CD

Before Chat Pile took on sold out tours and widespread critical acclaim, they played Roadburn 2023, their biggest show to date, in front of a packed room of 3,000 on the festival's main stage. Fresh off the release of God’s Country, the Oklahoma quartet brought their suffocating, sludgy noise rock to Tilburg for their first ever European performance, delivering a set that felt like a milestone. The bleakness, the anguish, the raw absurdity—it all scaled up effortlessly, proving that Chat Pile’s chaos could consume any audience, no matter the size.

The set was recorded and later remixed by the band’s longtime engineer Jared Stimpfl, capturing the full weight of the performance. The result is something both massive and unrelenting, a document of Chat Pile at a pivotal moment, pushing their sound to its heaviest and most visceral extremes.

After the 2023 debut album “Hiding Amongst Humans” ArsGoatia pursue their chaotic and psychedelic musical agenda. "Agitators Of Hysteria" is a stirring black metal expression where you can find something infectious in every track. An uncompromising attack that leaves you shivering in anticipation of what's next. A sonic nightmare with unimaginably beautiful guitars, imbued with the furious call from the hottest point of Hell…“

„Agitators Of Hysteria“ is ArsGoatias second album. Furious outbursts, emerging from the bottom of an impenetrable abyss, preaching Luciferian truths, imbued with perversion, sinister malice, unrelenting violence and death.

Released in a cross-shaped 9-panel Digipak with blue hotfoil embossing on lettering & artwork.
 

With their fourth full-length "Solastalgia", the German purveyors of soaring post metal work their way to their innermost core and deliver what is easily their most vulnerable and accessible record to date. "Solastalgia describes the grief over the loss of the natural world," the band explains. The very existence of such a term brutally exposes our alienation from this planet. While some of the albums’ songs deal with environmental issues, others focus on personal feelings and the challenges of human existence in a rapidly changing world. Heretoir has always been pure emotion. The pain of modern life set to music. And yet the desperate beauty of "Solastalgia" proves to be an unlikely source of comfort.
The joint songwriting of David, Matthias and Nils creates the new sound of Heretoir. After exploring their dark and grim side on "Nightsphere", Heretoir have gone in a different direction this time. The songs of "Solastalgia" cover a wide range of emotional and heavy music. From Modern Metal to Black Metal to Post Rock to maybe even Screamo. Whatever you want to call it: essentially, this is pure melancholy and a spark of hope in utter darkness.

From moniker to visual aesthetic and especially to the sonics themselves, HERALDIC BLAZE are encapsulating the oft-nebulous "medieval black metal" idiom with startling aplomb. While it's often difficult to discern exactly what medieval BM is other than a pithy "I know it when I hear it," HERALDIC BLAZE leave no doubt as to their intentions.

Witness their debut demo, Blazoned Heraldry. The duo of American multi-instrumentalist Argent Pale (vocals, bass, flute) and Norwegian guitarist Peregrinus (HJEMSØKT, SOLUS GRIEF, KVAD, UNHOLY CRAFT) create a spellbinding tapestry of rustic tones and textures. In fact, on texture alone - kinda clean and clanging, yet with more than a hint of ghostly grit and almost surfy reverb - HERALDIC BLAZE stand out, but it's how they utilize those textures in the service of songwriting: winding and wild, frothing up to an almost-dangerous delirium, but more often than not leaving wide-open spaces to let their medieval melodicism bend and sway with bravado and bittersweetness. And as actual flute flutters in from time to time, the sum effect, more often than not, is ALIEN - unsettling and alluring in equal measure.

While "merely" a demo recording, HERALDIC BLAZE's first work already trounces most modern works of "black metal." Unorthodox and unbound, Blazoned Heraldry is mandatory listening for fans of Sühnopfer, Ungfell, Grylle, Heltekvad, and particularly mid-2000s Peste Noire.

CD in 8-page Digipak with 12-page folded booklet - Live at Parktreatet in Oslo

For three decades, 1349 have embodied the original spirit of black metal. Since manifesting from Oslo’s underground in the late ‘90s, the cold and hellish Norwegians have appeared at major European festivals such as Wacken Open Air and Hellfest and toured internationally with the likes of Celtic Frost, Cannibal Corpse and Carcass. Now, fresh from the ashes of eighth album ‘The Wolf & The King’, the band are releasing a new live recording entitled ‘Winter Mass’.
Taped shortly after pandemic lockdown was lifted, ‘Winter Mass’ explodes out the gates with 1349’s aural hellfire. During their set at Parkteatret in front of their home crowd, the band summon a career-spanning range of apocalyptic spells from their massive cauldron of chaos. Early classics like “Sculptor of Flesh” thrash with unchained madness and recent favorite "Striding the Chasm" whips by at a blistering pace that could only be captured by cover artist Kim Diaz Holm, who drew the album’s artwork while headbanging in the pit. "I will always be here / In all ways in all times", snarls Ravn on hellacious cut "I Am Abomination". After three decades and counting, what was once a proclamation is now a testament to 1349's enduring firepower.
Experience aural hellfire in the flesh back where it all began with ‘Winter Mass’.

For fans of MARDUK, CELTIC FROST, BEHEMOTH, MAYHEM, IMMORTAL.

CD incl. bonus track "Assertion" in Digipak with 24-page deluxe booklet on matt coated paper.

Emerging from the Belgian underground in 1993, ENTHRONED have stood as one of black metal’s enduring forces, their legacy defined by uncompromising vision and ritualistic intensity. Over three decades, the band has refined their craft into an artform of esoteric violence and transcendence.
Their new opus ‘Ashspawn’ embodies six years of ritual creation and total artistic unity. Written in collaboration with occult author Gilles de Laval, the album charts a descent into spiritual death and a transformative rebirth, framed by a lyrical architecture of demonology, ritual praxis, and metaphysical calculus. Musically, it is ENTHRONED’s most ferocious and personal work to date: a relentless fusion of blast beats, oppressive mid-tempos, and solos oscillating between chaos and virtuosity. Tracks such as “Raviasamin”, “Ashspawn”, and “Ashen Advocacy” channel this doctrine into ritual soundscapes that convulse between violent catharsis and crushing introspection.
Every note and silence are deliberate; a weapon forged for transformation rather than entertainment. ‘Ashspawn’ is not an echo of past glories, but a culmination of ENTHRONED’s essence: dark, authentic, and absolute.

For fans of MARDUK, DARK FUNERAL, GORGOROTH, 1349.