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Back in stock - Extreme Metal and Dark music
It took a very, very long time for Tiwanaku to be satisfied with their debut album. The prog death metal band, originally formed in 2003 by ex-Nocturnus guitarist Ed Mowery, in its long life featured musicians like Richard Christy (ex-Death), James Murphy (ex-Obituary, ex-Testament) and late Michael Estes (ex-Acheron) among the many. Now, no less than nineteen years later, Tiwanaku is ready to release their first studio album, Earth Base One, via Avantgarde Music / Unorthodox Emanations on November 4th. The album will include contributions from many renowned musicians, from the aforementioned Michael Estes to Alex Webster (Cannibal Corpse), and will feature a stunning artwork by Spanish art master Juanjo Castellano
Inverted Matter is a death metal entity born as an evolution of Inverted, a band born in 2007 in the upper Treviso area, in North-eastern Italy. At the end of 2015, parting ways with Alessandro and Enrico Scriminich (guitarist and drummer who went on to form black metal band Gorrch), former Suffocation drummer Mike Smith was recruited to write a new album. At the beginning of 2016 the lineup was completed with the addition of Jason Nealy (Bleeding Eyes) as guitarist and Leonardo “Livio” Langaro (Kani) as studio bassist.
Harbinger is a concept album which focuses entirely on the oldest arthropod ever to exist on Earth, the trilobite. The eight songs Inverted Matter crafted deal with a scientific research that goes from the still unknown origins of the species to their extinction, in a mix of old school and progressive death metal influences. Recorded and mixed by Jason Nealy and Marco Dussin at Badrum studio, Harbinger will see the light in late autumn 2022 under Avantgarde Music death metal division, Unorthodox Emanation.
A newcomer hailing from Norway, SOLUS GRIEF is the work of one Peregrinus, who handles all instruments, vocals, and mixing & mastering. And where so many "one-man black metal bands" sound as much (or worse), SOLUS GRIEF buck that trend with a righteously robust sound and fully in-the-moment style of execution. In other words, Peregrinus sounds more like an actual band than many "bands" do.
With a Last Exhale is the evocatively titled debut of SOLUS GRIEF, self-released digitally late last year - and so entranced by its rigid-yet-unique style of black metal, PURITY THROUGH FIRE is now rightfully releasing the album on two physical formats. It would not be incorrect to assume a four-song/41-minute black metal record recorded by one man would be of the depressive/suicidal variety, and to some degree, both those appellations could be applied to SOLUS GRIEF. However, as Peregrinus soon displays, With a Last Exhale moves many, MANY places - and many of them quite surprising, despite remaining steadfastly within BLACK METAL - and with a jaw-dropping fluidity; this is NOT one-riff minimalism/"hypnosis" nor an expression living/dying on "atmosphere" alone. Indeed, with plenty of atmosphere to spare, Peregrinus' compositional skills astoundingly span the full reach of extreme metal, subtly (and tastefully) touching such boundaries as '90s melodic death metal, '80s epic doom, or even just proper heavy metal...but the expression is resolutely a black metal one, the emotions intense and inward, as befitting a title like With a Last Exhale. And the bass guitar here is something that must be experienced.
Part three "Unson" contains cover songs (published on special editions of Besatt releases or unpublished). Limited to 666 copies.
Terza parte della trilogia...
1. Gorgoroth (Gorgoroth cover)
2. Tormentor (Kreator cover)
3. To Walk the Infernal Fields (Darkthrone cover)
4. The Sign of Evil Existence (Rotting Christ cover)
5. Spell of Destruction (Burzum cover)
6. Czarne zaste;py (Kat cover)
7. IX (Bulldozer cover)
8. Sacrificial Suicide (Deicide
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REVENANT MARQUIS "Below The Landsker Line" CD to be released via Inferna Profundus Records on March 21th, 2021.
Revenant Marquis returns from the sequestered gloaming of Pembrokeshire’s Black Circle with a tome of rituals that truly invoke the malevolent in this world, and the next.
The line between the land, and the heavens, the spirit and the flesh are lanced in a harrowing union that honours the Devil, and his servants.
jewelcase edition
New band from members of: Khors,Ygg, Reusmarkt, Djur, Ulvegr, Elderblood and more...
Black Metal with Doom\Electronic\Ambient\Sludge\Depressive\Avantgarde elements and shamanic lyrics
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1. I Sommerens Sol er de Brendt 04:56
2. Fra Absinthen Farer 04:12
3. Frysende Snute 04:38
4. Sirkus av Hex 06:18
5. Aerlighet og Rettferd 03:41
6. Geitespill 04:23
7. Sotet Sorg 05:30
Collectors Digipak edition with hot foil embossing and tight booklet.
KANKAR make their first grand statement with 'Dunkle Millennia', the duo's debut full-length. Immediately recognizable as KANKAR but bolstered on every level - songwriting, performance, production - Dunkle Millennia literally bristles with an electricity that's undeniable. For a band still (proudly) black metal, the KANKAR of now here evince an artistry that spans decades and even genres; one can detect trace elements of classic death metal, pagan metal, traditional metal, and even rock 'n' roll within the album's succinct-yet-expansive 45-minute runtime, and yet all of it's spliced and diced in a most fluid manner, and not once ever schizophrenic. In fact, the muscular-yet-finessed interplay between vocalist/guitarist/bassist Stríð and drummer Plágan suggests an almost symbiotic relationship, each ever-unfolding passage walking/surging down a thorny path but with the route known only to KANKAR. Even with these increasingly tricky detours, the 11 component songs of Dunkle Millennia never suffer from information overload or convoluted expressions of such: everything is always felt, darkly and dynamically. Credit that feel to the gleaming(ly powerful) production of Markus Stock (Helrunar, Bethlehem, Empyrium, Secrets of the Moon etc.) at his renown Klangschmiede Studio E.
A new producer was brought along to make the album sound the way they intended. ‘Innhøstinga’ (Norwegian: ‘the Harvest’) might be their most complex album to date, containing nine songs divided into 50 minutes of playtime. The songs are diverse and different in their own way, while the lyrics bind them together as a whole.
This is their second album with a Norwegian title, in which half of the lyrics are sung on their mother-tongue. ‘Lysene som Forsvant’ might just be their most melancholy epos to date, telling the story about those they have lost on their way.
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