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Back in stock - Extreme Metal and Dark music
Limited to 1st press black vinyl in heavy gatefold sleeves with insert with lyrics.
"World Domination" is a gateway to old and new Demonical. The band's sixth album marks the debut for vocalist Christofer Sätderdal and the return for original drummer Ronnie Bergerstål (2006-2011, 2019-present). There are no major changes to the band's proven formula of brutal, melodic and insolently Swedish death metal. "World Domination" picks up where 2018's "Chaos Manifesto" left off, with a touch of extra dynamics and vibrancy that enrich the band's sound.
Cigno is an emerging artist from Rome, delving into the depths of dark ambient, industrial, and ritualistic music. Drawing inspiration from ancient traditions, somber atmospheres, and the emotional landscape of grief and mourning, Cigno crafts a soundscape that is both haunting and captivating.
"Morte e Pianto Rituale" is Cigno's debut album, a work steeped in the themes of death and ritual mourning. The album weaves together layers of deep ambient sounds, atmospheric drones, and percussive elements to create an immersive experience. It stands as a meditation on the solemnity of death, the cycles of loss, and the catharsis found in ritual. Each track builds an evolving soundscape, incorporating elements like field recordings, drone tones, and tribal percussion. Cigno's music invokes an almost cinematic quality, resembling a sonic ritual that guides listeners through the emotional states of grief, introspection, and release.
The ten tracks on the album struggle to fit into the category of pop music and even more so they shy away from the commonly understood song form. “Nada! Nada! Nada!” it is a complex ecosystem where disturbing trip rock coexists with ethnic impulses and mystical moments. Heartbreaking screams punctuated by hypotonic percussion loops, industrial suites full of saturated distortions are then alternated with diabolical chants. Almost a sound psychoanalysis of contemporary society, almost the soundtrack of a Dante's song. CIGNO increases the dose with visionary texts, where he paints frescoes of contemporaneity between a socio-political and economic criticism of the West, up to ascetic verses whispered and sung recited.
Anarchic and against the current, CIGNO's artistic proposal also passes through the cover which symbolically depicts the heretic. The engraving represents the symbol of the human condition.
Peaceville presents a collection of tracks from some of the essential Black Metal-oriented acts on the label.
Limited, numbered vinyl edition available at a very special price.
Featuring many exclusives, the compilation offers a combination of recent signings and legendary artists, with plenty of great teasers for what's to come in 2023,
Collector's Edition in 6-panel digipack, limited to 500 copies. Co-release with Purity Through Fire.
As the album unfolds, so does the narrative of death's unwritten pages, each track a testament to the inevitability of oblivion. While firmly rooted in black metal, the album is full of variation ranging from fast-paced blasts to doom-like passages and everything in between. The riffs pay homage to the iconic black metal bands of the 90s that shaped the genre, all the while carving out their own distinct trajectory. To create that extra layer of atmosphere, the songs are adorned with evocative acoustic & lead guitars and subtle synths.
Project by Enthroned (and Nightbringer) member
The fifth album of ANARKHON of São Paulo, Brazil, raises the stakes in the kingdom of arcane and rotten DEATH METAL: 23 years of career and this band becomes increasingly dark and devastating. Listening to "Obiasot Dwybat Ptnotun" is like being dragged into an infernal tunnel of lovecraftian cosmic nightmares. For fans of Incantation, Dead Congregation and Grave Miasma.
Second pressing, brown + black splatters on white vinyl
With an inception going back to 2019, Defacement rapidly gained momentum within the underground realms with two full-length records marked by an intense and experimental take on death and black metal, Deviant (2019) and self-titled Defacement (2021). Three long years after their latest output, the international band flares its cryptic head yet again with an epic tome of twisted and gnarly emanations, an immersive pathway into the void entitled Duality.
Defacement's third studio record is challenging and confrontational in its invocation of primal forces lying dormant in the world below. Inspired by the unfathomable, shadowy corners of human existence, Defacement hatches a penetrating sonic journey, unpredictable in its own dynamic, ever-changing form. Intricate and complex riffing lay as a basis for dexterous melodies, making Duality the most complete and mature among the band’s outputs. The cold and experimental interludes entangled between tracks, serve as halting moments that further the conceptuality of Duality and broaden the gist of the main songs.
The tremendous rhythmic section, a complex and throbbing pulse of drumming fierceness and serpentine bass playing, is superiorly captured by the dynamic and organic production, a vigorous sound that evokes both an oppressive aura and wistful solemnity. Gabriele Gramaglia (Cosmic Putrefaction, Vertebra Atlantis) and Simon Da Silva (Aversio Humanitatis) took care respectively of the mixing and mastering, finely crafting the details of Defacement’s new album.
