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"Death After Life" was the lucky successor of the incredible "Mondo Medicale". The 2005 album was instantly recognized as another fine collection of medically-themed lyrics and brutal sound. Once again, Impaled delivered a relentless assault: crushing guitar riffs, blast beats and guttural vocals. Critics and fans praised the album's groove, memorable hooks, and well-placed melodic guitar lines and harmonies.

With their fourth album "Cosmocrator", KHNVM are entering a downward spiral into the abyss of the human experience. The death metal brainiacs explore the crossroads of psychology, philosophy, and spirituality. The album title "Cosmocrator" carries a dual significance. It symbolises the "Ruler of the World" and, within religious vocabulary, also stands for "Satan". This reflects the album's exploration of common phenomena, expressed through an adrenaline-fueled artistic lens. With the thought-provoking lyrics and harsh yet to the point musicality of "Cosmocrator", KHNVM promise not to just deliver on musical terms but also to captivate those who are drawn to complex narratives and philosophical depth. KHNVM are a death metal band that has walked the line between old school death metal and contemporary influences without stumbling. Fronted by Bangladeshi-born guitarist and vocalist Obliterator, the band was founded and is firmly based in Germany. When KHNVM entered the scene with their debut album "Foretold Monuments of Flesh" on Testimony Records in 2019, they were immediately met with acclaim both from critics and fans alike. In the wake of the second album, "Portals to Oblivion" (2021), KHNVM began to perform live. Meanwhile, KHNVM have toured, entered stages at many festivals, and played headliner and support shows across Europe. With "Cosmocrator", KHNVM offer a dual approach: The easy way is to enjoy the album simply for its outstanding musical merit. Yet there is also the far more winding path to take with its intricate lyrics and rich thoughts to be analysed, explored, and discussed for many years to come - and new meanings to be found as well as discoveries of fresh ideas to be made with each new turn!

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

"The viking metal skald, Burden of Ymir, has returned with a renewed sense of ferocity and a tale of myth, magick, and struggle on the epic sixth full-length album, The Long Winter."

Six panels digipak CD

Mike Lamb (Sojourner) and Heike Langhans (Sojourner, ex-Draconian) are back with their personal gothic/doom project, Remina. The duo’s sophomore album, The Silver Sea, will follow their 2022 debut Strata and will be released on October 24th 2025 on CD and digital, once again via Avantgarde Music. Here follows the band’s statement.

The Silver Sea was written over the three year period following the release of our debut album Strata, and it is the product of the changes we experienced as both a band and on a personal level.

Remina took to the stage for the first time in 2023, and through this process we got to spend a lot of time in beautiful northern Italy bringing to life live versions of our songs with our excellent live lineup. The process of seeing how our sound translated to a live setting ultimately impacted how we approached this album. We didn't want to deviate from our vision for the band or the sound, but we did incorporate a much more musically 'direct' approach in the way the songs were written this time around. This was helped massively by the excellent drum tracking of Shayne Roos, who lifted our original ideas to an entirely new level. We are also honored to be joined by guest vocal spots from two musicians we greatly look up to, Mick Moss of Antimatter (Algol) and Tony Dunn of Sgàile (Vanta Ray).

On a personal level, we were dealing with the decision of having to uproot our lives in Europe and move back to New Zealand to be closer to family. The weight of the decision to move across the world, so far from the lives we had built, was reflected in the overarching themes and atmosphere of the album. While each song deals with its own subject matter, there is an overarching story running throughout as an invisible thread tying the album together. 

Six panels digisleeve CD

Official release of Ad Nauseam's Live performance in Tilburg (Roadburn Festival) on 21/04/23

Six panels digipak CD

ANFAUGLIR was forged by US multi-instrumentalists Lord Bauglir and Griss as an exploration in storytelling through epic symphonic Black Metal. Based upon the works of J.R.R. Tolkien, the duo aim to match the source material's scope and grandeur with unique cinematic compositions which transport listeners directly to Middle-earth.

Originally active 2004-2010, when they released cult 2008 debut album "Hymns over Anfauglith", ANFAUGLIR are now resurrected in glorious style to unleash a new suite of rousing, emotive and triumphant longform manifestations of a legendary mystical world.

Avoiding traditional song structures, the immaculately-produced new opus "Akallabêth" - meaning 'The Downfallen' in Adûnaic, the language of Tolkein's Númenoreans - is written and arranged in the vein of a traditional classical symphony. Themes and melodies develop, recur and transform, entwining delicately rapturous motifs with violent tragedy through the vastness of multi-layered orchestration, choral majesty, evocative chamber-work and sweeping Black Metal.

Formed in 2024 by the guitarist/bassist Sz. I. (Shodan) & the vocalist S. (Mānbryne, Blaze of Perdition), then joined by the drummer KwB (Owls Woods Graves) shortly after, Stellar Blight offers a striking and catchy take on highly energetic metal of death in the vein of late Dissection, Wayfarer or Tribulation, while also not shying away from traditional heavy metal roots.

“Eventide: Synod of the Dying Stars” is the band’s debut full-length album consisting of 10 tracks spanning over 40+ minutes of death driven heavy metal. Recorded at Sound of Records & Studio Roslyn and currently being mixed and mastered by Satanic Audio.