CD

Comatose Music and Logic of Denial proudly presents the all new full length ‘Aftermath’. This is the third album by these Italian miscreants, further expanding the sonic exploration crafted in their previous 2013 effort ‘Atonement’ with a more diverse, brutal and complex approach. Conceived as a three chapter concept album about the various stages during the grieving process, ‘Aftermath’ contains twelve vicious tracks which conceptually probe the resentment consistent with the incessant and infamous vilification of human vulnerability. Fast and technical brutal death metal with guttural vocals and superb production.  

Lóstregos was brought into the light in 2014 with the intention of promoting awareness and keeping alive the flame of Galician Folklore, its tales and the hidden knowledge that lies within them, all under the banner of black metal mixed with epic features with a intimate approach that drags the listener to landscapes where the ancient ones and their cult remains unbroken and pristine.
Their third record “Nai” features a mystic cover artwork by David Thierré. “Nai” is defined by the band as a singular point of balance between light and darkness. It’s an introspective and conceptual journey across the primordial elements led by the endless coil, without forgetting about the main focus of the band on Galician Folklore.

Hellish God was born in 2015 by the insane minds of Luigi Contenti and Michele Di Ioia.
Their intent was simple: to play Satanic Death Metal in vein of bands as Deicide, Diabolic, Krisiun and Rebaelliun.
Tya (Antropofagus, Mindful Of Pripyat) joined the band as frontman and lead vocalist in 2016 and the band recorded their debut EP called “Impure Spiritual Forces” four songs of devastating and savage death metal featuring Fabiano Penna of Rebaelliun.
In 2017 Stefano Malgaretti (ex-Imposer – ex-Voids Of Vomit) joined forces with the band as bass player and backing vocals. In January 2018 the band signed for the rising Everlasting Spew Records and released their first full album called “The Evil Emanations”, recorded and mixed by Carlo Altobelli at Toxic Basement Studio. The record was a collection of ten tracks of pure and devastating death metal featuring Rangel Arroyo from brazilian war machine Abhorrence.
In 2020 the band announced the split, but returned in 2024 with the original lineup duo ready to release their second full, again recorded at Toxic Basement Studio. This time the tracks are eight hymns of wrathful and chaotic death metal with a featuring of Brian Malone, former guitarist of Diabolic. 

Frostmoon Eclipse, one of the oldest Black Metal entities from Italy are celebrating their 30th anniversary in 2024 and what better way to celebrate three decades of darkness then to relive the days of old? For this special occasion we excavated their back catalogue and breathe new life into their first four full length albums through a remastering of the old works and repacking each album in brand new artwork, to be released each on Vinyl for the very first time and together in an exclusive 4disc CD boxset.

Guitarists Magnus Danneblad and Anders Karlsson, bass player Magnus Van Wassenaar and drummer Tommy Johansson started out as Purple Haze in Linköping in 1981. When singer Christer Göransson joined towards the end of the year, they soon changed their name to Genocide and supported local metal heroes Axewitch. A final name change was to follow: In April 1983 Mindless Sinner recorded a five-track demo entitled »Master Of Evil«. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album. This was followed by the first full-length effort »Turn On The Power« in 1986. The band then signed to Delta Records, suffered several line-up changes and continued as Mindless, finally calling it quits in 1990 after having released the »Missing Pieces« album.

Guitarists Magnus Danneblad and Anders Karlsson, bass player Magnus Van Wassenaar and drummer Tommy Johansson started out as Purple Haze in Linköping in 1981. When singer Christer Göransson joined towards the end of the year, they soon changed their name to Genocide and supported local metal heroes Axewitch. A final name change was to follow: In April 1983 Mindless Sinner recorded a five-track demo entitled »Master Of Evil«. This attracted Swedish label Fingerprint Records, and they in turn released the NWOBHM-inspired material as a mini-album. This was followed by the first full-length effort »Turn On The Power« in 1986. The band then signed to Delta Records, suffered several line-up changes and continued as Mindless, finally calling it quits in 1990 after having released the »Missing Pieces« album.

Brand new 32-minutes mini album from North, one of the longest running black metal bands in Poland, belonging with Behemoth, Graveland and Sacrilegium to the first wave of Polish Black Metal of early 90's.

Jewelcase CD with 12-page booklet.

"We Are, We Remain…" serves as a potent reintroduction for North. This 32-minutes long EP, featuring a mix of brand new tracks, a re-recorded classic "Hymn to Winter" (from debut 1992 demo) and a Bathory cover, showcases the band's signature sound – a potent blend of pagan black metal and death metal fury, delivered with powerful Polish lyrics. Thematically, the EP delves into pagan lore and history, drawing inspiration from the works of 19th-century Polish poet Roman Zmorski, a figurehead of the "black romanticism" movement.
 

Six years following the release of their acclaimed self-titled EP via Osmose, the Polish black-death band Untervoid are back with their long-awaited debut album "Parasite".

“Parasite” is a concept album that explores the multifaceted role of humanity as a parasitic force on both society and the planet. From the suffocating pressures of social constructs to the looming threat of ecological collapse, “Parasite” delves into the anxieties of our time. Rooted in the shadows of the Cold War, the album confronts the spectre of inevitable destruction, painting a bleak yet compelling portrait of a world on the brink, echoing Nevil Shute's “On the Beach”.

Formed in 2015 by Destroyer (Redemptor, ex-Hate, ex-Kriegsmaschine) and Adam Sierżęga (Armagedon, Azarath (live)), the band appeared, with a full concert line-up, at the prestigious, completely sold-out Merry Christless concert series following the release of their debut EP. Untervoid have steadily built a reputation for their intense and uncompromising sound, finally crafting a sonic behemoth - “Parasite”. In 2024 Haldor Grunberg (Thaw, Mentor) joined the band as a third member.

Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.

The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.

Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.

 tal Carter