CD

6-panel Digipak CD, incl. 12 pages booklet.

Digipak CD with 12 pages booklet

Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).

Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.

A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.

It is never easy to follow up with another album, especially considering the impact made by the complex wild flight of musical fantasy of "La Masquerade Infernale". ARCTURUS elegantly solved this conundrum by releasing the comparatively more straightforward third full-length, "The Sham Mirrors" in 2002. This does not mean that the Norwegians had lost their appetite for experiments. The vocals by Garm (ULVER) are more soaring and wide-ranging than ever on this release, while main man Steinar "Sverd" Johnsen keeps adding classic prog rock excursions to his repertoire. Yet, the guitars are more often set to a more conventional metal mode on "The Sham Mirrors". Still complex, still avant-garde, ARCTURUS clearly consolidated their compositions on "The Sham Mirrors" and while still using many sonic elements, those rather serve each individual song than try to stick out.

First Album from this Atmospheric Appalachian Black Metal Band.

Digipack with 8 pages Booklet limited to 500 Copies

2021 CD reissue of the 1996 debut of cult classic medieval black metal mastery from Monaco's Godkiller.

A prime example of finely crafted, grandiose yet raw mid-90s Black Metal, the release creatively developed out of 1995's demo, The Warlord (incorporating music from that release, with anti-Christian themes prevalent throughout and an overall concept of the battle between good and evil).

With a cold, stripped down production, plus triumphantly dark yet epic riffs mixed with tortured vocals and highly effective synthesizer melodies, the EP evokes a strong Medieval atmosphere throughout, and shows why The Rebirth of the Middle Ages is still highly regarded as a glorious touch of darkness from the past.

Presented with its original artwork, plus lyrics. Remastered by Godkiller’s Duke Satanaël himself.

REISSUE ON THEIR NEW LABEL OSMOSE

CD in Digipak with 20-page booklet.

An early progenitor of funeral doom, Norway's FUNERAL have returned with ’Praesentialis in Aeternum’, their first new album in nearly a decade! The quartet bring forth a soul-rending offering that is rife with agony and pain, providing a fitting soundtrack for the times. Crushing, mournful passages and soaring lead breaks amplify its sorrowful atmosphere, and are certain to rive the heart, mind, and soul of listeners.

For fans of: EVOKEN, AHAB, MOURNING BELOVETH

Olio Tähtien Takana is one of the artistic expressions of Finnish multi-instrumentalist v-KhaoZ (Vargrav, Druadan Forest and many others), here joined in his artistic endeavour by singer Hellwind Inferion (Desolate Shrine, Sargeist).

Spectral Katharsis is the third album by Olio Tähtien Takana, and is described by Hellwind with a series of key terms: “Cosmic, majestic misanthropy and ultimate devil worship”. Expect fury, rage and patterns of keyboards to surround you and bring you on your journey through the cosmos.

On the musical side of things, v-KhaoZ says: “We wanted something different than our other bands, a more straightforward, yet melodic approach. To this we added a varied singing style and otherworldly, space-like keyboards, to reach the multidimensionality we were aiming for”. Spectral Katharsis will tickle fans of Limbonic Art, Odium and the mid-’90s symphonic black metal scene.

The band's very name is probably the best expression to describe what v.KhaoZ and Hellwind Inferion are trying to accomplish with their collaboration, as Olio Tähtien Takana is Finnish for 'A Creature Beyond the Stars'.

Ikarie is a newborn band formed by experienced musicians from the Mediterranean coast of Spain. They describe themselves as a band developing “the concept we call cosmic existentialism, which is about our freedom and responsibility as a rational species, aware of its insignificant, terrifying and astonishing existence in the universe”.

Cuerpos En Sombra is the first album by Ikarie, a post-metal opus in the vein of Cult Of Luna and Year Of No Light, “a legend of ghosts, of those who emerge from the deepest wounds of the soul. Installed in their universe of silent and silenced scars, inspired by the desert and sea landscapes of the Spanish Levant where we grew up, it delves into the theme of the human being from its limits, where it almost ceases to be, in a world where perhaps it is not allowed to be”.

The album deals with “what happens and doesn't happen when we become an unproductive and annoying absence, showing a series of desolate places and characters as if they had come out of the collective imaginary of the uncomfortable, painful and demented”.

Cuerpos En Sombra is the first chapter of a trilogy in which Ikarie intend to denounce the stigma of being different, the lack of resources in everything related to mental illness and the pathologization of people with problems which are mainly structural.

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own.