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VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

CD in Digipak with alternative cover and 12-page booklet.

PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.

For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.

Released in 2006, Watching from a Distance is the second album by WARNING, led by Patrick Walker, and stands as a cornerstone of deeply emotional doom metal.
This reissue on CD and marbled double vinyl resurrects a true masterpiece of pure, unfiltered melancholy.

CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.

After the unexpected success of the first press, here comes a 2nd press in Transparent red vinyl

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

Pressed on white marble heavy vinyl. Comes with a download card. Colors on final records may vary to a degree from the mockup.

In 2011 TERRA TENEBROSA, the shadowed entity born from the ashes of cult post-hardcore band BREACH, delivered a phenomenal and truly malevolent debut album. Now subject to a 2025 vinyl repress - remastered by Karl Daniel Lidén Produktion (KATATONIA, CRAFT, BLOODBATH) - "The Tunnels" creates a unique atmosphere of anxiety via a dangerous mix of hypnotic rhythmic patterns, dissonant chords, evocative ambient soundscapes and ghastly voices.

 Pressed on blue marble heavy vinyl. Comes with a download card. Side D contains no music but features a black screen print. Colors on final records may vary to a degree from the mockup.

"The Purging" is a madness overdose, a harrowing album that redefines the limits of abyssal Black Metal, poisonous Hardcore, creepy Noise Rock and Avant-Garde insanity.
This reissue comes in a Digipack packaging with original artwork encased in a slipcase with new artwork crafted by Dehn Sora. An exclusive "tarot" card is included with all copies. Audio content is identical to the Trust No One Recordings version.