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 The pale light that shines in a kingdom of darkness could be just another deadly lure...

After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.

Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.

With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.

Endstille’s Kapitulation 2013 is a blistering statement of defiance, delivering a ferocious blend of relentless riffs, pounding drums, and sheer sonic violence. From start to finish, the album radiates unrelenting aggression, staying true to the band’s raw and uncompromising black metal roots.

Tracks like “Aborted” and “The Refined Nation” hit with devastating force, combining furious tremolo-picking guitars and relentless blast beats that feel like an unstoppable war machine marching forward. The production is sharp yet retains just the right amount of rawness, giving the music an authentic and hostile edge.

Vocalist Zingultus commands the soundscape with a venomous intensity, spitting each lyric with wrathful precision. The album’s bleak atmosphere is palpable, immersing the listener in a sonic assault that feels both chaotic and meticulously controlled. Kapitulation 2013 isn’t just an album – it’s a battlefield, a relentless barrage that refuses to compromise. For die-hard black metal fans, this record stands as a bold and powerful testament to Endstille’s unwavering dedication to the genre.

Prepare for total sonic annihilation.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Grift’s fourth studio album, “Dolt land” (‘Hidden land’), is a profound exploration of humankind’s bond with nature. With folkloric sounds and heartfelt lyrics, the multidisciplinary Swedish music project takes listeners on a journey into the heart of the wild.
“Dolt land” diverges from the more metal-oriented “Budet” (2020); instead, it continues the acoustic approach of the EPs “Vilsna andars boning” (2018) and “Vilsna andars utmark” (2022). Like the aforementioned two seven-inches, “Dolt land” pays homage to Kinnekulle - a mountain whose nature, legends, and traditions have served as Grift’s main source of inspiration since the project’s conception in 2011.Erik plays all the instruments himself - including acoustic guitar, melodica, glockenspiel, analogue synth, and percussion - and has also sampled nature sounds to create a truly immersive listening experience. Soothing and stirring, yet still feral and untamed; Grift’s evocative music will resonate with fans of Sangre de Muerdago, Anna von Hausswolff, and Nebelung.

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

Reprint, 300x heavyweight orange crush with black marble 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g; download card; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.

Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.

Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums. 

As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.

Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.

After their first lash from the devil's tail that came out of nowhere, DUIVEL is now releasing their first full-blown attack upon this world. An audial vomit orchestra, straight from the mouth of Satan, "Tirades uit de Hel" brings you hateful black metal from the days of yore. Prepare to be scorched by purgatory fires and trampled by sulphuric hooves! There is no saviour, only demise! Pure uncompromising black metal hell from The Netherlands, this is a fresh nail in God's coffin. Oh, rejoice, vermin of the shadows!

Line-up:
Guitars - N (Urfaust, Botulistum, ex-Fluisterwoud)
Drums - D (D.R.E.P.)
Bass - P (Black Anvil)
Synth - K
Vocals track 1, track 3, track 5 - S (Galgeras, ex-Fluisterwoud)
Vocals track 2 - B (ex-Lugubrum)
Vocals track 4 - W (Urfaust, The Spirit Cabinet)
Vocals track 6 - V (Vaal, Ravenzang

Rotten Moon first full-length.
Harsh and anguished mid-tempo Black Metal exploring the most rotten, mildewed depths of the ancient '90s
Black Metal underground consumed by the cosmic void.

Rotten Moon is a hermit, detached from this modern world and its trivialities.

Gaze beyond the stars to find the true reality.

- 300gsm Single Sleeve cover Reverse printed with Matte finish and 3mm spine
- Includes a double-sided 12x12" insert
- Specifically mastered for vinyl by Haris V. at The Eleveth Tower Studios

First time ever on vinyl, gatefold cover, limited edition silver vinyl.

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Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That second album, Nihilistischen, took a moodier turn from MINENWERFER's throttling debut album, Volkslieder. But while a relative expansion of dynamics made their songs sound even more epic, the duo likewise upped the muscle to their attack, arriving at a thicker soundfield than that no-less-considerable predecessor. What results is a work equally steeped in the ugly underground and the yonder battlefields of professionalism.

Re-issue, 296x gold 12" (180g) in a black poly-lined bag, download card, gatefold jacket full color on 350g, all assembled in a plastic overbag.