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Mark Deeks, who earned his PhD in Philosophy on the topic of "National Identity in Northern and Eastern European Heavy Metal", is also a member of leading UK black metal stalwarts WINTERFYLLETH and keeps himself busy as a musical director, arranger, piano coach, and conductor as well as a best selling author. On "Take Up My Bones", Mark is supported by WOLCENSMEN mastermind Dan Capp on guitars and backing vocals. He is also joined by ATAVIST drummer Callum Cox, and a spellbinding performance from cellist Jo Quail (MY DYING BRIDE et al.) delivers the coup de grace

In 2020, NÔIDVA arrived with the full-length Windseller. A then-brand-new entity, the Finns featured members of labelmates SACRIFICIUM CARMEN and RIIVAUS. Although detectably Finnish black metal in sound and style, NÔIDVA uniquely focused on Laplandish shamanism - and now they return to further flesh out that vision.

Tellingly titled Lappish Shatanism, NÔIDVA's second album bears many of the same traits as its predecessor: a mysticism both magickal and more so folkloric, and a melodicism that stirs the more courageous side of one's spirit rather than immediate and irrevocable bloodlust. However, despite featuring the same four-piece lineup, Lappish Shatanism heads toward rougher, daresay-rowdier territory - more earth and dirt rather than the atmospheric undercurrents of Windseller - with that rowdiness rendering their folk affectations all the more austere and severe. Still, NÔIDVA reveal themselves to be astute practitioners of tradition, poignantly imparting a favorably late '90s aspect in form and feel; whether one wants to qualify it as "pagan" black metal matters not when faced with such stellar quality. Leads prominent but parceled out, Lappish Shatanism is thus a work of undeniable passion - never belabored, but refreshing as it is reverential. The past is still alive across Lapland!

Cold black metal from Unreqvited mastermind

Classic black vinyl edition of 300 

Innersleeve printed with lyrics 

Originally released in 2015, ÁRSTÍÐIR's third album 'Hvel' offers atmospheric, hauntingly beautiful songs that take elements of folk, rock, and classical music among other styles, which are arranged into new patterns that have invited comparison with RADIOHEAD, SIMON & GARFUNKEL, PENTANGLE, ÓLAFUR ARNALDS, and most of all SIGUR RÓS. The latter happens perhaps inevitably due to superficial similarities as ÁRSTÍÐIR often sing in their native Icelandic tongue and use acoustic instruments extensively.

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Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

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Now unleashed! Osmose Productions presents the reissue of the 2004 Axis of Advance album “Obey” on CD / LP. 8 attacks of chaotic, technical, militant black metal.

Anguished vocals praying for war and death upon the corrupted. Razor sharp guitars pushing inverted riffs and pounding wrath in all directions. Mind numbing nuclear drone bass hypnotizing all into mental submission and final defeat. Hammered down with a wave of chaotic artillery percussion devastation and a prophetic lyrical concept outlining the horrors that lay ahead. In wait lie, in wait lie, reverse the curse from the inside. In wait lie, waiting to die, give me my war cowards! Mankind is the weakest link in the chain – broken at long last! Hail the end….

Re-issue, 293x bloodred with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold jacket, full-color - black flood inside on 350g with UV partial lacquer, all assembled in a PVC overbag.