CD

DOUBLE CD

1000 Limited Edition - Double CD - Deluxe Edition
Special deluxe packaging: triple gatefold 7” format (18 cm x 18 cm)

“Never Arrive, Never Return” marks a return to Cadaverous Condition‘s ferocious death metal roots. The album is a relentless assault on the senses, featuring a mix of epic tracks alongside haunting half-ballads, brutal eruptions and groove-laden songs interwoven with the band’s signature cryptic lyrics, all delivered with crisp production.
Formed in Austria during the early 90s, Cadaverous Condition carved a unique path in extreme metal. While their vocals remained rooted in death metal, they experimented with diverse influences, covering artists like The Sisters of Mercy and collaborating with acts like Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession) and Herr Lounge Corps. They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland. Despite these explorations, Cadaverous Condition never strayed from their core: extreme metal with a distinct and reflective style. They return in 2024 with “Never Arrive, Never Return“, a fitting title for a band known for their relentless sonic journey.

For those who know and truly understand actual underground black metal, Mons Veneris require no introduction. For over 20 years now, this shadowy and insanely prolific Portuguese cabal have pursued a uniquely vile vision with an unquenchable thirst. From hammering primitivism to medieval melancholy, volcanic drone to chaotic oblivion, nods to the French Black Legions to frequencies far outside of metal, there's never any guarantee of how Mons Veneris' vision will manifest itself - only that they'll explore a darkness few have the constitution to tread.

Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss! 

REAL TITLE П​о​р​ы​в​а​м С​е​р​д​е​ц В Л​е​д​я​н​у​ю М​е​ч​т​у

This project continues its path in bringing this specific Slavic black metal concept, now devoid of synthesisers that were present in Gerzolth's earlier works. Such absence pushes the guitars and vocals to the forefront, resulting in a harsher and more aggressive black metal experience. This shift creates a sense of untamed ferocity, characteristic of this genre's untamed side.

Gerzolth's aesthetic draws clear influence from the legendary BlazeBirth Hall scene, known for its frigid and bleak atmospheres. The album art also bears a striking resemblance to the cover of Krahnholm's latest release, further solidifying their connection to this style of black metal."

Set in a world teetering on the brink of collapse, "Tidal Passages" is a deeply emotional Album that explores the fragility of human connections amidst global disaster

Limited Collector's Edition of 999 copies in 4-panel digipack.

This EP compiles the two songs "Ixion" & "Phantasmagoria" that were previously only available from Faidra's Bandcamp site, as well as the new song "Dies Irae", together for the first time on physical format.

Reissue of the sold out CD from 2018 alongside the band's second album. Comes in jewel case with 8-page booklet.

Bloodbark is an Epic/Atmospheric Black Metal project of unknown origin and should appeal to fans of Caladan Brood and similar bands.
 

Collector's Edition in 8-panel Digipack, limited to 999 copies.

Spere was founded in 2023 as a two-piece project by members of the German black metal bands Horn and Halphas. Designed to be performed with only guitar, vocals, and drums, the band focuses on energetic, rhythmic structures and groove, combined with eerie arpeggios. This approach creates a dynamic and atmospheric soundscape, made more robust by varied drum fills and layered guitar effects transported via both guitar and bass amps.

The debut album "Eight - led to the beam" revolves around the narrative of eight fictional characters who became obsolete and met their end. Each song explores the stories of these characters, figures of will, faith, energy, or even those with despicable natures, who overstayed their welcome in this world. The band embraces an archaic visual style, centered around bronze hues, oil lamps, candlelight, and metallic artifacts, reflecting the themes of the album

Prior to their legendary Death/Thrash masterpiece, MERCILESS cut their teeth recording two demos, Behind the Black Door and Realm of the Dark. Released in 1987 und 1988 respectively, both are naturally rather raw affairs but what they may lack in proficiency and sound quality, is made up for by unbridled ferocity and MERCILESS’ youthful enthusiasm.

These two demos are important historical relics and a peephole into times long past by one of Sweden’s pioneering bands that alongside e.g. OBSCURITY or MORBID paved the way for the Swedish (and beyond) Black- and Death Metal scene.

Jewel-case CD with 24-page booklet including an in-depth interview with Erik Wallin and many never seen before pictures.

Released with a 12-page booklet with liner notes containing the band's history.

Tracks 1-6 originally appeared on the "Cerebral Cessation" demo (1989). Recorded at Studio Ljudbygget in April 1989.
Tracks 7-10 originally appeared on the "Veiled in the Mists of Mystery" demo (1989). Recorded at Studio Ljudbygget in November 1989.
Tracks 11-12 are from an unreleased 7" single (1990). Recorded at Sunlight Studio in April 1990.
Track 13 originally appeared on the "Hymns of the Dead 2" compilation (1989). This track was recorded at Studio Ljudbygget in April 1989.

Tracks 1-10 were transferred from the original 1/4" master tapes.
Tracks 11-12 were transferred from the original DAT master tape.
Track 13 was transferred from beneath a slab of wet stone somewhere outside Täby Kyrkby.