€0.00
Your cart is empty
Your cart is empty
Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
Digipak with 16 pages booklet.
Forged in São Paulo in 2015, Outlaw was born as a savage roar from the innermost depths of rebellion. A flame long silenced by the fear of men. What began in the heart of Brazil soon transcended its birthplace, relocating to Dresden, Germany, where the band sharpened its craft into a weapon of uncompromising black metal.
Over the past decade, Outlaw has released three full-length albums and one EP, each step a deeper descent into their own path. Their music is steeped in darkness, yet illuminated by a relentless drive to transcend the mundane, channeling fury, devotion, and death into soundscapes that are as violent as they are cathartic.
With the upcoming album Opus Mortis, Outlaw opens a new chapter. It stands as their most ambitious and destructive work to date. An offering that embodies the essence of the band: raw, visionary, and unbound.
B's legacy and the most extreme swansong of 2011
Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.
Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)
gatefold jacket, inside colored
black poly-innersleeves
dinA2 poster
plastic protection sleeve
large booklet wth lyrics, impressions and info
Gold Vinyl
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
Re-recording of this long out of print all-time classic!
Issued in a tri-fold (6-panel) Digipak.
Red-book professional Audio CD in a 4-panel Digipak with an 8-page booklet.
"Open Casket" is a Death cover version.
A Maze Of Recycled Creeds is the long-anticipated new full-length from French technical death metal punishers, GOROD. A record now three-years in the waiting centered around unfathomable fantasies created by various secret societies and mystical orders, A Maze Of Recycled Creeds is a near-fifty-minute-long work of diabolic genius spewing forth eleven tracks of arthritis-inducing riffs, spiraling, harmony-rich fret decompositions, surgically-precise time shifts, blasts, brawn and an incessant barrage of malicious vocal onslaughts. Crowned, “the undisputed kings of melodic tech death,” by MetalSucks, and, “one of the best technical death metal bands out there,” by Metal Injection
