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"Àmor" is a pure rush of passion and irresistibly sexy! The burning pulse of the sun's nuclear fire scorching the desert. The smooth sliding of glistening skin over other skin in a throbbing rhythm. The swelling hum of motion in a mass of bodies. KLIMT 1918 capture many such fleeting moments in time and preserve them through cascading walls of sound and the elegant drone of guitars. The Italian's fifth album, "Àmor", represents a climax of their acclaimed previous work into a most melancholic, sensual, and majestic collection of captivating music. "Àmor" was born out of silence, solitude and social distancing. Yet as a deliberate artistic counterpoint, KLIMT 1918 decided to have all their new songs revolve around carnality, ardour, physical contact between bodies, and the urgent, compelling feelings that keep people awake at night. As a crowning glory, KLIMT 1918 were artistically knighted when the legendary Tony Doogan accepted to mix 'Àmor' and Frank Arkwright (Abbey Road Studios) added his mastering genius. Both renowned engineers have previously joined forces to collaborate with such acts as MOGWAI and SNOW PATROL, and their portfolios also include such greats as JOY DIVISION, COLDPLAY, and OASIS among many others. Although it took plenty of time, diligence, and energy, "Àmor" proves with every second that the album is more than worth this long wait. KLIMT 1918 take their raw emotionality expressed in dynamic, glowing soundscapes rather than fixed structures and calculated hooks to another peak!

Digipack CD

Thill Smitts Terror”continue where “Von Rov Shelter”, the band's critically acclaimed 2009 album, left off, delving more and more deeply into the disturbing world that SLAGMAUR conjures up by combining modern and classical instruments with children's nursery rhymes and fairy tales. It is a world where classically constructed melodies blend seamlessly with aggressive black metal to create a nightmare scenario straight from the pit of hell. Art, as well as music, is an integral part of the whole that is SLAGMAUR - from the sinister masks and costumes the band wears on stage, to the disturbing images used in the artwork for the albums.

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1. _ 01:31
2. Drako Gigant 05:15
3. Fantom Eks Speriment 05:21
4. Lange Knivers Natt 05:30
5. Nattens Sorte Ord 01:58
6. Klokker Tramp 07:03
7. Ramaskrik 06:55

Re-release of their 2016 Mini CD + one exclusive bonus track from their "Okeanos" recordings 1. Innenschatten

Reissue on white vinyl, gatefold cover with printed inner sleeves.

The stronger the spiritual pain, the worse the physical damage. Suppurating plagues can be carved and cleansed: spiritual wounds are impossible to sterilize. Mental germs grow, mutate, infect, colonize and suppress the once healthy host. "Il giorno dei campanelli", CANAAN's eight album, is a diary of mental putrefaction. No antibiotic can work here: these 14 songs will leave no soul unharmed.

2-Folder Digisleeve + booklet + inner sleeve

Messa play obscure and evoking doom with deliciously haunting female vocals, influenced by Pentagram, Bellwitch, Windhand, Jex Thoth, Sabbath Assembly, Bathory. Their debut album titled "Belfry" mix dark ambient drones with vintage heavy occult doom and mesmerizing female vocals that will drive you through a scarlet velvet trip.

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Messa play evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70’s fuzz guitars combine to conjure a sound that is all of their own. With influences as diverse as Windhand, Bohren Und Der Club Of Gore, The Devil’s Blood, Jex Thoth, Angelo Badalamenti, Bellwitch, Urfaust, John Coltrane and Aluk Todolo, the band has moved from the droning occult doom of their first LP ‘Belfry’ to a new, darker and more atmospheric approach clearly showcased in their new record ‘Feast for Water’, a concept album centered on the introspective, symbolic and ritual features of the liquid element.

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Following a fourteen-year slumber, cult Swedish industrial black metal misanthropes, DIABOLICUM, now featuring the diseased vocal conjurings of Shining’s Niklas Kvarforth, return with the tormented tones of third full-length, Ia Pazuzu (The Abyss Of The Shadows). Spewing forth nine merciless tracks of sonic scorn, and featuring guest appearances by Malfeitor Fabban (Aborym) and Vargher (Naglfar, Bewitched, Ancient Wisdom), with cryptic artwork by Maxime Taccardi, Ia Pazuzu (The Abyss Of The Shadows) is anguished, devouring and destined to become a new milestone within the industrial black metal community.