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BLACK VINYL

The full version of their classic 4 track 1995 demo, also including alternative versions of each song finally available on LP, CD & MC. 
LP verson includes a massive 24 page A5 size fanzine featuring  in depth band history, describing the first chapter of the bands history and what lead up to the formation of Malign and their debut 1995 demo.

Side A recorded at Skärholmens Ungdomsgård during two days in December of 1995. Side B consists of various recordings made between 1994 and 1996. All music by Malign. Lyrics by Mörk except for "Blod Skall Flöda" written by Sonya Ivarsdotter. Mastered by Micke Andersson, Studio XXVII

New double live album including 2x studio bonus tracks

Fifth album for this French band.

Definitely their best album.

Excellent black metal for fans of bands such as Forgotten Woods early albums Taake, Nocturnal Depression, Norway 90s

Vèrmyapre Kommando’s demos are now officially released
Side project of VLAD TEPES members - ugly & filthy, Black Legions Metal at it's worst! Drakkar Productions.

Ascolta su BandCamp

Vèrmyapre Kommando’s demos are now officially released
High quality Drakkar CD issue of the obscure demo released by Wlad and Vorlok from VLAD TEPES. True darkness and hate from the depths of the Black Legions itself.

Ascolta su BandCamp
 

Brand new limited reedition of Dødsfall’s third full-length, originally released in 2013 ! with “Djevelens Evangelie”, Dødsfall leaves us a brilliant testimony of what black metal should remain: fast, cold, raw and hard-hitting. a must-have classic for all fans of the Norwegian scene from the 90s.
Comes in a 2 part CD digipack with an 8 pages booklet and a picture printed CD
2023 Drakkar Productions release

Digipak CD with 12 pages booklet

Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).

Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.

A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.

ISON new album! Gatefold sleeve, double LP in Black vinyl 

Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.

Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.

Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.

Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.