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Back in stock - Extreme Metal and Dark music
Sick, depressive and plague ridden Black Metal from the twisted mind behind this french cult!!
This filth is finally available again!
Remixed by Meyhnach to give it a more claustrophobic, suffocating and dark atmosphere then the original mix.
Full coloured cover with white inner jacket + Insert Lyric Sheet & A2 Poster. Limited to 100 copies on 12" Vinyl. 3rd pressing.
Away from the gothic and folk parts of their earlier recordings, Mysterium present themselves in a modern wall of sound on their second album "Soulwards". Heavier, more metal, more direct, but without doing away with the melodic and atmospheric aspects of their debut "The Glowering Facades of Night". With "Soulwards", Mysterium have grown up and establish themselves as a self-conscious and confident Dark Metal band that can rival the genre's greats.
Ascolta su YouTube
Limited to 1st press black vinyl in heavy gatefold sleeves with insert with lyrics.
"World Domination" is a gateway to old and new Demonical. The band's sixth album marks the debut for vocalist Christofer Sätderdal and the return for original drummer Ronnie Bergerstål (2006-2011, 2019-present). There are no major changes to the band's proven formula of brutal, melodic and insolently Swedish death metal. "World Domination" picks up where 2018's "Chaos Manifesto" left off, with a touch of extra dynamics and vibrancy that enrich the band's sound.
Cigno is an emerging artist from Rome, delving into the depths of dark ambient, industrial, and ritualistic music. Drawing inspiration from ancient traditions, somber atmospheres, and the emotional landscape of grief and mourning, Cigno crafts a soundscape that is both haunting and captivating.
"Morte e Pianto Rituale" is Cigno's debut album, a work steeped in the themes of death and ritual mourning. The album weaves together layers of deep ambient sounds, atmospheric drones, and percussive elements to create an immersive experience. It stands as a meditation on the solemnity of death, the cycles of loss, and the catharsis found in ritual. Each track builds an evolving soundscape, incorporating elements like field recordings, drone tones, and tribal percussion. Cigno's music invokes an almost cinematic quality, resembling a sonic ritual that guides listeners through the emotional states of grief, introspection, and release.
The ten tracks on the album struggle to fit into the category of pop music and even more so they shy away from the commonly understood song form. “Nada! Nada! Nada!” it is a complex ecosystem where disturbing trip rock coexists with ethnic impulses and mystical moments. Heartbreaking screams punctuated by hypotonic percussion loops, industrial suites full of saturated distortions are then alternated with diabolical chants. Almost a sound psychoanalysis of contemporary society, almost the soundtrack of a Dante's song. CIGNO increases the dose with visionary texts, where he paints frescoes of contemporaneity between a socio-political and economic criticism of the West, up to ascetic verses whispered and sung recited.
Anarchic and against the current, CIGNO's artistic proposal also passes through the cover which symbolically depicts the heretic. The engraving represents the symbol of the human condition.
