesvit was finished, I wanted to create something powerful, energetic but yet light and bright. Something which will inspire people to be better versions of themselves. And to remember that there is always hope.
Music was mostly composed and recorded at my home studio in Dnipro, Ukraine. Actively crafted from 2021 up until 23th february of 2022. And intended to be released somewhere in 2022. But on the 24th of February my family and I woke up at 4 am from the sounds of distant explosions… That is when the Russian invasive full-scale war against Ukraine started. And our lives changed forever…
For a full year since then I haven’t created a single note for this album and my mind was far from music, with exception of the second song, “Sons Of Steel Will”, for which I wrote lyrics in September 2022, inspired by the events of that period.
Later in 2023, after more than a year of ongoing war we moved to a safer place and I was able to finish the album. So, I’ve spent around half a year working and re-working the material. In the summer 2023 drums and missing vocals were recorded. Music and lyrics I wrote myself. Lyrics are in Ukrainian, but translations in English are featured in the booklet. The cover art and all inner illustrations were done by my wife Julia (UD).
I’m glad I have had the opportunity to finally finish this album and share it with the world.”
200 copies Limited edition
Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.
Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”
Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.
Collectors edition, one off pressing, digipak CD with booklet
Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.
Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”
Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.
“Shrouded in Gyllbergen’s mist, and the sentient essence of the nocturnal fire burning within, the hiking metalpunk hordes Dödsrit hereby unveils its fourth beckoning! Restless and visceral, these unhallowed tomes beckon the mournful chants from its resonant harmonious introduction to the victorious dagger in the very core of the cosmos under the celestial will of heroic bloodshed”
- FFO: Dissection, Vanum, Wolfbrigade
The past has already witnessed the virtuous way Verwoed contemplated and traveled through unfathomable aural stratospheres brimming with feeling, intensity, and a sense of visceral commitment. “The Mother” perceives the Utrecht project as taking a step further in the direction of the abyss, an epic of splendor and imposing nature, bursting with emotion in the form of striking riffs that offer an electrical pallet of eclectic, evocative, and utterly cathartic songwriting.”
- FFO: The Devil’s Blood, In Solitude, Watain
