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Back in stock - Extreme Metal and Dark music
KAWIR formed in the Greek black metal scene of the 90s and have been exploring Greek mythology, literature, and mysteries for 30 years - and no other band really captures the essence of those stories and times the same way.
With ‘Kydoimos’ KAWIR has reached an ambitious point they've been working towards for a couple of records now.
An essential album for fans of Rotting Christ, Necromantia, Varathron, etc!
Comes with double sided inner sleeve on 220gsm carton housed in a 300 gsm carton outer sleeve.
Repress with original cover art, double sided insert and A2 poster. Comes with 2 Kreator covers as bonus tracks: "Tormentor" and "Flag of Hate/Pleasure to Kill".
"... 1996's Triarchy of the Lost Lovers is RC's triumph and masterpiece. It is among the best extreme metal albums every made. Each song strikes a different chord inside the listener, making each song unique in delivery, yet the songs reign in the realm of the album. The drums especially the snare drum hit with a clear resonance. Though the guitars are low tuned for the Death/Black metal genre, they emit sound clearly and in the perfect space inside the open air of the album's production. At times Sakis nearly whispers and can be heard just as well as the loudest guitar. Though Rotting Christ are unquestionably an Extreme Metal group, playing the heaviest on Triarchy is not a primary goal, and hardly a secondary goal. The combination of distinctly heard guitar riffs that have the perfect tone and overdrive and the impeccable melody and sublime guitar harmony throughout makes the album pace at a nearly enchanting speed. Triarchy is one of the best extreme metal albums, and makes the case that this extreme genre of rock can not only be uncompromisingly heavy and brutal, but also uncompromisingly beautiful and artistic...."
Deluxe 8-panel digipack. The classic masterpiece and second Aeternus album of black dark Norwegian metal finally re-issued! Heavily rooted in the classic black metal scene from Bergen, Norway, Aeternus first released their second album "...And so the night became" in 1998. 22 years later the long overdue re-issue is finally presented with the original cover art!
"... 1996's Triarchy of the Lost Lovers is RC's triumph and masterpiece. It is among the best extreme metal albums every made. Each song strikes a different chord inside the listener, making each song unique in delivery, yet the songs reign in the realm of the album. The drums especially the snare drum hit with a clear resonance. Though the guitars are low tuned for the Death/Black metal genre, they emit sound clearly and in the perfect space inside the open air of the album's production. At times Sakis nearly whispers and can be heard just as well as the loudest guitar. Though Rotting Christ are unquestionably an Extreme Metal group, playing the heaviest on Triarchy is not a primary goal, and hardly a secondary goal. The combination of distinctly heard guitar riffs that have the perfect tone and overdrive and the impeccable melody and sublime guitar harmony throughout makes the album pace at a nearly enchanting speed. Triarchy is one of the best extreme metal albums, and makes the case that this extreme genre of rock can not only be uncompromisingly heavy and brutal, but also uncompromisingly beautiful and artistic...."
The 1995 Swedish black metal classic re-issued with original cover art, old images and including the 1994 demo "North Storms of the Bestial Goatsign" as bonus tracks!
Jewel case cd with clear tray, 8-page booklet printed on 135gsm art paper.
Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.
Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.
Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.
While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.
