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yellow/black marble vinyl with oxblood splatter

Conceptually, Eldamar used to be inspired by J.R.R Tolkien, Heathenism, Elven Magic and Nature. On the new album, however, this focus has shifted more towards existential themes and nonphysical experiences. 

The goal of Eldamar's art has always been to help listeners to open up to the music in an emotional way and combine the experience with their imagination. To that end, the combination of aural and visual impressions was and still is important. Where in the past Eldamar used the gorgeous nature paintings of Albert Bierstadt to help the listener to enter dream-like lands, the new album, which is part one of a two part work, uses a magnificent painting by the Polish master of surreal art Mariusz Lewandowski to give the listener some visual cues as to what this album is about. As usual, the music and art are meant to speak for themselves, and listeners are encouraged to enter into their own spiritual journeys while listening to the new album.

Limited editions 199 copies on blue/black galaxy vinyl,  gatefold cover and download.  

Bloodbark is a project of unknown origin made by an unknown number of people embracing that nature is the creator, storyteller and the artist behind it all. This idea sprouted with the 2018’s album Bonebranches, where no human presence tarnished the art. The human aspect remained hidden, covered by snow while nature and emotion sang across beautiful landscapes and whispered verses with melodies to every listener, so it welcomed them into its utterly cold embrace of winter to lull into a cozy and familiar slumber.

Epic Black Metal in the vein of Summoning! A 71 min glimpse into Steven Erikson's "Malazan Book of the Fallen", "Echoes of Battle" proves the perfect Black Metal interpretation of a work that is peerless in scope and equals J.R.R. Tolkien and G.R.R. Martin in brilliance. Caladan Brood are for Erikson's Malaz what Summoning are for Tolkien's Middle Earth. Epic Black Metal can not be performed better than this!

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The impossible has become possible...AQUILUS returns!

The enigmatic, atmospheric metal band became one of the most whispered-about secrets in the metal scene, following the quiet release of their debut album “Griseus” in 2011.

A 2013 vinyl release rocketed the band into public consciousness, and “Griseus” slowly amassed a following of devoted fans, climbing its way to being voted #1 album of the decade on MetalStorm.

For eight years, an epic, sophomore masterwork was-in-the-making. So legendary, in fact, that fans hardly believe it exists.

The opus grew so furiously, the decision was ultimately made to split the work into two parts, culminating with the release of the first album – “Bellum I”.

“Bellum I” showcases the band's rare amalgam of authentic classical, European folk, and black metal influences, alongside Aquilus's unique multi-instrumentation and compositional complexity.

Metal influences, ranging from early METALLICA to the early works of SOLEFALD, OPETH, and KATATONIA, combine with the classical romanticism of RACHMANINOV and CHOPIN.

“Bellum I” also continues Aquilus's signature blend of acoustic elements with an assortment of acoustic guitars and pianos to violins, mandolas, fipple flutes, balalaika, gusli, and bowed psaltery – recalling the aurae and dexterity of emotive film composers BERNARD HERRMANN and THOMAS NEWMAN.

Hailing from Melbourne, Australia, Aquilus's music is composed and produced by one person – Horace Rosenqvist – recorded in collaboration with session musicians. The amount of detail poured into each note is immeasurable. Years of dedication were undertaken to produce the finest works.

“Bellum I” is a stunning tribute to perfection. A testament to the beauty and chaos of creation.

Three years may've passed since that recording, but MALICIOUS have only become more unhinged in the meantime. Witness the four-song Merciless Storm. Tauntingly titled once again, Merciless Storm picks up right where Deranged Hexes left off, but sees the Finns following a natural progression in all aspects. With a runtime of 11 minutes, it's mercilessly / mercifully short and sweet, upping the violence and aggression to levels impossibly beyond that nuclear-powered debut album. And yet, the songwriting remains stout and streamlined and perhaps minutely more detailed and even palatably "refined." If anything, Merciless Storm possesses a clearer soundfield, but that only amplifies the savagery to an insane degree, especially the '80s Slayer-style 

Comes in a 4-panel Digisleeve with glossy cover; no booklet, no lyrics.
Track durations do not appear on the release.

Recorded live at Ancienne Belique,Brussels BE

Tracks 1-8 recorded and mixed live at AB Brussels BE and De Kreun, Kortyrijk BE
Mastered at Angström Studio Brussels, BE.

"Het Dorp" recorded at Jetson / CCR Studio, Marke / Zulte BE
"Razoreater" recorded at Hearse Studio, Heule BE
Mixed and mastered by Chris Common, TX US

Consouling Sounds 2016
Made in Belgium

Track 4 "Parabol" originally appears on "Lateralus".
Track 10 "Het Dorp" originally appears on "De Zotte Morgen".

Jewelcase in a slipcase.

As the Masses amassed, it became clear Amenra was a serious contender within the post/sludge/doom genre. With this reissue of the long out of print debut we take a step back, and celebrate the album that started the procession now exactly a decade ago. "Mass I", rooted in the (post)hardcore and noise scene, reveals an ambitious outfit that are set to preach their distinctive blurring of genres and musical conventions. The original recordings' brilliance is finally revealed by Billy Anderson's (Eyehategod, Melvins, Neurosis, Swans) tremendous remastering. "Mass I" never sounded this full and powerful. If you want to know what Amenra is all about, start praying with us from the beginning.

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