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Back in stock - Extreme Metal and Dark music
Digipak CD with 12 pages booklet
Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).
Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.
A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.
ISON new album! Gatefold sleeve, double LP in Black vinyl
Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.
Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.
Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.
Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.
Digipack with 16 pages booklet
Mixed and Mastered by Stephen Lockhart at Studio Emissary, Iceland. Band Photos by Void Revelations. Band Art and Calligraphy by Jose Gabriel Alegría Sabogal.
Second press, now not anymore a mediabook but anyway pretty nice digipak with bookleet
Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.
Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.
Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.
Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen
Cover Artwork by Valnoir/Metastazis
100 copies limited - black double vinyl in gatefold cover
Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.
Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.
Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.
Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen
Cover Artwork by Valnoir/Metastazis
Second press, same vinyl color, shipping on / around 15.02
Since their inception in 2010, Grá has relentlessly worked to shape their music to be both a perfect example of Swedish black metal and a very personal interpretation of its classic sound. Their new studio album will mark the first cooperation between the band from Stockholm and Avantgarde Music, and we thought best to leave frontman Heljarmadr complete freedom to introduce the opus.
Lycaon is our fourth full length album and ever since we started Grá in 2010, we have been striving for constant evolution, to challenge ourselves as musicians and composers with every release.
Where our last album Väsen was extremely intricate and bombastic, with an "all in" approach to keyboards, orchestral parts, acoustic guitars and choir arrangements, Lycaon is heading in the opposite direction. It has fewer layers and with that, every layer needs to be meticulously measured and well thought out to carry the right atmosphere forward.
This sophomore album by Urkraft celebrates darkness and the lights that shine in it, be they campfires, streetlights or the stars. Through seven tracks, the listener is taken on a journey through forests rife with wondrous complexities, where the blackest of nights are illuminated by the cold glow of the moon.
Urkraft's music is a relentless assault of savage riffs and haunting melodies, driven by thundering drums and punctuated by anguished screams that echo across the barren wastelands.
With "Lyset skinner best i mørket", Urkraft delivers an uncompromising ode to the beauty of darkness and the power of black metal to channel its primal energy. Prepare to be embraced by the shadows that lurk within. The darkness awaits...
Over the course of its seventeen-year career, Deströyer 666 has managed to release a mere four full-length albums. However, the band has released EPs with somewhat more regularity. Unfortunately, the bulk of these recordings were issued only on vinyl and in limited quantities. As is often the case, these releases quickly became unavailable to anyone not willing to get ass-raped on eBay. In 2010, Deströyer 666 threw fans a bone and released a compilation of the following EPs: 1998’s Satanic Speed Metal, 2000’s King of Kings/Lord of the Wild, 2002’s Of Wolves Women and War and 2010’s See You in Hell, entitled To the Devil His Due… on limited edition vinyl. Thanks for nothing.
Ah, but despair not, gentle reader: As you have probably guessed, I am not reviewing a release from 2010. The Hell's Headbangers label will, in a few weeks from the time of this writing, release To the Devil His Due on glorious, hiss-free, car-stereo-compatible compact disc. Now let’s be honest: If you are a die-hard Deströyer 666 fan like me, one that has no taste for either vinyl or ass-rape, you probably downloaded most of these songs long ago. This release gives you the chance to throw K.K. and the boys a few bucks and enjoy these songs guilt-free and with better sound quality. If, by chance, you have not heard any of these songs before, To the Devil His Due will serve as a sort of long-lost Deströyer 666 album.
The nine songs that make up To the Devil his Due span a great swath of Deströyer 666’s career and as such reflect the changes to and development of the band’s sound during that time. “Satanic Speed Metal” is a simplistic, bare-knuckled anthem in much the same spirit as “Australian and Antichrist” from Unchain the Wolves. The level of sophistication gradually increases through the chronologically ordered disc, culminating with the two tracks that comprised See You in Hell. These final two songs feature the Deströyer 666’s signature melodic maelstrom combined with some uncharacteristically crunchy riffing, resulting in some the band’s finest work in recent years. The production follows a similar path, with the earlier tracks sounding somewhat raw, and the latest featuring a clear powerful sound that easily eclipses the sonic cluster-fuck that was Defiance.
To put it simply: For any Deströyer 666 fan who doesn’t already own this material, To the Devil His Due is a must. For those unfamiliar with the band, this compilation will definitely give you a good idea of what Deströyer 666 is all about.
(metalreview.com)
Never Stop the Madness - The Roadburn Inferno
A CD / DVD set featuring a peerless performance from the Norwegian industrial Black Metal godfathers (captured live at the esteemed Roadburn Festival 2017).
The pioneering industrial black metal force to emerge in the early 1990s, Mysticum brought to the world a completely unique brand of extreme and Psychedelic discordant Black Metal with insane drum machine patterns and synths.
They were originally signed to Mayhem guitarist Euronymous' Deathlike Silence Productions label. However, this venture was cut short following his death, forcing Mysticum to look elsewhere for the release of their eventual debut album and genre classic, In the Streams of Inferno (1996). A perfect concoction of cold, primitive Black Metal and forward-thinking ideas, Mysticum has had a lasting and profound impact on many since the 1990s, so when the long-talked about follow-up album, Planet Satan, surfaced in 2014, these godfathers of the scene rightly returned to reclaim their throne.
In light of the release, Mysticum decided that a return to the stage would be the next logical step, but it had to be done their way, without compromise; and so, with Herr General Cerastes, Dr Best and Svartravn stood upon three 3 metre high podiums surrounded by screens, with one of the most intense light and sound spectacles witnessed at an Extreme Metal show, Mysticum stunned the crowd into submission.