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Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
Dark Symphonies/ The Crypt, ltd 1000, first time officially released on CD. Excruciation?s first official release ?Last Judgment? sold over 15,000 copies and reached Switzerland?s Top 100. Following the release was a successful tour of Switzerland and abroad, as well as becoming the first Swiss metal band to tour in ex-communist Germany. Originally released in 1987 only on vinyl, we are proud to offer this classic release on compact disc format! Also making their CD debut, as a bonus we will also be including the bands' 1985 "The Fourth Apocalyptic Rider" and "First Assault" demos. This CD is designed after the original 1987 CHAINSAW MURDER Records LP release, taking elements from the original layout with attention to detail, even down to the logo and typeface for a touch of nostalgia. Also included are classic band photos, reviews, interviews, new liner notes and lyrics.
01-05: "Last Judgement" Ep 1987
06-11: "The Fourth Apocalyptic Rider" Demo 1985
12-18: "First Assault - 2nd Edition" Demo 1986
19: Outtake from "First Assault - 2nd Edition" Demo session 1986
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Vinyl edition handnumbered to 200 copies, first 50 with gold ink, following 150 with black ink.(THIS)
Comes with double-sided insert.
DARKENHÖLD second album, following the very convincing debut "A passage to the towers".
Majestic and epic black metal in the vein of Diabolical Masquerade, Ancient & Emperor.
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6 songs marking a new stage in the history of that
HelCarpathian Black Metal horde. Eisenslav and Olgerd from Kroda will participate with guest vocals and synths!
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OCULUS was spawned from the mind of Nero and then perfected by the minds of both Kozeljnik and Bornyhake. Both esteemed musicians prior have played in The Stone, Borgne, Deathrow, Enoid, and Ophidian Coil. Bornyhake contributed drums, bass, and keyboard samples while Kozeljnik contributed lyrics and vocals. The band was meant to illustrate their idea of what black metal was to them and the darkness within, as well as anti-Christian themes.
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”Den Förstfödde” is Arckanum’s 9th studio album after 25 years of existence.
The album ”Den Förstfödde” is a dedication to Loki’s and Gullveig’s firstborn, Jörmungandr.
The songs are invocations, prayers and magical formulas, and they are designed to enkindle the black flames of Thursian Powers, its followers and Ragnarök. “Blow your venom and stretch your wings oh Mighty Dragon!”
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Reissue of long sold out Barghest demo cassette, "Alsæla Gegnum Endurfæðingu" comes now as single side vinyl with laser etching on side B
The music creates a suffocating atmosphere of black doom, distorted, sometimes ponderous in its pacing, and crafted around bleak melodies. Interestingly, as in the case of Svartidauði, the bass often plays a prominent role in the music, and there’s some interesting black-prog guitar noise to accompany the skittering tremolo melody in the EP’s long second track, which is my favorite. The title track is also quite dynamic, with dramatic changes in pace and intensity and more of that creative guitar dissonance.
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Jewelcase
A monument to rampaging individuality and the power of the human spirit.
“This is a new beginning, a new chapter. The rules of the game have changed.”
4 panel digipak edition.
The sole definition of Depressive Black Metal doesn't fit anymore to Falaise.
With their second effort the italian duo is ready to further cross the boundries of this genre to involve the expanding vision of post-rock and indie tunes.
This defragmented vanishing flux of emotions is well shifted on the cover, the mind and the feelings are like swallowed into the infinity of cosmos.
A tribute to Amesoeurs is performed with the cover song "Les Ruches Malades" providing a possible chance of comparision. If "As Time Goes Bye" was already an impressive and coherent collection of emotionally heart wrenching songs maturity has been achieved with "My Endless Immensity", where the different chapters seems like part of a bigger scenario.
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Hailing from Chile, Lascar is back with their sophomore release, “Saudade”, an album that moves exactly along the lines of its illustrious predecessor (“Absence”, 2016), underlining once again the band’s naturalistic approach and marking a perfect syncretism of those feelings of loss, fragility and desperation that have always been LASCAR’s trademark.
Their emotional post-black metal offers a unique interpretation of the apparent conflict on the naturalistic experience. The “Saudade” implies a sense of abandon and a nostalgic mourning manifested within an artistic environment.
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