CD

Limited edition foilprinted 4 panel digipak.

This ethereal industrial album deals with the classic concepts of dreamland and death as different counties of the same realm and a sources of inspiration and relief of the pains and struggles of the material world. It also touches on Finnish mythological stories, dreamlike visions of creating and shaping the world. Musically somewhere between "ethereal" with the synth washes and vocals and "ambient-industrial" styles, with slight touches with traditional instruments like percussions, piano, glockenspiel, kantele and tenor recorder. There's traces of some very inspirational and legendary bands that can most likely be heard. Like dazy dreaminess and hypnotic discrepancy between the repetitiviness and chaotic improvisation of Coil, calm mythological old world wisdom of Dead Can Dance, and some splinters of the majestic psychedelia of Popol Vuh to mention the most important ones.

Limited Edition Digipak CD incl. 8 page booklet. Artwork by Joan Llopis Doménech.

“Alkai” is the fourth album of Lithuanian ritualistic dark-folk project Vėlių Namai. It serves as an open invitation to experience the mystical world of the Baltics - to feel the sacredness of its ancient past.

Draped in a sonic tapestry woven from a great variety of musical traditions, the listener is sent off on a hypnotic flight of the imagination. Ceremonial chanting and droning folk parts give way to a kind of otherworldly, trance-inducing techno performed with mostly organic instruments. As with the radically different music styles, digital and analogue sounds are fused together seamlessly. Pulsating minimalism merges with vocals and shamanic percussion to create a hypnotic soundscape coated by mesmerizing melodies played on guitars, lutes, and ethnic string instruments such as the Turkish baglama, Lithuanian kanklės and Latvian giga. This ambitious concoction boils down to an exquisite brew infused in equal parts with Dead Can Dance, Wardruna, Sigur Ros, and various electronic music.

RÄUM was founded in 2020 in Liège - Belgium. The project emerged during the pandemic and offers a journey through the hopes, vices, fears and the decadence of human kind.
It reveals the vacuity and the auto-destructive nature of the human soul, leading to an endless movement of rise and fall. Like a demon, it needs to burn our world to the ground to reborn again.
Expressing a raw and multi-influenced Post Black Metal, the band creates desolate and melancolic atmospheres through oppresive and sometimes chaotic sonic wave.

11-Year Anniversary Edition of the since long unavailable EP

includes 4 bonus tracks and newly written essay on the featured songs by Kvarforth
mastered to perfection by Andy La Rocque in December 2022, and clad in refined artwork by Tuomas Tahvanainen and Nucleart Design.

Limited to 1000 copies

Collector's Edition in 4-panel digipack with 12-page booklet, limited to 500 copies.

Skratte was founded as a solo-project by Hevnbrann in 2012 in order to materialize his musical vision. Inspired by the coldness and brutality of Norwegian Black Metal as well as the characteristic versatility and harmonious playing of the French, Skratte combines the most diverse elements and motives in its distinct sounds.

While “Akt I” still had more of a classic, melodic Black Metal orientation with Folk elements, Hevnbrann allows “Akt II” to rise up against the boundaries of conventional Folk Black Metal, often crossing them and merging furious Black Metal with epic male vocals, Gothic Rock reminiscences, monumental acoustic arrangements and melancholic violins into a totally unique soundscape that reaches out to listeners and then draws them in relentlessly.

Thematically, “Akt II” gives a voice to the nature spirits and accompanies them on an emotional journey that takes them ever onwards, struggling and striving against the turmoil of today’s world.

Collector's Edition in Digipack with 12-page fold-out booklet with the lyrics on one side and a map of the territory on the other, limited to 500 copies.

While “Chapter One” told about a group of adventurers and their travel to distant Valdura, “Chapter Two” focuses on the arrival of Aryun and his companions in that mythical realm. Unexpectedly drawn into a long simmering conflict between the corrupt government and the resistance in Valdura’s capital Tordal, they meet the female resistance leader Tabe who informs them of the plight they just encountered.

For songwriter Erech the six songs on “Chapter Two” are the logical continuation of the music on the debut, with perhaps a bit less overall focus on straightforward melodic Black Metal and instead playing with influences from Power Metal and atmospheric Black Metal sprinkled with classic Folk songwriting. To that end, and more often than on the debut, the throaty, intoxicating voice of Circe takes center stage besides the raspy Black Metal vocals of Erech, and there she truly shines.

Nietzsche's Zarathustra created the mountain beneath him where he could only teach himself. He went down among the people in this infinite joy. But still he returned and plunged into the Gogolian depths of desperation. He left his work to the world, just as Gogol let the dead souls be lost among the flames. Joy and loneliness were both present on the mountain, where Zarathustra finally found nothing but himself.

The creative centers of Obsequiae and Inexorum come together as one in the preeminent new force known as Majesties. To those familiar with the individual pieces that make up Majesties, the sound on debut album ‘Vast Reaches Unclaimed’ will be another striking addition to their respective oeuvres, recalling the glorious days of Wrong Again and No Fashion Records.

Evoking a time when Gothenburg was starting to unseat Stockholm as the unimpeachable city for Swedish Death Metal in the mind of the international metal scene, Majesties have that intrinsic sense of Death Metal’s rabid intensity and the effortlessly satisfying melodic ability that made albums like ‘The Jester Race’ and its immediate forbears instant classics. The mix of major key melodies and twin guitar harmonies snaking through every track ornament the vigorous riff eruptions and anguished vocals in a sheen of gleaming brilliance that proves an exhilarating triumph to behold.

Without a hint of the corruption the style experienced in a post ‘Slaughter of the Soul’ world, ‘Vast Reaches Unclaimed’ exists as a fervent reminder of what was and what again shall be. Majesties are re-animating the corpse of the true Melodic Death Metal style that both divided and invigorated the Death Metal scene of the mid 1990s and bring it into 2023 like it never left, sounding as novel and thrilling as ever

An immense compilation spanning over 2 hours and originally released by Tabu Recordings on CD in 2004. "Valfar, Ein Windir'' was released to honour Valfar's unfortunate passing in early 2004 and features covers, live recordings, unreleased tracks and re-recordings.

Deathheadz is honoured to bring this monumental collection of songs out of the darkness and into the light for one more time on Double CD format housed in a printed Slipcase.

third press .................... Jewelcase edition 03/2023

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.