CD

This CD release compiled those three tapes "Come Here With Us..." 1990, "Domine a Morte...Libera Me" 1992, "Promo xxx '95" and 6 never before released songs from a 1991 rehearsal tape. CD featuring 12 pages booklet with rare photos and interview with founding members.

Grotesque and rabid metal of death, hailing from Palermo's catacombs, for all the punx and metal necrophiliacs out there on the cruel earth. This CD collects all the productions of our heroes, the 2020 demo, the 2021 Ep and the pieces from the 2022 split. 
Ffo: Benediction, Autopsy, Abscess, Bolt Thrower
 

Pathological goregrind collection with all disgusting productions from 2010 to 2021: split CD’s, tapes, 7”, cdr, unreleased demo and many more.

93 traks for a massive collection of repugnant goregrind in one sick mix between Last Days of Humanity and Lymphatic Phlegm.
 

"Auf zerfetzten Schwingen" marks the return of the melancholic dark metal signature Autumnblaze sound after the dreamy and more ethereal "Welkin Shores Burning". With songs like "Die Unseligen", "Niedertracht" or "Zerfetzt", Autumnblaze prove that they still can combine darkest metal and melancholic harmonies to an unique sound.

“Embers of the Fallen” is the highly anticipated second full-length album from Belgian black metal band DOLCHSTOSS, known for their fierce dedication to the destruction and devastation of World War I.

Following “War is Eternal”, The music on this new offering is a powerful assault of fast tempo riffs, blasting drums and epic guitar leads which will sometimes lead you into a military march. The vocals are raw and aggressive, adding to the overall atmosphere of a Sturmpanzerwagen war machine crushing through the battlefield.

Tracks like “MG08”, “Ruins of Rowel” and “Forced March” will certainly delight fans of Marduk, Funeral Mist, and Kanonenfieber who will appreciate the ferocity and intensity of this album.

This CD version comes in a 3-part Digipack and includes a 12 pages booklet and a picture printed CD.

As with its predecessor, KANONENFIEBER’s second album “Die Urkatastrophe” is based on factual reports, letters and original documents from the surviving and deceased soldiers from the First World War. Its intent is not to glorify, because there is no glory in war. Everyone loses – their lives, their souls, their humanity. War is often depicted in an abstract way, through numbers and statistics. KANONENFIEBER aim to tell the stories of the nameless and the faceless in order to allow for a small glimpse of their personal horrors, and thereby the larger scale horror for mankind as a whole. KANONENFIEBER’s black and death metal isn’t meant to solely entertain, but also educate and raise awareness against the glorification of war. “Die Urkatastrophe” was recorded with Kristian Kohle (Powerwolf, Aborted, Benighted and many more) at Kohlekeller Studio, and features guitarist Maik Weichert of HEAVEN SHALL BURN on the song “Waffenbrüder”

Repress 2023

With an inception going back to 2019, Defacement rapidly gained momentum within the underground realms with two full-length records marked by an intense and experimental take on death and black metal, Deviant (2019) and self-titled Defacement (2021). Three long years after their latest output, the international band flares its cryptic head yet again with an epic tome of twisted and gnarly emanations, an immersive pathway into the void entitled Duality.

Defacement's third studio record is challenging and confrontational in its invocation of primal forces lying dormant in the world below. Inspired by the unfathomable, shadowy corners of human existence, Defacement hatches a penetrating sonic journey, unpredictable in its own dynamic, ever-changing form. Intricate and complex riffing lay as a basis for dexterous melodies, making Duality the most complete and mature among the band’s outputs. The cold and experimental interludes entangled between tracks, serve as halting moments that further the conceptuality of Duality and broaden the gist of the main songs.

The tremendous rhythmic section, a complex and throbbing pulse of drumming fierceness and serpentine bass playing, is superiorly captured by the dynamic and organic production, a vigorous sound that evokes both an oppressive aura and wistful solemnity. Gabriele Gramaglia (Cosmic Putrefaction, Vertebra Atlantis) and Simon Da Silva (Aversio Humanitatis) took care respectively of the mixing and mastering, finely crafting the details of Defacement’s new album.