CD

The colour of every FEN album points towards its lyrical and musical content. For the first time in their career, the East Anglian post-black metal trio has used the colour red on the cover artwork of their seventh full-length "Monuments to Absence". FEN describe the album as an expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction. This is reflected in the decidedly harsh and black sound of "Monuments to Absence", which is undoubtedly FEN's most extreme recording to date, even though there are still moments of atmospheric glory, spatial clean sections, heaving doom, and full-blown riffs, which augment the furious expression of rage. FEN took their name from the Fens of East Anglia when the trio formed in 2006. These desolate and bleak landscapes have left a deep mark in the post-black metal sound, which the band pioneered in the UK when the English scene revitalised in the wake of forerunners FOREFATHER with bands such as FEN, WINTERFYLLETH, and WODENSTHRONE coming to the fore. When FEN released their debut full-length "The Malediction Fields" (2009), the band made good on the huge promise of their previous EP "Ancient Sorrow" (2007) by delivering a first album that already combined the black metal tradition elegantly with a dedicated atmospheric twist and gentle experimentation beyond the perceived narrow confines of their genre. With each following full-length, from "Epoch" (2011), via "Dustwalker" (2012), "Carrion Skies" (2014), "Winter" (2017) to "The Dead Light" (2019), FEN have expanded both their musical range and following, while also perfecting their recognisable and unmistakable sound. "Monuments to Absence" marks FEN's welcome return to a dark and fierce sound.

New double live album including 2x studio bonus tracks

Originally released as a picture disc only “Totentanz” is re-issued via Back On Black on all formats. Totentanz (Dance Of The Dead) was recorded live on December 12th, Essen Germania 2001.

Jewelcase

Reissue of the band's fantastic debut album from 1999 with original artwork and revised layout including all lyrics, extensive liner notes and many photos from the early days.

The CD comes as Collector's Edition in 4-panel digipack with 8-page booklet, limited to 500 copies, and includes the "Rabenflug" demo from 1996 as exclusive bonus tracks.

"Reign of Tempests" is a genuine classic of German Melodic/Symphonic Black Metal and an absolute must have for all fans of this genre. Pure 90s nostalgia!!

Both album and demo were meticulously restored and remastered for optimal sound on CD as well as vinyl by Patrick W. Engel at Temple of Disharmony in 2022.

Re-released with kind permission from DIES ATER and now available for the first time ever on vinyl and as DigiCD with the original artwork!

4the pressing, now in digipack CD

Let the moonclad twilight veil the forests once again!

Moonlight Sorcery is a Finnish black metal trio formed in early 2018. The band’s black metal is a symphonic and melodic variety by nature. Inspired by many black metal classics as well as classic heavy metal and melodic death metal, the band indeed has a huge palette of influences, which is directly reflected in the versatility of the song material.

Piercing Through the Frozen Eternity, the band first EP, was worked on as the icy winds blew and winter did its magic. In all the peace and quiet. The silver-saturated nights of the moon rushed to the melodies that breathe sorrow and the eternal majesty of the cold stars.

Comes in digipak.
It comes with a 12-page booklet.
Track #13 is a CD only bonus track.

Vampyroteuthis Infernalis is the last of its kind
The encounter with the creepiest of creatures
The descent into the abyssal void
Vampyroteuthis Infernalis is your most anchored fear
Your deepest unconscious trauma
Your scariest nightmare
The unknown

Creepy, oppressive black metal, built on a muffled, suffocating sound, distant horrifying screams and furious drumming, will helplessly drag you down into the most hostile place on earth: the abyss.

- Digipak CD (7" cover size) Of 350gsm Stock Paper With Glued In Black CD-Tray, Scratch-resistant
Matt Lamination
- 20 Page Booklet, 168x168 mm, Full-color Printed On 150gsm Art Paper
- 336x336 mm One Sided Full-color Poster, Printed On 150gsm Art Paper
- All Assembled Into A Plastic Overbag
- Limited To 1000 Copies
- Track 8 Is A Bonus Song For The Japanese Vinyl And This CD Edition

 Limited to 200 copies.
• Deluxe 4-Panel Digipak, 4-page booklet with lyrics.

THECODONTION and VESSEL OF INIQUITY join forces in a conceptual split release to tell us about the Permian-Triassic extinction event (commonly known as "The Great Dying"), and life emerging anew afterwards.. THECODONTION's side explores two different creatures which lived after that catastrophic occurrence, thus during the Triassic period: Thecodontosarus antiquus was a an ancestral relative to sauropods; Procompsognathus triassicus was a small bipedal carnivorous theropod. VESSEL OF INIQUITY's side is sonically destructive, yet it features an evocative and almost poetic description of the inevitable cataclysm that occurred, putting an end to the Permian period and paving the way for new lifeforms during the Triassic. VESSEL OF INIQUITY's sole member A. White is a master in audial annihilation and ultra-violence in the form of furious drumming and non-stop slab of harsh noise, behind which lies a vortex of sprawling riffs. After two masterpieces such as "Vessel of Iniquity" and "Void of Infinite Horror", this entity is certainly not holding back regarding musical extremity.