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Selling CD - Extreme Metal and Dark music
Cult Scandinavian Folk Metal! Otyg’s demo recordings “I Trollskogens Drömmande Mörker” remastered from the original tapes!
“I Trollskogens Drömmande Mörker” is Otyg stepping further into their own world.
More bite, more movement, and more confidence than “Bergtagen”. The songs are tighter, the melodies sharper, and the playing more adventurous, without losing the natural Folk feel.
The violin and female vocals are woven into the music, not sitting on top of it. They add depth and character rather than decoration.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
Cult Scandinavian Folk Metal! Otyg’s demo recordings “Galdersång Till Bergfadern” remastered from the original tapes!
The third and final Otyg demo stands as the last hushed whisper before the band stepped into the light. Recorded in 1997 and never officially released at the time,
“Galdersång Till Bergfadern” laid the foundation for much of what would become “Älvefärd”, several tracks were later re-recorded for that full-length.
Here the melodies are ancient, the rhythms untamed, and the group already locked in on their own language of Scandinavian Folk and Metal. You can hear the roots of violin, flute and lute dancing with guitar and voice, all pushing forward into territory only Otyg could define.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
Cult Scandinavian Folk Metal!
Otyg’s first demo recordings “Bergtagen” remastered from the original tapes!
Before folk Metal turned into a gimmick, Otyg were already there. "Bergtagen" captures the band at its purest. Earthy, melodic, and deeply Scandinavian. No posturing, no plastic bombast. Just strong riffs, breathing rhythms, violin, jaw harp, and Vintersorg sounding raw, urgent, and serious.
Though often called a demo, “Bergtagen” never felt like one. The songs are fully formed, memorable, and played with intent.
This is where Otyg’s spirit truly lives, long before it was softened or streamlined elsewhere.
Now remastered in 2025 by Vintersorg, the re issue finally does justice to this material.
For those who value atmosphere over hype and tradition over trends, “Bergtagen” remains essential listening.
Scandinavian Folk Metal classic remastered and finally available on vinyl for the first time!
“Sagovindars Boning” shows Otyg in a lighter, more playful mood. Folk first, metal second. Medieval tones, acoustic instruments, lute and violin textures, and songs driven by melody and storytelling rather than force. Vintersorg’s clean vocals take center stage here, warm and expressive, joined at times by gentle female harmonies.
There is a natural joy running through this album.
Nature bound lyrics, simple but memorable songs, and moments that drift closer to Folk Rock than Metal. Tracks like “Trollslottet”, “Mossfrun Kölnar”, and “Vilievandring” capture Otyg’s gift for atmosphere and charm, while flashes of humor and unexpected turns keep the record human and alive.
Remastered in 2025, this re issue brings new clarity to the acoustic details and vocals, letting the album breathe as intended.
“Sagovindars Boning” is a record for open ears, curious minds, and those who appreciate Folk Metal with personality and heart.
Scandinavian Folk Metal classic remastered and finally available on vinyl for the first time!
Otyg’s debut full length “Älvefärd” sits at the quiet edge of Metal, where Folk, atmosphere, and melody matter more than weight.
“Älvefärd” is built on restraint and feeling. Clean vocals, violin, mouth harp, sparse guitars, and songs that flow naturally rather than force themselves forward. “Älvefärd” is not an album about brutality or speed. It lives in mood, tradition, and sincerity. Vintersorg and Cia carry the music with strong, passionate vocal performances, grounded in a distinctly Scandinavian tone that feels honest and unpolished. Simple arrangements, but never empty. Every note serves the song.
Remastered in 2025, this re issue enhances the clarity without stripping away the warmth and calm that define the record.
The result is “Älvefärd” as it was always meant to sound. A cornerstone release for fans of Otyg, Vintersorg, and Folk Metal rooted in atmosphere rather than excess.
French black metal entity Haemoth has emerged from the shadows with the announcement of a brand new album “Black Dust”. Known for their uncompromising vision and relentless sonic aggression, the band continues to stand as one of the darker voices within the French black metal underground.
"Upon the Hills of Divination" is Sun Worship’s second album as a duo. In the years since releasing 2019’s "Emanations of Desolation" they managed to hone their already elaborated drums'n'guitar assault to maximize impact. Combining versatile, restless and passionate drumming with detailed, varied and harsh, high-octane riffing there’s hardly a second to rest over the course of its playtime. And yet, there are rare moments of beauty, silence and calm emerging from the sonic abyss Sun Worship drag you into. A sense of wonder and relief contrasting the overall doomed caveman-atmospheres provided. "Upon the Hills of Divination" delivers a stripped-down, fierce and primal – yet sophisticated, confident and well-versed listening experience. If you’re looking for an uncompromising, unpredictable and unique blend of Death, Black and simply no-bullshit Metal, look no further.
3-panel digipak incl. 12-page booklet and embossed logo on cover.
Grim, barbaric, ice-cold blackness from beyond the Arctic Circle.
Murmansk is a Russian city situated north of the Arctic Circle near the Norwegian and Finnish borders. It’s not only notorious for its extremely harsh and long winters but also for being home to one of Russia’s oldest and most significant Black Metal bands – OLD WAINDS.
Arisen from the icy plains in 1995, founder Morok aided by a variety of members throughout the horde’s 30 years of existence managed to produce a remarkable discography. Unaffected by fleeting fashion and with disregard for public exposure three demos, one split album with NAV and five full length albums filled to the brim with barbaric hymns of no-nonsense Black Metal were up to this point spawned under the banner of OLD WAINDS.
Hot on the heels of OLD WAINDS’ latest album Stormheart on Darkness Shall Rise we are extremely thrilled to hereby present long overdue reissues of some glorious titles of their early catalogue.
Often mistakenly considered a second demo tape, Where the Snows are Never Gone…, conceived and released in 1997, is OLD WAINDS’ first full-length album. The eight songs whose titles and lyrics apart from the opener are all written in Cyrillic show the band at their most barbaric and unhinged. Musically following in the footsteps of early Norwegian classics, the material sees these mad savages annihilating everything in their way. Those inhuman vocals must also rank among the most insane and hate-filled ever.
3-panel digipak incl. 12-page booklet and embossed logo on cover.
Grim, barbaric, ice-cold blackness from beyond the Arctic Circle.
Murmansk is a Russian city situated north of the Arctic Circle near the Norwegian and Finnish borders. It’s not only notorious for its extremely harsh and long winters but also for being home to one of Russia’s oldest and most significant Black Metal bands – OLD WAINDS.
Arisen from the icy plains in 1995, founder Morok aided by a variety of members throughout the horde’s 30 years of existence managed to produce a remarkable discography. Unaffected by fleeting fashion and with disregard for public exposure three demos, one split album with NAV and five full length albums filled to the brim with barbaric hymns of no-nonsense Black Metal were up to this point spawned under the banner of OLD WAINDS.
Hot on the heels of OLD WAINDS’ latest album Stormheart on Darkness Shall Rise we are extremely thrilled to hereby present long overdue reissues of some glorious titles of their early catalogue.
Where the Snows are Never Gone… was followed by a 2nd demo before Religion of Spiritual Violence would be unleashed upon the unworthy masses in 2002. Comprising of titles and lyrics entirely in Cyrillic their second album is undoubtedly several steps up in terms of song-writing and production. By and large continuing the trajectory of their previous efforts, OLD WAINDS on Where the Snows are Never Gone… present material more refined and versatile while still retaining the barbaric edge of its predecessors.
